Fans and comedy cognoscenti alike, basking devotedly in the glow of Tales Designed to Thrizzle, have made it the smash hit humor comic of the decade. And now the first four issues of Michael Kupperman’s revered series are finally collected into one deluxe hardcover. Even better, Kupperman has taken the original two-color printing and made the entire book full color! These tales are more thrizzling than ever!
What are tales designed to thrizzle? Tales designed to thrizzle are about evil girls and their owls. They are about Jesus’ half-brother Pagus, the Mysterious Avenger, Dick Crazy, scary snakes, delicious bacon, Private Eye Johnny Silhouette, the Silver Knight, Murder She Didn’t Write, the Mannister, the Space Patrol, portraits where the eyes move, Pablo Picasso, sex blimps (and their logical inverse, sex holes), the hot boy band Boybank, soccer joust, Underpants-On-His-Head Man, Hercules the Public Domain Superhero, Cousin Granpa, Mister Bossman, Mark Twain, the silent robot Citobor and, of course, the Thirties.
The stories in Tales Designed to Thrizzle made their debut in 2009 on the Cartoon Network’s Adult Swim program as Snake ’N’ Bacon. The show, a mix of live-action, puppetry and animation, stars David Rakoff (This American Life), Bill Hader (Saturday Night Live), Kristen Schaal (Flight of the Conchords), James Urbaniak (The Venture Brothers), and Dan Bakkedahl (The Daily Show), and is produced by Kupperman, Robert Smigel (SNL, Triumph the Insult Comic Dog), Scott Jacobson (The Daily Show) and Rich Bloomquist (The Daily Show).
The dastardly Super-Enigmatix revels in creating chaos and catastrophe across the globe, and no one knows why. Former Detective Natalie Charms and Former Inspector Jory—along with his grandson, George—are hot on the trail of the the shadowy menace, but the closer they get to him, the greater the destruction Super-Enigmatix sows.
Acclaimed cartoonist Lucy Knisley (French Milk, Relish) got an opportunity that most only dream of: a travel-expenses-paid trip to Europe and Scandinavia, thanks to a book tour. An Age of License is Knisley's comics travel memoir recounting her charming (and romantic!) adventures. It’s punctuated by whimsical visual devices (such as a "new experiences" funnel); peppered with the cute cats she meets along the way; and, of course, features her hallmark — drawings and descriptions of food that will make your mouth water. But it’s not all kittens and raclette crêpes: Knisley's experiences are colored by anxieties, introspective self-inquiries, and quotidian revelations — about traveling alone in unfamiliar countries, and about her life and career — that many young adults will relate to. An Age of License — which takes its name from a French saying — is an Eat, Pray, Love for the alternative comics fan.
One of Donald Duck's most famous adventures leads off our new line of affordable kid-sized Donald Duck books: just-right half-height books packed with fun, laughs, and adventure in every 96-page edition. Each story is complete with all the original story and art (no panels have been dropped or altered). In "Donald Duck and the Ghost of the Grotto," Donald and his nephews try to harvest kelp at Skull-Eye Reef in the West Indies but are soon menaced by a ducknapping ghost in armor who is determined to carry out a centuries-old curse and a giant octopus who — well, what do you think giant octopuses do? Plus "Fireman Donald" and a second bonus story, all written and drawn by Disney Legend Carl Barks!
Here is the finalized cover artwork for the next volume in our Peanuts Every Sunday series, which collects the beloved comic's full-color Sunday strips, faithfully reproduced to match the original syndicate coloring. Whether you've been collecting Charles M. Schulz's work for years, or are introducing a new generation to these iconic characters, Peanuts Every Sunday: 1956-1960 (Vol. 2) is sure to be a treasured addition to any household.
The book has just been made available for pre-order, and we'll have more previews over the next few months, with an anticipated November 2014 release.
Book 2 covers the early years of 1981-1983, when Hip Hop has made a big transition from the parks and rec rooms to downtown clubs and vinyl records. The performers make moves to separate themselves from the paying customers by dressing more and more flamboyantly until a young group called RUN-DMC comes on the scene to take things back to the streets. This volume covers hits like Afrika Bambaataa’s "Planet Rock," Grandmaster Flash and the Furious Five’s "The Message," and the movie Wild Style, and introduces superstars like NWA, The Beastie Boys, Doug E Fresh, KRS One, ICE T, and early Public Enemy. Cameos by Dolemite, LL Cool J, Notorious BIG, and New Kids on the Block(?!)! Featuring an introduction by Wild Style director Charlie Ahearn.
"Simon Hanselmann is the real deal, for sure. He captures that stoner stay-at-home life so accurately that I actually find his comics really depressing and thank God I don't ever have to hang out with anybody like that ever again." – Daniel Clowes
"Megahex is basically about a bunch of people (and "people") watching TV and getting wasted and fighting and fucking and pranking each other. Oh, and depression. What's not to love?!" – Peter Bagge
21: The Story of Roberto Clemente by Wilfred Santiago is coming out soon in a new paperback edition, and this first glimpse of the printer's advance copy is promising indeed! Detailing the tragically short life of Puerto-Rican baseball player Roberto Clemente—the first Latino player to be inducted into the Baseball Hall of Fame—21 takes us deep into Puerto-Rican culture and history, as well as the entrenched racial tensions of mid-20th-century America.
Collecting 101 noir movie posters of, arguably, the greatest noir films ever made in the genre (including classics The Maltese Falcon, Laura, and Double Indemnity). Reproduced in a stunningly designed, oversized format that shows off the spectacular visual elan of Hollywood movie posters at their best, the book is not only a stunning showcase of film noir art, but also establishes the crucial films and identifies their key characteristics, with critical commentary on each film by editor and scholar Mark Fertig. This is an ideal handbook for noir rookies, a valuable resource for old-hats, and a visual feast for fans of film noir and American entertainment art.