Who or what are Kurdles? Are they man or beast—or something else entirely?
As it happens, Kurdles are the denizens of Kurdleton, and Sally the bear runs into them as she tries to find her way home after being separated from her owner. So begins this 60-page all ages tale, and we have here a 9-page, downloadable excerpt for your viewing pleasure. At a generous 8.75" by 12", the oversized format of The Kurdles allows you and your little ones to be fully immersed in the lush watercolor world that Robert Goodin has created, not to mention all the individual details that one can discover through rereadings.
It's a good thing these advance copies of The Complete Eightballcomes shrinkwrapped, else all our advance copies would be covered in drool by now! The long-awaited, painstakingly proofed, and completely perfected box set collecting all 18 issues of Daniel Clowes' influential Eightball comic series have arrived fresh from the printers. And it looks beautiful.
Two glossy hardcover volumes of roughly 280 pages each filled with extras, including brand new artwork by Clowes, are all wrapped up in a deluxe, sturdy slipcase cover with no detail spared! Look for our video and more photos soon. The Complete Eightballhits bookstores in May, but we fully anticipate that this box set will sell like hot cakes, so safer to pre-order now!
With an introduction by Rifftrax writers Conor Lastowka and Sean Thomason, riffed comic strips, and two more treasured years of Peanuts shenanigans to revisit, The Complete Peanuts 1995-1996 (Volume 23) brings us to the antepenultimate book in our ambitious series.
Dripping With Fear: The Steve Ditko Archives Volume 5 features another 200-plus meticulously restored, full-color pages from Spider-Man co-creator Steve Ditko in his early prime, at the time working in near anonymity for Charlton Comics in the then-popular horror/suspense genre.
Comics like Tales of The Mysterious Traveler and This Magazine Is Haunted saw an explosion in Ditko’s ingenuity, as he manipulated the traditional comic-book page layout with masterful results.
It was during this time that Ditko and his art-school colleague, the famed fetish artist Eric Stanton, began sharing a studio in Manhattan. The introduction by editor Blake Bell examines Ditko’s stylistic evolution and delves deep into his association with Stanton. Ditko’s secret collaborations with Stanton on his female bondage material remain a highly controversial topic, and Bell’s introduction highlights numerous examples that prove the allegedly shy and private Ditko contributed with wild abandon to these risqué tales of titillation.
This fifth volume stands as the best example yet of the Steve Ditko that would soon begin crafting such iconic classics as Spider-Man and Doctor Strange alongside Stan Lee at Marvel Comics.
Throughout Les McCann's incredible jazz career, he took hundreds of photos — at clubs, studios, and festivals around the world — and unwittingly documented a side of the vibrant cultural life of jazz and soul between 1960 and 1980 that includes a very young Stevie Wonder, Nina Simone, Sammy Davis Jr., John Coltrane, Aretha Franklin, Nancy Wilson, Quincy Jones, Tina Turner, Miles Davis, Cannonball Adderly, Louis Armstrong, Count Basie, B.B. King, Errol Garner, Stanley Clarke, Bill Evans, Lionel Hampton, and other seminal African-Americans, such as Bill Cosby, Richard Pryor, Muhammed Ali, and Stokely Carmichael to name but a few. These photos are characterized by their intimacy, and the cross-section of names listed is merely the tip of the iceberg. The book features candid commentary by McCann himself and is curated by Pat Thomas (Listen, Whitey!: The Sights and Sounds of Black Power 1965-1975) and maverick music producer Alan Abrahams (Pure Prairie League, Joan Baez, Stanley Turrentine, Kris Kristofferson, Taj Mahal).
Johnny Ryan's utterly unpretentious taboo-tackling is an infectious and hilarious bombardment of political incorrectness, taking full advantage of the medium's absurdist potential for maximum laughs. In an age when the medium is growing up and aspiring to more mature and hoity-toity literary heights, Ryan builds on the visceral tradition that cartooning has had on our collective funny bone for over a century. Now, for the first time, all fourteen issues of Ryan's career-defining comic book series Angry Youth Comix (2000-2008) are collected in one place. All the comics, the covers, and even the contentious letters pages, in one toilet-ready brick shithouse.
"Freed from the tiny confines of the black-and-white daily strip, Crane brilliantly exploited the vastly larger canvas of the full newspaper page, wildly varying the sizes, shapes, and arrangement of the panels. His distinctive drawing style, an appealing blend of simplified realism and broad cartooniness, also set Easy apart. While not quite as large as the original newspaper broadsheets, this volume’s oversize pages fully convey the strip's formidable visual impact." – Gordon Flagg, Booklist
"Crane's art is stunning, combining simple cartoony figures with richly detailed backgrounds in clever, colorful layouts. It isn’t even necessary to read the dialogue or captions to follow the action; just scan Crane's dynamic lines, which make every panel look like a unique work of pop art. [Grade:] A-." – The A.V. Club
"Though he was one of the genre's pioneers, Roy Crane's Captain Easy is arguably the most idiosyncratic of all the adventure strips. But it's this blend of loud slapstick, young-boys-styled adventure and blatant sex appeal that make Captain Easy such a winning, fun strip to read." – Chris Mautner, Robot 6