The debut graphic novel from Noah Van Sciver follows the twentysomething Abraham Lincoln as he loses everything, long before becoming our most beloved president. Lincoln is a rising Whig in the state’s legislature as he arrives in Springfield, IL to practice law. With all of his possessions under his arms in two saddlebags, he is quickly given a place to stay by a womanizing young bachelor who becomes his friend and close confidant. Lincoln builds a life and begins friendships with the town’s top lawyers and politicians. He attends elegant dances and meets an independent-minded young woman from a high-society Kentucky family, and after a brisk courtship, becomes engaged. But, as time passes and uncertainty creeps in, young Lincoln is forced to battle a dark cloud of depression brought on by a chain of defeats and failures culminating into a nervous breakdown that threatens his life and sanity. This cloud of dark depression Lincoln calls “The Hypo.”
Dense crosshatching and an attention to detail help bring together this completely original telling of a man driven by an irrepressible desire to pull himself up by his bootstraps, overcome all obstacles, and become the person he strives to be. All the while unknowingly laying the foundation of character he would use as one of America’s greatest presidents.
"Noah Van Sciver has brought new soul to this hard, weird time in Lincoln's life. The Hypo is a story of suffering & yearning, artfully told." — Joshua Wolf Shenk, author of Lincoln's Melancholy
"Noah Van Sciver has developed a storytelling style that I find enormously appealing. In this book he's used that style to create a vivid and engaging portrait." — Chester Brown, author of Louis Riel
Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend’s idea about “cultural and temporal collision” (the “Dal” is short for Dallas).
Why Texan and Japanese? Panter says, “Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”
In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade. But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn’t read Dal Tokyo; one is absorbed into it and spit out the other side.
344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-572-3
Ships in: August 2012 — Available to order upon its arrival in our mail-order warehouse.
Peanuts reaches the middle of the go-go 1980s in this book, which covers 1985 and 1986: a time of hanging out at the mall, “punkers” (you haven’t lived until you’ve seen Snoopy with a Mohawk), killer bees, airbags, and Halley’s Comet. And in a surprisingly sharp satirical sequence, Schulz pokes fun at runaway licensing with the introduction of the insufferably merchandisable “Tapioca Pudding.”
Also in this volume: Peppermint Patty wins the “All-City School Essay Contest” with her “What I Did During Christmas Vacation” essay but snatches defeat from the jaws of victory with a disastrous acceptance speech… Charlie Brown, Linus, Sally and Snoopy go to “rain camp” one year, and “survival camp” the next… The World War One Flying Ace gets the flu and is nursed back to health by a French Mademoiselle (Marcie)… Sally gives Santa Claus a heart attack (literally!)… Lucy talks Charlie Brown into posing in swimtrunks for their school’s “Swimsuit issue”… Peppermint Patty gains a crabby tutor… Linus suffers a crisis when addressed for the first time as “Mister”… plus another return appearance by Molly Volley, Snoopy’s accidental destruction of his dog house (with a cannon!), and lots of near-Beckettian strips set in the desert starring this volume’s cover boy, the one and only Spike!
This volume's introduction is by comedian and actor Patton Oswalt (Big Fan, Young Adult, Ratatouille).
It’s another two years of hilarious, heart-warming strips from the great Charles M. Schulz.
two 344-page black & white hardcover volumes in a custom 8.75" x 7.125" x 3" slipcase • $49.99 ISBN: 978-1-60699-573-0
Ships in: August 2012 — Available to order upon its arrival in our mail-order warehouse.
A boxed set of the seventeenth and eighteenth volumes of The Complete Peanuts, designed by the award-winning graphic novelist, Seth. Shipping shrinkwrapped, with volumes 1983-1984 and 1985-1986 packed in a sturdy custom box designed especially for this set, it's the perfect gift book item. (For more information on the contents of each volume, see the individual product listings linked above.)
"The Complete Peanuts has framed Charles Schulz’s enduring masterpiece about as well any lifelong fan could’ve hoped." – "The Best Comics of the '00s: The Archives", The A.V. Club
Sexytime is the book that pornoisseurs all over the world have anxiously been waiting for. Not that grade drooler, the porn addict, mind you, but the porn aesthete, the porn classicist who knows his stag film history and lives by the credo, Veni ergo sum.
An oversized coffee table book celebrating the art of the 1970s porn movie poster, Sexytime collects over a hundred of the most outrageously over-the-top porn movie posters of the era. It includes “classics” like The Sex-Ray Machine, Candy Goes to Hollywood, and The Senator’s Daughter starring such ’70s porn stalwarts as Annie Sprinkle, John Holmes, and Seka.
This is the book for those who harbor a healthy, passionate yet tortured curiosity and appreciation, in short, a total jones for retro design mixed with brazen sexuality, who want to discover a secret, blushing school of design that is uniquely controversial to this day. Selected with heat sensitive attention to detail and accompanied by a brain-ripping narration on the rise of “post-porn” by Jacques Boyreau, this collection of pristinely re-mastered movie posters from the golden age of American porn is a portrait of taboo-busting 1970s “porno chic” erotomania. Accept no substitutes.
Order this volume and get Vol. 1 and/or Vol. 2 for $29.99 each; that's 25% off! Make your selection using the menu above.
“Crane’s work is sheer energy. It’s somewhere between Crane and E.C. Segar that (Carl Barks’ beloved) Donald Duck got forged; the kind of ruddy-cheeked adventurousness that underlies the content is certainly the same work that moves Donald and his nephews through their stories.” —Art Spiegelman
The third volume in Fantagraphics’ ongoing reprint of Roy Crane’s legendary comedy-action series features what many consider the absolute peak of the series: “Temple of the Swinks,” in which Wash and Easy discover an ancient temple with statues of an unknown animal called a swink... a real-life specimen of which shows up!
In other stories, Wash and Easy sail for Singapore aboard a dhow with a cargo of wild animals, crash land a plane on an island inhabited by (inevitably) pirates and (just as inevitably) beautiful women, and sail the South Seas in a schooner whose villainous captain plans to rob them. When they return to America, Wash Tubbs’ pet swink draws huge crowds and a reputation for being worth a million dollars. Then Wash and Easy travel to Peru to rescue an American lost in the jungle and, in the cover-featured story, Easy goes deep sea diving in search of a beautiful girl’s lost diamond.
This week's comic shop shipment is slated to include the following new title (contact your local shop to confirm availability and U.S. holiday hours), which is also now available and shipping from our mail-order department:
Linda Medley continues to gather loose ends and drop new hints in this new issue of the beloved series. Chess has a surprising revelation about the identity of baby Pinter's father — could it be tied in with the war? The Hammerlings Dayne & Tolly bid farewell to the castle, but not before leaving behind a surprise gift which Rackham discovers later (along with the strange gift Dr. Fell left in an earlier issue). Sister Peace has a tete-a-tete with the demon Leeds regarding religious artifacts — did you know demons collect them? Simon struggles with his reading lessons until Jain helps him have a breakthrough. And Jain faces off with the castle ghost!
Preview the first 3 pages (click each image to enlarge):
Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.
No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine’s 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have flirted with the world of LGBTQ comics, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.
These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.
"I discovered... what I was looking for, a queer world with stories and characters that I could recognize, that I could laugh with and care about. What I needed was a book like this: hairy legs and all." – Lana Wachowski (The Matrix, Bound), from her introduction
"We've all been waiting too long for a collection like this! You must buy this book!" – Alison Bechdel (Fun Home, Dykes to Watch Out For)
Significant Objects began in 2009 as a bold online inquiry into the relationship between narrative and the value of everyday objects. It has been the subject of speculation by everyone from NPR to litbloggers to The New York Times’ Freakonomics crew. Some theorized about the project’s hypothesis, others about its methods and results. Others just wanted to know if there would be a book collection. The answer is yes. A collection of one hundred Significant Objects stories is published in this hardcover volume.
This represents the latest plot twist yet to the story of a very unlikely project that began as an experiment, turned into an experimental literary magazine secretly published on eBay, and currently raises money for youth tutoring nonprofits.
Founded by Joshua Glenn and Rob Walker, SignificantObjects.com has published an extraordinary series of 200 stories and counting — by William Gibson, Curtis Sittenfeld, Sheila Heti, Colson Whitehead, Nicholson Baker, Meg Cabot, Gary Panter, Ben Katchor, Lydia Millet, Jonathan Lethem, and other talented writers — about ordinary stuff like novelty items, discarded souvenirs, and tasteless kitchenware picked up cheap at thrift stores and yard sales. The goal: To see if commissioning great stories about these insignificant things would increase their value — as measured in actual eBay auctions.
The experiment, in short, was a smash hit. As will be the Significant Objects book, which features 100 moving, absurd, surprising, and always entertaining stories from the project’s three volumes. It will change the way you look at things, forever.
Order this or any other Love and Rockets book and receive this FBI•MINI comic shown at left as a FREE bonus! Click here for details. Limit one per customer while supplies last.
A rare foray into all-ages work, “The Adventures of Venus” was Gilbert Hernandez’s contribution to the kids’ anthology Measles which he edited in 1999 and 2000. This super-affordable little hardcover collects all the previously uncollected “Venus” stories from Measles in which Luba’s niece creates and collects comic books, walks through a scary forest, plays soccer, schemes to get the cute boy she likes, laments the snowlessness of a California Christmas, catches measles, and travels to a distant planet (OK, the last one may be a dream). Plus a new story done just for this book!
248-page full-color 7.5" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-535-8
Ships in: Any day now to our North American mail-order customers! Pre-Order Now
Since Fantagraphics’ first release in this series focused on Donald Duck, it is only right that the second focus on Carl Barks’s other great protagonist, and his greatest creation: The miserly, excessively wealthy Scrooge McDuck, whose giant money bin, lucky dime, and constant wrangles with his nemeses the Beagle Boys are well-known to, and beloved by, young and old.
This volume starts off with “Only a Poor Old Man,” the defining Scrooge yarn (in fact his first big starring story) in which Scrooge’s plan to hide his money in a lake goes terribly wrong. Two other long-form classics in this volume include “Tralla La La” (also known as “the bottlecap story,” in which Scrooge’s intrusion has terrible consequences for a money-less eden) and “Back to the Klondike” (Barks disciple Don Rosa’s favorite story, a crucial addition to Scrooge’s early history, and famous for a censored bar brawl that was restored in later editions). Each of these three stories is famous enough to have its own lengthy Wikipedia page.
Also in this volume are the full-length “The Secret of Atlantis,” and over two dozen more shorter stories and one-page gags.
Newly recolored in a version that combines the warm, friendly, slightly muted feeling of the beloved classic original comic books with state-of-the-art crispness and reproduction quality, the stories are joined by another volume’s worth of extensive “Liner Notes,” featuring fascinating behind-the-panels essays about the creation of the stories and analyses of their content from a world’s worth of Disney and Barks experts.
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