Collecting 101 noir movie posters of, arguably, the greatest noir films ever made in the genre (including classics The Maltese Falcon, Laura, and Double Indemnity). Reproduced in a stunningly designed, oversized format that shows off the spectacular visual elan of Hollywood movie posters at their best, the book is not only a stunning showcase of film noir art, but also establishes the crucial films and identifies their key characteristics, with critical commentary on each film by editor and scholar Mark Fertig. This is an ideal handbook for noir rookies, a valuable resource for old-hats, and a visual feast for fans of film noir and American entertainment art.
"For those of you who weren’t lucky enough to meet the mad geniuses who created comics, Drew Friedman’s art gives you the best chance you’re going to have to see them through their smiles, the eyes that dreamed up fantastic worlds, and to get a hint of the lives they led." –Paul Levitz
"When Drew Friedman does something, you know it is much better than merely excellent. Here he salutes the pioneers, masterminds, and geniuses of a graphic form that delighted, excited, and scared the hell out of us. And we were enthralled by every panel." –Arnold Roth
"I am a cockeyed fan of the astonishingly wonderful artist/caricaturist Drew Friedman and his merciless honesty. It has been delightful to watch Friedman chase Hogarth, Kley, Nast, and them guys over the hill. He is to art what Guernica was to human observation." –Harlan Ellison
Equal parts curated trash-culture imagery and multimedia collage—interspersed with exposition on the relationship between art and trash—the 220-page, full-color SuperTrash is an assault on the senses. This new title by Jacques Boyreau, a sequel to his 2002 work, Trash: The Graphic Genius of Xploitation Movie Posters, delves into the gonzo archives of 20th century design to seek out and dissect the co-dependencies of art and trash.
Tied loosely together by the experience of wandering, the collection of short stories in The Lonesome Go represents Tim Lane's continued exploration of "existential Americana." And the richly-drawn, detailed pages invite contemplation, rereading, and a wandering experience for the reader as well.
At Comic-Con last week, we completely sold out of our booth copies of Lucy Knisley's upcoming travellogue, An Age of License! For those of you who weren't able to snag a copy then, here is a peek inside Knisley's latest memoir. More photos and video to come soon, and the book is due to land on bookstore shelves and at our warehouse in September.
Shimura Takako’s groundbreaking, critically acclaimed, and beloved Wandering Son continues to explore gender identity among its cast of middle school students in our 7th volume. Nitori-kun gets his first signs of acne. This may well be the end of the world. But when he turns to nationally famous model Anna-chan for help, events take an unexpected turn. Meanwhile, Nitori-kun and Chiba-san are scouted by the theater club after the success of their gender-bending play, The Rose of Versailles. But when Takatsuki-san congratulates Chiba-san, Chiba-san calls her a hypocrite. If Takatsuki-san wanted to join the theater club, she wouldn’t congratulate Chiba-san — she’d be jealous. So says Chiba-san, but what does she know?
Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth in the '30s, through the brilliant artists and writers behind EC Comics in the '50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Wertham... it's a Hall of Fame of comic book history from the man Boing Boing calls "America's greatest living portrait artist!"
Frank is, as everyone knows, Jim Woodring's bestselling cartoon character. Jim, on the other hand, is Woodring's cartoon alter ego, the fictional doppelganger who has for 30 years inhabited Woodring's alternate universe where shifting, phantasmagoric landscapes, abrupt, hallucinatory visual revelations, and unexpected eruptions of uninhibited verbal self-flagellation are common- place. Jim is a mind-bending collection of all of Woodring's best non-Frank creative work — comics stories, prose stories, drawings, and paintings, with a new introduction and afterword by the man himself. Abounding in metaphors if you choose to see them and naked self-disclosure if you don't, this volume of comics, prose, and images — collected here for the first time — is a bounty of Woodring's inspired artistry.
Get ready to kick back, relax, and light up a joint with us as we…Um, we—what were we doing?
Oh yes! Office copies of Simon Hanselmann's eagerly awaited debut collection, Megahex, have hit our desks, and we are ecstatic to finally see this beloved webcomic in printed form, beautifully bound in hardcover. Whether you're a first time reader or longtime fan of Hanselmann's Megg, Mogg, and Owl comics, make sure to check out our downloadable preview to cool your cravings. The book is available for presale and is expected to hit stores in a month or so!