"There's no way Jack Kerouac, along with every other self-consciously cool person in New York, wasn't reading this. O'Malley turns into Neal Cassady, the guy who's not quite human, who never shuts up, who drives you crazy, and who can make anything happen, just like that." – Griel Marcus, The Believer
"…[Barnaby] radiates human warmth and whimsy... The artist's brilliantly-written characters... keep their feet planted in the all-too-real world of 1940s America while flying off on pink wings into one of the greatest fantasy strips ever made." – Art Spiegelman
“Yes, there are dozens of other strips worth rereading, but none are this Great; this is great like Beethoven, or Steinbeck, or Picasso. This is so great it lives in its own timeless bubble of oddness and truth...” – Chris Ware
"I think, and I’m trying to talk calmly, that Barnaby and his friends and oppressors are the most important additions to American arts and letters in Lord knows how many years." – Dorothy Parker
Disney’s greatest villain steals the spotlight! The vile Phantom Blot — dressed head-to-foot in his ghostly black cloak — is turning Mouseton upside down and leaving a trail of danger and destruction behind! Can Mickey thwart his plans? Our latest book also finds Mickey battling "Mighty Whalehunter" Pegleg Pete on the high seas and meeting a powerful genie! Lovingly restored from Disney's original proof sheets, this volume also includes more than 30 pages of extras! You'll enjoy rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a most-wanted list of Disney scholars. Walt Disney often said that his studio's success "all started with a Mouse" — now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson's Mickey Mouse. Edited by Disney historian David Gerstein and Gary Groth.
When the formulaic constraints, censorious nature, and onerous lack of creator's rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-published witzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzend in this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz.
How did a nervous, creative kid from a normal family in Nebraska grow up to make some of the most outrageous, transgressive, Id-ful comics ever put to paper? You'll find the answer — and the comics — in Pirates in the Heartland, the first book in our 3-volume biography and retrospective of S. Clay Wilson by Patrick Rosenkranz. Wilson, of course, is a member of the Zap Comix collective and creator of the Checkered Demon; Rosenkranz is one of the preeminent authorities on underground comix and the author of the definitive history of the genre, Rebel Visions. Their mighty powers combine in this essential series that takes an unflinching look at the man and his work.
In our downloadable excerpt, read about Wilson's childhood in the heartland, see some of his youthful artwork, and read some of his earliest underground comix stories with, yes, pirates. Expected availability is in about 8 weeks, give or take;pre-sale is on now!
The team of Harvey Kurtzman and John Severin was one of the most fruitful collaborations in the history of comics. The work they did combines the taut emotional and psychological insights of Stephen Crane with a verisimilitude so gritty that it seems as if they are reporting from the scene. Together with inker and friend Will Elder, whose own obsession for detail perfectly heightened the impact of every line, they produced 34 war stories — emotionally draining and dramatically eloquent — in just under three years. This book collects them all. Settings include: the Roman empire; the Revolutionary War; the American-Indian Wars; the Alamo; the Civil War; World War I (in the trenches and in the air); World War II (in the Pacific and in Europe, including the D-Day invasion); and the Korean War.
"The minute you looked at his artwork you knew you were looking at a John Severin illustration; it could be no one else. Besides his inimitable style, there was a feeling of total authenticity to whatever he drew, whether it was a Western, a crime story, a superhero saga or a science fiction yarn." – Stan Lee
"Charles Schulz was an innovative genius of American comics and also the marathon man, drawing strip after strip, writing the storyboards for the TV specials, creating a fantasy world that connected kids as well as adults, and all based on powerful iconic characters who express deep feelings of loneliness and resentment and despair." — Garrison Keillor, from his introduction
"All of these books are essential purchases for comics fans… These are the books that best show off how EC took genre stories seriously, striving to create comics that didn't treat readers as naive or ignorant." – Los Angeles Times
"Fantagraphics' current series of handsome hardcovers makes familiar material fresh by focusing on individual artists... it's never been easier to appreciate the contributions of these iconic inkslingers." – Chicago Tribune
"...I am not only appreciative...but also very impressed. [The books] are spectacular packages of their featured artist and their stories." – Al Feldstein
"These collections show comics in a pure, unadulterated form. Before the Superhero frenzy, before '60s cynicism, and just before the Comics Code Authority started trimming all the gory and sexy fun from the pages with their seal of approval." – Under the Radar
"Charles Schulz was an American treasure — an artist, philosopher, and keen observer of human life." – Bill Clinton
"The Complete Peanuts has framed Charles Schulz’s enduring masterpiece about as well any lifelong fan could’ve hoped." – "The Best Comics of the '00s: The Archives," The A.V. Club
"The Complete Peanuts confronts us afresh with what a brilliant, truly modern and totally weird idea it was to create a comic strip about a chronically depressed child..." – TIME
"Fantagraphics has won numerous awards for this series and they deserve them all for creating such a wonderful archive of this American treasure. This series is a must have for any Peanuts fan and can be enjoyed by the whole family. I wouldn't miss a volume." – The Christian Science Monitor
"Fantagraphics' heroic project (designed with subtle, quiet beauty by the caroonist called Seth) enables us to glimpse the moment when 'good ol' Charlie Brown' could say with frowning vehemence, 'The rest of this day can’t possibly hold any good for me!'... [Grade:] A” – Entertainment Weekly