Esperanza, the fifth volume of “Locas” stories by Jaime Hernandez, collects the remainder of the stories from the acclaimed Love and Rockets Volume II, picking up where 2010’s Penny Century collection left off.
Taking its title from Hopey Glass's birth name, Esperanza follows the somewhat settled-down ex-punkette in her new life as a schoolteacher's assistant — which doesn't mean that her romantic travails have gotten any simpler. Speaking of romantic travails, Maggie's former squeeze Ray Dominguez meets, and becomes obsessed with, the unhinged but fiendishly sexy "Frogmouth," even as he becomes peripherally involved in a brutal murder. But the longest story in the collection focuses on an older and wiser Maggie, facing down her demons in a cataclysmically eventful return to Hoppers.
Esperanza is also available as part of Love and Rockets Library: The Locas Collection — 5 volumes at a savings of nearly $20! This new set contains every story from the "Locas" saga from Love and Rockets Volumes 1 and 2 and Jaime's solo series. The ultimate Jaime collection, and a great gift idea! Click for details and to order.
Sibyl-Anne and her fiancé Boomer live in blissful peace in the French countryside until the evil rat Ratticus, evicted from his previous residence, sets his eye on the quiet acre that the couple share with their friends (a porcupine, a crow, and a rabbit).
After a hilariously unsuccessful attempt to infiltrate the quiet little community in drag (which leaves a member of the cast smitten, Some Like It Hot-style), the devious Ratticus engineers the takeover of a neighboring rat colony and builds it into an army that sweeps Sibyl-Anne and her friends off their homestead and onto an island. Battles by land, by sea, and even by air ensue, until finally the wicked are defeated and peace is restored. Macherot’s charming mouse’s-eye views of bucolic idyll and his fast-paced, witty storytelling turn this book into something like a Pixar version of The Wind in the Willows.
Part of Fantagraphics’ program of bringing American readers the best of post-Tintin Franco-Belgian all-ages comics, Macherot’s “Sibylline” series (as it is called in French) is widely regarded as one of the great classics of the field, and is slated for re-release in French in 2011 as part of a “Complete Sibylline” project. This is the very first instance of Macherot’s work being translated into English.
Another never-before-translated classic from the Golden Age of Franco-Belgian comics, finally brought to American readers. Imagine the beautifully crisp images of Hergé (Tintin) put in service of a series of wise-cracking, fast-paced detective stories — punctuated with scenes of spectacular vehicular mayhem (including in this volume a dockside pursuit via car and bulldozer) — and you’ll see why 50 years later Gil Jordan is still considered a masterpiece in Europe.
Gil Jordan is a nattily-dressed but tough-as-nails private eye, seconded by his trusty ex-burglar assistant Crackerjack and his eccentric friend Inspector Crouton (as well as the invaluable Miss Midge).
Fantagraphics’ first Gil Jordan book combines two of Gil’s finest yarns in one splendid hardcover. In “Murder by High Tide,” Gil and his associates are hired to investigate the suspicious disappearance (death?) of an antiques dealer, while in “Leap of Faith” they get involved in trying to protect an attorney from Joe the Needle, a mysteriously escaped convict with apparent superhuman powers who has sworn vengeance.
In 2000, veteran rock 'n' roller Lou Reed, legendary director Robert Wilson, and a cast of singers and actors premiered Reed's musical POEtry in Hamburg's Thalia Theater.
An ambitious combination of Edgar Allen Poe's poems and stories and Reeds reinterpretations of same (with a few classic Reed songs such as "Perfect Day" and "The Bed" integrated for good measure, POEtry bridged the centuries to provide a unique vision of beauty and horror for the dawning 21st century.
In 2003, Reed released (under the title The Raven) a double CD reprising the musical, featuring an all-star cast of singers and actors including Steve Buscemi, David Bowie, Laurie Anderson. Willem Dafoe, and the Blind Boys of Alabama, as well as an edited single-CD version focusing on the songs.
Now, for the definitive book version compiling the songs, verses and narratives that comprise POEtry/The Raven, Reed has personally commissioned legendary Italian illustrator and cartoonist Lorenzo Mattotti (Dr. Jekyll and Mr. Hyde, Stigmata) to visualize this extraordinary collaboration. Mattotti's vivid, abstracted and enigmatic artwork brings out all the terror and beauty of this centuries-spanning masterwork.
This beautiful hardcover volume boasts a jacket design by Grammy-nominated designer Jesse LeDoux.
Download a 16-page PDF excerpt (2.2 MB) which includes the Table of Contents and Reed's foreword.
With the much-anticipated arrival of The Comics Journal #301 about a month away, TCJ.com gives you your first real taste of the issue beyond our photo & video teasers: an excerpt from Gary Groth's interview with Joe Sacco about Footnotes in Gaza. Go, read!
Comics Alliance's Andy Khouri shares a bunch of gorgeous images from Dave McKean's Celluloid and offers some commentary and links related to the book:
"On sale soon from Fantagraphics, Celluloid is the story of a woman who, during a moment of sexual frustration, discovers a film projector and reel of film that depicts a couple having sex. In a twist familiar to fans of McKean's work with Neil Gaiman, this woman finds herself traveling from our world into a dreamlike realm of sexual fantasies that's presented in the artist's trademarked style(s). As the story progresses, so too does the form of McKean's artwork."
The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the philistines, natch. We published our 300th issue in late 2009 and spent the ensuing year-plus re- conceptualizing the institution as an annual book-length “magazine” — over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.
This volume features a focus on R. Crumb’s most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he’s given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:
• An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;
• A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;
• A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;
• A complete full-color reprinting of the 1950s "Gerald McBoing Boing" comic;
• The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon;
• A critical re-assessment of Dave Sim's Cerebus by Tim Kreider
and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.
Over 600 pages long, this is a year's worth of The Comics Journal rolled into one extraordinary objet d'art. As a special treat, this volume is guest designed by internationally respected Criterion art director Eric Skillman. The Comics Journal #301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.
Before her comics were serialized in the New York Times Sunday Magazine (“Watergate Sue,” 2007) or released by Fantagraphics Books (Artichoke Tales, 2010), Megan Kelso was a classic DIY cartoonist/publisher, who crafted and self-published her popular minicomic Girlhero from 1991 to 1996.
Queen of the Black Black, which collects these early Girlhero strips (as well as a few from other sources) and was originally published in a limited edition 12 years ago (now long out of print), provides an engrossing chronicle of an ambitious young cartoonist carefully developing her own unique style and approach.
In this volume, Kelso scrutinizes bicycle messengers, venereal diseases, infidelity, unwanted pregnancies, temporary work assignments, family reunions, and classroom daydreams in subtle and unexpected manners, setting herself technical challenges such as depicting music in comics (the virtuoso “The Daddy Mask,” with its sensuous gray swirls of sound on the page), integrating lettering into artwork in creative ways, and generally working her way toward what would become her mature style.
The title story, “Queen of the Black Black,” rendered in lush gray tones, explores the fraught relationship between the ageing, demanding queen of a fairy-tale realm and a hornblower whom she takes under her wing.
There is even a vintage “Artichoke Tale,” predating Kelso recently released graphic novel by a decade and a half. (“I am planning to do a whole book of artichoke tales in the future,” she wrote presciently in her original story notes.)
Queen of the Black Black shows the first flowering (or sprouting) of a major cartooning talent, and its return to print (fully redesigned) is welcome news for the many readers delighted by Kelso’s subsequent graphic novels.
Download a 13-page PDF excerpt (<1 MB) with two complete stories.