Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth in the '30s, through the brilliant artists and writers behind EC Comics in the '50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Wertham... it's a Hall of Fame of comic book history from the man Boing Boing calls "America's greatest living portrait artist!"
Frank is, as everyone knows, Jim Woodring's bestselling cartoon character. Jim, on the other hand, is Woodring's cartoon alter ego, the fictional doppelganger who has for 30 years inhabited Woodring's alternate universe where shifting, phantasmagoric landscapes, abrupt, hallucinatory visual revelations, and unexpected eruptions of uninhibited verbal self-flagellation are common- place. Jim is a mind-bending collection of all of Woodring's best non-Frank creative work — comics stories, prose stories, drawings, and paintings, with a new introduction and afterword by the man himself. Abounding in metaphors if you choose to see them and naked self-disclosure if you don't, this volume of comics, prose, and images — collected here for the first time — is a bounty of Woodring's inspired artistry.
Get ready to kick back, relax, and light up a joint with us as we…Um, we—what were we doing?
Oh yes! Office copies of Simon Hanselmann's eagerly awaited debut collection, Megahex, have hit our desks, and we are ecstatic to finally see this beloved webcomic in printed form, beautifully bound in hardcover. Whether you're a first time reader or longtime fan of Hanselmann's Megg, Mogg, and Owl comics, make sure to check out our downloadable preview to cool your cravings. The book is available for presale and is expected to hit stores in a month or so!
Joe Sacco has long been known and praised for his work in comics journalism, with such titles as Palestine, Safe Area Gorazde, and The Fixer garnering widespread acclaim in The New York Times, TIME magazine, NPR, and The Los Angeles Times Book Review. Now, Sacco is returning to his satirist and underground cartoonist roots with the upcoming title BUMF Vol. 1: I Buggered the Kaiser.
Here in all its unfettered glory: the final slipcase cover art for Daniel Clowes' highly anticipated The Complete Eightball 1-18! This mouthwatering, two-volume hardcover slipcase will include over 450 pages of vintage Clowes artwork, some never before reprinted, AND brand new artwork that Clowes created specifically for this set!
Here's your first look at Carl Barks' The Ghost of the Grotto, due out later this fall. Sunken ships, a giant octopus, an ominously named reef, and a centuries-old mystery in the West Indies—plus many other short stories besides—await you between these covers!
Eleanor Davis's How to Be Happy is the artist's first collection of graphic/literary short stories, and it’s about time. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such connoisseurial venues as Mome, Nobrow, and Lucky Peach, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills — sketchy drawing, polished pen-and-ink line work, and meticulously designed full-color painted panels — which are always in the service of a narrative that builds to a quietly devastating climax.
Helen is an amateur bird watcher and naturalist who lives in a rural community in Wales. When local farmer Bill tells Helen that a "rare bird" named Emrys killed himself at Cuddig farm, she decides to investigate. One of the dogs at the farm tells her, by way of explanation, that Emrys "had no feathers and couldn’t fly." She plucks an old cosmetic kit from a dumpster and discovers it belonged to Emrys. Inventorying the kit's contents, she finds a spent .12 gauge shotgun shell. Her attempt to learn more about Emrys turns into a journey of self-discovery and ultimately a hard-fought reconciliation with the world — as it is. Carol Swain's Gast is the rare kind of contemporary graphic novel that critics are conjuring when they exult over the promise of the art form — a philosophically mature vision, uniquely executed by an artist wholly in control of her craft. In Gast, Helen's inner life is slowly revealed through a mixture of naturalistic detail and phantasmagoric occurrences.
It's one harebrained adventure after another when Donald Duck and his incorrigible nephews Huey, Dewey, and Louie are at the helm. While aboard a kelp-harvesting boat in the West Indies, the entrepreneurially-minded ducks find themselves in the middle of a centuries-long mystery: a kidnapping every fifty years by a ghost in armor. This time, the ghost is after one of Donald's nephews!