Love and Rockets enters its fourth decade with this installment of its acclaimed graphic novel-format iteration, featuring both old friends and new faces, and some genuine surprises...
The cover shows Gilbert's new star Killer in a pose and milieu that will bring back memories for long-time fans — imitating the hammer-wielding Luba in her adopted Palomar. That’s because Killer has discovered that her great-grandmother Maria (Luba's mother) starred in a late 1950s crime movie, and begins to delve into the details of her family's twisted history. Complicating things is the fact that Luba's half-sister Fritz played Maria in an amped-up bio-pic version of her life, creating a postmodern alternate version of the classic "Poison River" which originally told Maria's story (in a tie-in release, see the graphic novel version of this movie, Maria M. Book One)! In the other half of the book, Jaime continues to explore his intriguing new character Tonta: In "Fuck Summer," Tonta is talked into joining the summer swim team but can't figure out why the brand new swim coach knows her — so, with help from friends, she sets out to find the answer. Meanwhile, something far more sinister is brewing behind the scenes...
"With Naughty, Monte Schulz infuses old school noir with the depth and complexity of the best historical fiction — it’s what James M. Cain would’ve done with The Postman Always Rings Twice had he taken himself more seriously. Following his ill-fated lovers Joe and Ida down a rabbit hole teeming with greed, lust and ultimately, murder, readers will find themselves transported in time to late '50s California — where an ambitious looker like Ida could either get rich, or kill a few suckers like Joe trying." – Gar Haywood, author, Hollywood Cemetery Road
"Naughty is a book in the fine tradition of James M. Cain. Set in 1950s California, this compelling crime novel has all the noir elements: hard-boiled cops, treacherous women, fall guys, drifters, grifters, and schemers. And, of course, murder. Monte Schultz has written a book with memorable characters, atmospheric settings, and a hard-charging plot that will keep readers turning the pages." – Miles Corwin, author, Kind of Blue
Veteran Joe Krueger is drifting in 1950s California, looking for work wherever he can find it. Tired after a long drive, he stops at a boardinghouse and meets sweet — and sexy — Ida, who rents him a room. That very night, Ida tells him "Mother" and "Father" have run their auto over a cliff, then seduces him in the teary aftermath. Smitten now, Joe starts helping out around the boardinghouse, and the two marry. The honeymoon is over when a shocking series of events force the Kruegers down to San Francisco, where Ida is injured in a bus accident. Soon enough, insurance investigators have chased them out of the city to another town where Ida schemes to swindle a motel owner out of her property. Next, the motel owner and her crippled husband are missing, a water softener salesman is shot, and workmen are digging holes in Joe Krueger's basement.
Schulz shifts gears from his recent Jazz Age Trilogy, combining the exquisitely wrought language of those novels and a straight-for-the-throat pulpy narrative. Imagine the pathology laid bare in Don DeLillo's Libra fused with the sordid and desperate criminality of Jim Thompson's The Getaway, and the black humor of Bruce Jay Friedman.
Based on the true story of Iva Kroeger and her husband Ralph, who were indicted for the murders of Mildred and Jay Arneson in 1962, Naughty culminates in a trial: Ida, whose crimes have (only just) begun to catch up to her, is at her zenith, pleading insanity and playing the part to the hilt. The reader learns Joe's and Ida's fates via excerpts from authentic court documents. Naughty explores exactly what happens when "a swell-looking babe" is unleashed on real life, leaving marks, patsies, and bodies in her wake.
This 20th volume is particularly dense with romantic intrigue, as Marcie and Charlie Brown end up at camp together, sending Peppermint Patty into mad jealousy (especially since Marcie can't resist teasing her)... and an old friend of Charlie Brown's attempts to look him up again but confuses him with Snoopy and goes on a date with him instead.
But the most crucial event in romance is Charlie Brown's romance with Peggy Jean — even though he's so flustered in his first conversation with her that he ends up stuck with the name "Brownie Charles" for the duration of her relationship ("I kind of like it...").
This volume also introduces yet another Snoopy sibling, Olaf, who is humiliatingly invited to enter an ugly-dog contest (and, even more humiliatingly, wins). Plus lots of Zen-like Spike-and-cactus strips, Sally Brown non sequiturs, D-minuses for Peppermint Patty, and wise thoughts from Franklin's grandpa... Snoopy treks through the wilderness as the Beagle Scoutmaster and through the desert as the World Famous Sergeant of the Foreign Legion, Woodstock takes a whack at being the King of the Jungle, Lucy enjoys Michael Jackson on her boom box, Marcie's perfectionism leads to a crack-up, Pigpen runs for class president, Snoopy gets called to jury duty... and for a change, Lucy pulls the football out from under Charlie Brown.
"Charles Schulz was an American treasure — an artist, philosopher, and keen observer of human life." – Bill Clinton
"The Complete Peanuts has framed Charles Schulz’s enduring masterpiece about as well any lifelong fan could’ve hoped." – "The Best Comics of the '00s: The Archives," The A.V. Club
"The Complete Peanuts confronts us afresh with what a brilliant, truly modern and totally weird idea it was to create a comic strip about a chronically depressed child..." – TIME
"Fantagraphics has won numerous awards for this series and they deserve them all for creating such a wonderful archive of this American treasure. This series is a must have for any Peanuts fan and can be enjoyed by the whole family. I wouldn't miss a volume." – The Christian Science Monitor
"Fantagraphics' heroic project (designed with subtle, quiet beauty by the caroonist called Seth) enables us to glimpse the moment when 'good ol' Charlie Brown' could say with frowning vehemence, 'The rest of this day can’t possibly hold any good for me!'... [Grade:] A” – Entertainment Weekly
“Over the last few decades, Jim Woodring has been drawing a series of wordless, blissfully cruel slapstick fables, set in a world of grotesque entities and psychedelic minarets: half unshakable nightmare, half Chuck Jones cartoon filtered through the Bhagavad Gita.” – Douglas Wolk, The New York Times Book Review
“When most people try to employ dream logic in their work they fail miserably but Jim Woodring is great at it. The closest thing to a peer he might have is David Lynch but even that’s a stretch. Jim Woodring is the only Jim Woodring and no one has done what he does except for him.” – Nicholas Gazin, Vice
For the past 20 years or so, Jim Woodring’s beloved trilobular chuckbuster Frank has enjoyed one mindbending catastrophe after another in the treacherous embrace of The Unifactor, the land into which he was born and from which escape seemed neither desirable nor likely. And then, abruptly, in 2011’s acclaimed Congress of the Animals (the second Woodring orginal graphic novel, following Weathercraft) Frank did leave the Unifactor for uncharted lands beyond — where, after a string of trials, he acquired a soulmate named Fran.
This development raised far more questions than it answered. Would Frank become placid and domesticated? Would he be jilted? Would he turn out to be a dreadful cad? Would he become a downtrodden and exhausted paterfamilias staring vacantly into the dimming fire of life as obnoxious grandchildren pulled his peglike ears and stole his porridge?
The answers to these fruitless speculations and many more are delivered in a devastatingly unpredictable fashion in Fran, which is in effect part two of Congress of the Animals. Fans of Frank, connoisseurs of bizarre romance, and spelunkers in the radiant depths of graphic metaphysical psychodrama will want to add this singular cartoon adventure story to their lifetime reading list.
"The Complete Crumb series is especially useful in reminding us that Crumb has continued to evolve through the sixties. His more recent work is quieter and more literary... The most recent installment, collecting material originally published in Weirdo magazine, contains some of Crumb's best work." – The National Post
"The Complete Crumb Comics is an indispensable and beautifully executed effort." – L.A. Weekly
"This collection is a fascinating insight into one of the most talented and intriguing cartoonists to have graced us with his art. The entire series is highly recommended." – Library Journal
"This volume contains what, in my humble opinion, are two of the best conceived, most complex stories I ever drew: 'Cave Wimp' and the last 'Mode O'Day,' Composing plotlines for stories was never one of my strong points. I always preferred to more or less make it up as I went along and let it resolve itself at the end. These two stories are more tightly plotted and 'layered' than I had been capable of before (or possibly since.). There's a reason why this happened at that particular time, why I suddenly acquired this higher level of story-telling skill. It was not something I intentionally set out to do. I was pushed into it by circumstances that I allowed to carry me along, as usual." – R. Crumb, from the introduction to this volume
136-page black & white/color 8.5" x 11" softcover • $19.99 ISBN: 978-1-60699-684-3
New 2013 printing! Ships in Ocbober 2013 (subject to change) — Pre-Order Now
The 17th volume of the comprehensive and multiple award-winning Complete Crumb Comics series — nominated for both 2003 Harvey and Eisner Awards — completes the 1980s and leads into the 1990s. This was a creatively fertile period for Crumb, who had given up the editorial reins of his own legendary Weirdo magazine, allowing him to get back to the proverbial drawing board. Included are Crumb's contributions to Weirdo from this period, as well as work from Whole Earth Review, Zap Comix, Premiere magazine, as well as many other rare gems. Featured are classics including "Cave Wimp" — the story of the first nerd — and "A Short History of America," amongst other Crumb classics. This volume, as with all volumes, includes a new introduction by Crumb as well as a new cover. The Complete Crumb series leaves no stone unturned, publishing everything from Crumb's most well-known comics to little-seen commercial art and rarely-if-ever seen treasures from private collections and the artist's archives.
"Fantagraphics' Crumb project advances into wilder, woolier, scarier, more fantastic, and lewder and still lewder territory... This is definitely X-rated material — make that triple-X! — but it's brilliant, scabrously hilarious, absolutely basic to understanding the 1960s American counterculture, and authentically mind-blowing." – Booklist
"I guess I ought to be talking about my artwork in these introductions, but how th' hell can I talk about my own work?? What can I say about it? My pissant little fame had made my life so completely crazy by this time. Circa 1970 was such a weird time anyway... I'd rather brag about all the fun times I had with different women, kvetch about the craziness they put me through." – from the Introduction by R. Crumb
1991 Harvey Award Winner, Best Domestic Reprint Project