"A detail-rich account of an unfathomably awesome childhood in the epicenter of 1960s - 1970s New York culture, and further evidence of the magnificence of the Friedman genes." – Daniel Clowes
"I always wanted to know what it would be like to grow up with a famous dad. It sounds as awesome as i feared. I really enjoyed reading Kipp Friedman's stories and hating him for having dinner at Groucho Marx's house." – Joel Stein, Time magazine columnist
"Barracuda in the Attic is a poignant and crackling good memoir... and this is coming from someone who doesn't like memoirs." —Ted Heller (Pocket Kings, Funnymen, Slab Rat, West of Babylon)
"If you’re wondering why graphic novel specialist Fantagraphics published a memoir by Friedman, you only have to read 'Comic Book Fever,' an essay about visiting the Jay Bee Back Issue Magazine Store and Kipp’s long-time comic book obsession. These essays about growing up in New York range from feuding with the neighbors in Great Neck, sports obsessions (including the New York Cosmos), the evolution of the horror film genre, and the family to Hollywood when Kipp’s dad, Bruce Jay Friedman, got a development deal. It wound up being not too different from the Lucy and Desi 'Don Juan' story arc. New York-philes will love the period detail, as well folks of a certain age who can sing the Gigantor television theme. But for the rest, you can still get a kick out of a trio of boisterous boys who caused a lot of havoc as they came of age." –
Daniel Goldin, Boswell Book Company, Milwaukee, Wisconsin
“Wandering Son... is a lovely, tactile-y rich object, but it’s also a sweet book in terms of content.... The characters are pleasant to spend time with, the art is emotive and expressive (embarrassment comes up a lot), and there is a gentleness to the whole project that is welcome.” – Hillary Brown, Paste
“[Wandering Son] is a measured, sensible and sensitive series.... Part of Wandering Son’s hook is a distanced view at discomfort with one’s own body. The manga is written to evoke the feeling of being ill at ease in one’s own skin, such that everyone who has went through puberty can sympathize with these characters, regardless of their own relationship with sexual identity issues.... Wandering Son proves to be deeply involving in an unconventional way.” – Scott Green, Ain’t It Cool News
In this volume of the acclaimed series about transgendered kids exploring their unfolding identities, we’ve reached a big event; the junior high school entrance ceremony.
The boys wear black uniforms with stand-up collars based on mid-19th century European military uniforms and the girls wear navy blazers, tan skirts, and red ribbon neckties. Enter our heroes; Nitori-kun is forced to wear a boy’s uniform while Takatsuki-san has to wear a girl's! Yet one girl — Sarashia Chizuru — draws stares, whispers, and pointed fingers, because this long-haired beauty is wearing a boy’s uniform. Both Nitori-kun and Takatsuki-san are awed by the girl's courage, but Takatsuki-san is particularly vexed by their own faintheartedness. They envy more than a few other students who experience such liberty in wearing either uniform and ponder what it ultimately means about themselves.
Envy and jealousy are prominent themes in Volume 5: Chiba-san is jealous of Takatsuki-san, for whom Nitori-kun still carries a torch. Maho envies Anna-chan's professionalism as a model. And Chii-chan’s loyal sidekick, Shiri Momoko, is intensely jealous of anyone in whom Chii-chan shows the slightest interest. And so our protagonists set off on the journey to adolescence....
We're pleased to present this 18-page preview of Sketching Guantanamo: Court Sketches of the Military Tribunals, 2006-2013 by Janet Hamlin. Hamlin's drawings are the only complete visual journalistic record of the military tribunal hearings of suspected terrorists at GTMO, and this historic book is the first place they're gathered all together. In this excerpt you'll be able to browse the Table of Contents; read Hamlin's background on her assignment, getting to the base, and her process; and see her sketches of the GTMO compound and her first tribunals.
This fascinating volume is due to hit shelves in October and can be pre-ordered here.
Five women stand in a police lineup; four of them are garishly dressed super-women — perfectly normal, because this is, after all, the cover of a comic book. A closer look, however, reveals a fifth woman who seems thoroughly out of place — mousy, in a bathrobe and curlers, smoking a cigarette. Surely she's here by mistake — or is she?
From this very first cover of the very first issue of Love and Rockets in 1982, Gilbert and Jaime Hernandez (along with their brother, Mario) have created artwork that has subverted, contradicted and celebrated the history of comics while making it their own.
For the first time, these iconic comic book covers from the original Love and Rockets comic book series (and the earliest trade paperbacks) have been restored and collected.
This is a gorgeous, oversized art book and the perfect gift for fans of the series that virtually defines alternative comics.
"Heroic Tales is a wonderful anthology of material from several different eras of Everett's career. After an insightful introduction, editor Blake Bell presents 150 or so pages of comics... Bill Everett was a tremendous and thoroughly unique talent in comics art. Heroic Tales reminds us that Everett's career was long, but his talent was obvious. ...[T]his is a delightful book." – Jason Sacks, Comics Bulletin
"These publications rode the superhero wave initiated by the companies that would later become DC and Marvel, and while they didn’t withstand the test of time, they’re still a kick to read, buoyed by their no-nonsense action plots and by Everett’s propensity for drawing narrow figures poised to commit acts of violence." – Noel Murray, The A.V. Club
"What’s exciting for me about this book is watching Everett develop as an artist and storyteller and figure out the medium in relatively rapid fashion.... What you see here are the glimmers of an artist struggling to comprehend the potential of this relatively new medium [and] how he can push it to match his own interests." - Chris Mautner, Robot 6
The 1939 creation of the Sub-Mariner for the first issue of Marvel Comics assures Bill Everett a place in history. Co-creating Daredevil, the Man Without Fear, for Marvel Comics in 1964 gave Everett a link to one of the most popular superheroes of the past 50 years. And producing over 400 additional pages of superhero-related work in the very early days of the Golden Age of Comics (1938-42) makes Bill Everett a legend.
Heroic Comics: The Bill Everett Archives Vol. 2 collects over 200 pages of never-before-reprinted work from such titles as Amazing Mystery Funnies (1938), Amazing-Man Comics (1939), Target Comics (1940), Heroic Comics (1940), and Blue Bolt Comics (1940). These titles feature an endless array of vintage Everett characters such Amazing-Man, Hydroman, Skyrocket Steele, The Chameleon and many more, all produced by Everett’s shop Funnies, Inc. for such clients as Centaur, Novelty Press, and Eastern Color. This book also features, reprinted for the first time, the rarest of Everett material, his romance work from the early 1950s for Eastern Color on titles such as New Heroic Comics (1950/51) and Personal Love (1953). All of the stories within display Everett’s brilliant cartooning and energetic storytelling growing by leaps and bounds.
Edited by best-selling author and comic-book historian Blake Bell (Strange and Stranger: The World of Steve Ditko), The Bill Everett Archives is a stunning companion to Bell’s 2010 critically acclaimed Everett biography and art book, Fire and Water: Bill Everett, The Sub-Mariner and the Birth of Marvel Comics. This volume follows the format of Bell’s Steve Ditko Archives series; never-before-reprinted, beautifully restored, full-color stories from one of comic books’ greatest visionaries and most accomplished artists. This book also includes an introduction about the man, his art, the history of the era, and his relationship with Marvel Comics.
Author Monte Schulz vigorously smudges the lines between fact, pulp fiction and literary fiction in Naughty, his first novel after completing his Jazz Age trilogy. Sexy, sociopathic Ida Krueger draws her husband Joe into an escalating web of deception and death. A fictionalized account of a real-life series of crimes and subsequent sensational murder trial that electrified California in the mid-20th century, told in Schulz's exquisitely wrought prose, Naughty is literary noir as you like it.
Get sucked in by our 36-page excerpt, which you can read and download for free, and once you're hooked, pre-order the book or find it on shelves in October.
The approach of Fall always means one thing around here (at least for another couple of years), and that's the imminent arrival of the latest volume of The Complete Peanuts by Charles M. Schulz. The ol' blockhead graces the cover of the 20th installment of the long-running series, covering the years 1989-1990. Schulz continues to stretch his wings and experiment with the new variable format of his daily strips, and the jokes are just as warm and funny as ever, and increasingly reflective. Enigmatic author Lemony Snicket provides the introduction.
Our 17-page excerpt (for reading and downloading) includes strips for the entire month of January 1989 (along with some of the lovely incidental pages designed by Seth as always). This volume, and the box set of Volumes 19 and 20, are expected in October, and can be pre-ordered right now.