The Strange Case of Edward Gorey is the most authentic portrait yet of this truly enigmatic American artist and writer of macabre, ghoulish illustrated books. It is a respectful and insightful consideration not only of the intriguing pen-and-ink drawings but of the inventive, opinionated and eccentric person himself. A balletomane, cat-lover, unbelievably wide reader, collector of many and surprising objects, and mad filmgoer, Gorey had many selves. In this in-depth study of the man he had come to know over thirty years, Alexander Theroux, the novelist who has a literary genius all his own, examines every facet of this mysterious artist who left New York City to live year-round on Cape Cod for the last third of his life where for years, along with producing book after book, he found time to write and direct numerous evening-length entertainments, often featuring his own papier-mâché puppets in an ensemble known as La Theatricule Stoique.
No ordinary account could ever do justice to such an anomalous character, but Theroux with his depth of understanding, keen eye, literary gifts, and astonishing intelligence, never flinches and this loving but analytical account in its sympathy and range of one of America’s most complicated artists is unsparingly brilliant.
“Just read a few weeks ago your book on Gorey and enjoyed it very much.” – Cormac McCarthy, April, 2010
See an exclusive 7-page excerpt from King of the Flies Vol. 2: The Origin of the World at TIME.com – Techland! Introducing the pages, Douglas Wolk says "The first volume of European comics creators Mezzo and Pirus' King of the Flies, subtitled Hallorave, was one of the creepiest graphic novels of 2010... The follow-up, The Origin of the World, comes out soon, and it makes the story's vortex of terror spin even faster — the vibe is somewhere between Charles Burns' Black Hole and Blue Velvet, with a soundtrack of Misfits singles, Stones bootlegs and too-intense techno."
Ships in: January 2011 (subject to change) — this item will be available for order simultaneous with its release to comic shops. Stay tuned for updates.
Jordan Crane continues to display his mastery of adult drama and rollicking all-ages adventure equally in this issue of his acclaimed comic book series. This issue features the second chapters of Jordan's currently-ongoing, as-yet-untitled (as far as we know) stories introduced in the last issue. "Chapter 2: Trash Night" returns to the troubled relationship of Dee and Leo. Tensions continue to mount as Leo's suspicions about Dee reach a boiling point. Meanwhile, Simon & Jack, the boy and cat heroes from Jordan's classic tale The Clouds Above, are joined in their continuing adventure by Simon's intrepid classmate Rosalyn, who runs afoul of the sinister Principal Codswallop while Simon faces peril in the school cafeteria freezer in "Dark Day"!
Preview "Trash Night" (under its original title "Unraveling") and "Dark Day" at Jordan's webcomics site what things do.
He lives day to day and hand to mouth, this shambling lug of a man, wrestling with his demons, picking up work where he can, and drinking himself into oblivion. Until one days his palms begin to bleed… These newfound stigmata lose him his job, and he ends up as part of a traveling carnival, where he even finds love. But his past catches up with him — violently so. Has he lost his last chance at redemption?
This stunning graphic novel, executed in a mad, expressionistic swirl of black lines, is the result of a unique collaboration between the preeminent Italian cartoonist/graphist Lorenzo Mattotti (RAW, The New Yorker, and the graphic novels Fires and Dr. Jekyll and Mr. Hyde) and the award-winning Italian screenwriter Claudio Piersanti.
"Wondrous... The reader can feel the main character's pain and redemption through Mattotti's raging fury of intense linework... A moving and thoroughly modern morality play." – Paul Gravett
Special Offer: Add Lorenzo Mattotti's Chimera #1 to your order for just $3.98 — that's 1/2 price! Make your selection with the menu above.
Chimera, with its intricate, hyper-expressive swirls of crisp line work, is a wordless fantasia of birth, death, gods, monsters, and humans, and one of the most astonishing visual narratives you'll ever see.
• Review: "[The Littlest Pirate King]'s an engrossing story which is marred somewhat by another of those inconclusive endings which please some but only irritate me. The story's not really the show here anyway, though there is a lot of intellectual grist to mill in it — the quest to know and understand the whims and whys and wherefores of the divine being but one example. B's art is really something to see here; while cartoonish in a superficial sense, he displays a masterful command of composition and visual whimsy and many pages and panels adopt an expressionistic, almost Escher-like, complexity which thankfully does not hinder reading comprehension but rather enhances and illuminates, like all 'good' art should do. While I do wish it had a more definitive conclusion, this is still a visual treat and well worth checking out." – Johnny Bacardi, Popdose
• Review: "Tyler’s portrait of her family [in You'll Never Know, Book 2: Collateral Damage] is at once warm and unsparing; they have awful moments — drinking, bitterness, just plain cussedness (on everyone’s part — there are no saints here), but they also have the in-jokes and little celebrations that are such an important part of happy family life. She has a good ear for the way daughters talk about their mothers and the goofy humor of her parents’ generation — humor that even in real life, sometimes struck me as papering over something painful. Tyler shifts styles and points of view often, telling old and more recent stories in parallel, focusing on different family members, and changing her drawing and paneling styles to fit the topic." – Brigid Alverson, Robot 6
• Interview: At Bookslut, Sean P. Carroll, who writes "What Is All This?: Uncollected Stories... offers a fascinating perspective on [Dixon's] long dialogue with the short form. ...Dixon’s unmistakable style and experimentalism draws not only on his familiar New York City locale, but also includes unexpected digressions that offer ample evidence why he is one of our foremost practitioners of fiction. It is a masterful tome that exemplifies Dixon’s ability to transform the vagaries of the everyday into a lasting work of art," questions Dixon about the book: "Why did I rewrite all 62 stories? Originally there were about 80. I threw out about 20 of the stories of mine never in book form as not being worth republishing in book form. The 62 I did rewrite or finish, I thought worthy of book form, and I just wanted to either complete them as stories (the incomplete ones) or improve on the ones that had been in magazines."
• Plug: "Jason is still one of the comics medium’s leading artists, with a fantastic knack for visual storytelling before words. Continuing in the hardcover tradition of Almost Silent, What I Did collects three Jason favorites – 'Hey, Wait…' 'Sshhhh!' and 'The Iron Wagon' – into one elegantly bound book that will match perfectly on the shelf with the other omnibus-style compilations Fantagraphics has released for Jason." – Pads & Panels
King of the Flies Vol. 1: Hallorave was named one of Amazon's Top 10 Graphic Novels of 2010. Now, here is the second installment in Mezzo and Pirus’s creepily sexy suburban soap opera — a French Twin Peaks graphic novel as written by Stephen King and drawn by Charles Burns.
Eric the fly-head-wearing teenager is back (as well as his hapless mother and her “fiancé”), as are not-quite-ingénue Marie, the worldly Sal, Denis the drug dealer and his now one-handed father, and of course the loopy retro bowling thug Ringo... plus several new cast members, including one who died at the very beginning of the first volume and has now returned to roam the earth.
Once again, the story is told through a series of seemingly unrelated short stories which eventually become intricately braided into one sprawling tale of a community haunted by obsession, rage, regret and despair — in sum, a graphic novel for the 21st century.
King of the Flies is designed as a trilogy of albums, which will combine to form a single graphic novel of stunning intricacy and intensity. (The concluding chapter will appear in late 2011/early 2012.)
Download an EXCLUSIVE 7-page PDF excerpt containing the entire first chapter (2.3 MB).
Thus begins the fourth and final collection of comic strips starring the stupidest, ugliest, stubbliest girl in grade number two. Blecky and her "pals" are back and so are the fountains of blood, urine, and other bodily fluids (not to mention profanity) in these riotously hilarious, eye-poppingly offensive four-panel gag strips. Co-starring the usual cast of Blecky's weirdo friends and enemies, plus douching robots, the Christmas barbarian, the world's most bad-ass Easter basket, the Spamfs, 69-11, sexy murder hunks, ass worship, glory holes, the Pizzazooka, Dizzy the herpes-sniffing dog, Sir Oreo Monocle and oh so much more. Over 100 pages of ridiculous absurdity, over-the-top grossouts, and scathing satire that could only come from the mind and pen of Johnny Ryan.
The second book from Ray Fenwick, author of 2008’s acclaimed Hall of Best Knowledge. In Mascots, a collection of impressionistic stories combine to create a wildly absurd — yet vaguely familiar — parallel world. Like Fenwick’s previous work, the acclaimed Hall of Best Knowledge (one of Booklist’s “Top Ten Graphic Novels of 2008”), Mascots is driven by lettering and language, part art and part comics, this time taking the form of bright, full color paintings on found book covers. These paintings can be experienced individually, each on their own terms, but together they reveal a surreal world that captures the mood of our times with manic energy.