Book 2 covers the early years of 1981-1983, when Hip Hop has made a big transition from the parks and rec rooms to downtown clubs and vinyl records. The performers make moves to separate themselves from the paying customers by dressing more and more flamboyantly until a young group called RUN-DMC comes on the scene to take things back to the streets. This volume covers hits like Afrika Bambaataa’s "Planet Rock," Grandmaster Flash and the Furious Five’s "The Message," and the movie Wild Style, and introduces superstars like NWA, The Beastie Boys, Doug E Fresh, KRS One, ICE T, and early Public Enemy. Cameos by Dolemite, LL Cool J, Notorious BIG, and New Kids on the Block(?!)! Featuring an introduction by Wild Style director Charlie Ahearn.
"Simon Hanselmann is the real deal, for sure. He captures that stoner stay-at-home life so accurately that I actually find his comics really depressing and thank God I don't ever have to hang out with anybody like that ever again." – Daniel Clowes
"Megahex is basically about a bunch of people (and "people") watching TV and getting wasted and fighting and fucking and pranking each other. Oh, and depression. What's not to love?!" – Peter Bagge
21: The Story of Roberto Clemente by Wilfred Santiago is coming out soon in a new paperback edition, and this first glimpse of the printer's advance copy is promising indeed! Detailing the tragically short life of Puerto-Rican baseball player Roberto Clemente—the first Latino player to be inducted into the Baseball Hall of Fame—21 takes us deep into Puerto-Rican culture and history, as well as the entrenched racial tensions of mid-20th-century America.
Collecting 101 noir movie posters of, arguably, the greatest noir films ever made in the genre (including classics The Maltese Falcon, Laura, and Double Indemnity). Reproduced in a stunningly designed, oversized format that shows off the spectacular visual elan of Hollywood movie posters at their best, the book is not only a stunning showcase of film noir art, but also establishes the crucial films and identifies their key characteristics, with critical commentary on each film by editor and scholar Mark Fertig. This is an ideal handbook for noir rookies, a valuable resource for old-hats, and a visual feast for fans of film noir and American entertainment art.
"For those of you who weren’t lucky enough to meet the mad geniuses who created comics, Drew Friedman’s art gives you the best chance you’re going to have to see them through their smiles, the eyes that dreamed up fantastic worlds, and to get a hint of the lives they led." –Paul Levitz
"When Drew Friedman does something, you know it is much better than merely excellent. Here he salutes the pioneers, masterminds, and geniuses of a graphic form that delighted, excited, and scared the hell out of us. And we were enthralled by every panel." –Arnold Roth
"I am a cockeyed fan of the astonishingly wonderful artist/caricaturist Drew Friedman and his merciless honesty. It has been delightful to watch Friedman chase Hogarth, Kley, Nast, and them guys over the hill. He is to art what Guernica was to human observation." –Harlan Ellison
Equal parts curated trash-culture imagery and multimedia collage—interspersed with exposition on the relationship between art and trash—the 220-page, full-color SuperTrash is an assault on the senses. This new title by Jacques Boyreau, a sequel to his 2002 work, Trash: The Graphic Genius of Xploitation Movie Posters, delves into the gonzo archives of 20th century design to seek out and dissect the co-dependencies of art and trash.
Tied loosely together by the experience of wandering, the collection of short stories in The Lonesome Go represents Tim Lane's continued exploration of "existential Americana." And the richly-drawn, detailed pages invite contemplation, rereading, and a wandering experience for the reader as well.
At Comic-Con last week, we completely sold out of our booth copies of Lucy Knisley's upcoming travellogue, An Age of License! For those of you who weren't able to snag a copy then, here is a peek inside Knisley's latest memoir. More photos and video to come soon, and the book is due to land on bookstore shelves and at our warehouse in September.
Shimura Takako’s groundbreaking, critically acclaimed, and beloved Wandering Son continues to explore gender identity among its cast of middle school students in our 7th volume. Nitori-kun gets his first signs of acne. This may well be the end of the world. But when he turns to nationally famous model Anna-chan for help, events take an unexpected turn. Meanwhile, Nitori-kun and Chiba-san are scouted by the theater club after the success of their gender-bending play, The Rose of Versailles. But when Takatsuki-san congratulates Chiba-san, Chiba-san calls her a hypocrite. If Takatsuki-san wanted to join the theater club, she wouldn’t congratulate Chiba-san — she’d be jealous. So says Chiba-san, but what does she know?
Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth in the '30s, through the brilliant artists and writers behind EC Comics in the '50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Wertham... it's a Hall of Fame of comic book history from the man Boing Boing calls "America's greatest living portrait artist!"
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