The third in Gilbert Hernandez’s line of original hardcovers featuring Love and Rockets’ “Fritz” in her guise as a Z-movie actress (the first two were Chance in Hell and The Troublemakers) is a trippy thriller that stars Fritz in no fewer than three roles.
A beautiful waitress (Fritz, of course) and her hospital nurse brother (also Fritz) visit their estranged father, a once successful but now retired writer (amazingly enough, also Fritz), in order to find out the true reason why their mother committed suicide. When dad’s health fails, the siblings are then more concerned with the money he might leave them.
The story weaves in and out of reality and hallucination and possibly back in forth in time, and to complicate things further, the sister is sexually obsessed with a mysterious man throughout the tale — or is it her brother (at one point posing as his sister so that he might gain his and her inheritance) that is so hot and bothered by this mystery stud? And that’s only the tip of the iceberg. There’s also a venture into ghost territory, with frauds bilking the gullible and Fritz’s character(s) right in the middle.
To complete the pulp gestalt, the book's cover illustration is a painting by Pulp Fiction artist Steven Martinez (he painted the portrait of Marsellus Wallace's wife Mia Wallace [Uma Thurman] that hangs in their house and which Vincent Vega [John Travolta] scrutinizes while he waits for Mia).
This omnibus collection of Thomas Ott’s short shock-ending horror stories — imagine E.C. Comics done with no words, and executed in an impossibly lush black-and-white scratchboard style — collects a dozen stories originally published in three (now out of print) thin European style “graphic albums” (Tales of Error, Greetings from Hellville and Dead End) during the 1980s and 1990s, plus 8 previously uncollected tales, including "The Breakdown" from Fantagraphics' Mome anthology and Ott's collaboration with French great David B., "La Fiancée du Lapin." The book also features an afterword by rocker Martin Eric Ain, a.k.a. Martin Erich Stricker (Hellhammer, Celtic Frost).
Presented in the same deluxe format as the now sold-out Cinema Panopticum and The Number 73304-23-4153-6-96-8, R.I.P. offers up twenty twisted tales of murder, suicide, oppression, terror, mutilation, crime, marital strife, and nuclear annihilation.
344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-438-2
Ships in: March 2011 (subject to change) This item will be available for order on its release date. Stay tuned for updates.
Charles Schulz enters his fourth decade as the greatest cartoonist of his generation, and Peanuts remains as fresh and lively as it ever was.
(How do we know it’s 1980? Well, for one thing Peppermint Patty gets herself those Bo-Derek-in-“10” cornrows — Peanuts’ timelessness occasionally shows a crack!)
That said, The Complete Peanuts 1979-1980 includes a number of classic storylines, including the month-long sequence in which an ill Charlie Brown is hospitalized (including a particularly spooky moment when he wonders if he’s died and nobody’s told him yet), and an especially eventful trek with Snoopy, Woodstock, and the scout troop (now including a little girl bird, Harriet). And Snoopy is still trying on identities left and right, including the “world-famous surveyor,” the “world-famous census taker,” and Blackjack Snoopy, the riverboat gambler.
In other extended stories, Snoopy launches an ill-fated airline (with Lucy as the agent, Linus as the luggage handler, and Marcie as what it was still OK then to call the stewardess)… Peppermint Patty responds to being leaked upon by a ceiling by hiring a lawyer (unfortunately, she again picks Snoopy)… plus one of the great, forgotten romances of Peanuts that will startle even long-time Peanuts connoisseurs: Peppermint Patty and…“Pig-Pen”?!
Download an EXCLUSIVE 15-page PDF excerpt (651 KB) containing all the strips from January, 1979!
• Review: "[The Adventures of Adèle Blanc-Sec] is Tardi riffing on the sensational and wordy mysteries of the era just removed from the Victorian period. [...] So it's intentionally silly and comically austere. [...] This, for me, is all about the art, the cartooning, and the post-Victorian subject matter. While the stories are somewhat light, with intentionally flat dialogue, it's all a wonder to behold. A fantastic looking book to tuck next to my Tintins." – Paul Montgomery, iFanboy
• Review: "...I bring to you my second choice for best of 2010: Werewolves of Montpellier by Jason. [...] A lot of Jason books tend to do this to me: I’ll be in the middle of some ridiculous story about werewolves, or time traveling to kill Hitler, and in the middle of it I get dragged out and remember a stupid or wonderful moment in my own life. Which is kind of wonderful writing, in my opinion." – Jay Bodnar, Wednesday's Child
• Interview:Comic Book Resources' Alex Dueben talks to Tony Millionaire: "That's why I called it 'Maakies.' I was thinking about calling it 'Drinky Crow,' but I thought, well, I'm drinking a lot right now, but what if I'm not drinking in five years? Then what? Of course, I still am. But if you just call it a nonsense name, like Schultz calling his strip 'Peanuts,' it can be about anything and you can go anywhere with it. If you call your strip 'Dick Tracy,' you'd better have the detective in it."
Millennium Boy, Steve, Lash Penis, and Nerdgirl continue on their twin mystical quests to find the missing parts of the Atlantean Resonator Guitar, as well as to locate the prophet and poet Bromedes and return his borrowed penis sheath, in this second hilarious, violent, and rip-roaringly entertaining installment of Joe (The Red Monkey Double Happiness Book) Daly's role-playing-game-inspired graphic novel series.
Fortified and empowered with a brand new collection of weapons and resources (including the magical Egyptian Book of Thoth, the Iron Crocodile badge, and the rectally transported Gliding Charger of the Eel), the valorous quartet must contend with river trolls, a leaf monster, glo-babies, and copious amounts of killer weed and serious blow.
Will they succeed in one or more of their noble quests? Or are the dice of fate loaded in their disfavor? You'll have to read Dungeon Quest Book Two to find out!
In our ongoing quest to showcase the wide range of Jacques Tardi’s bibliography, Fantagraphics reaches all the way back to one of his earliest, and most distinctive graphic novels: A satirical, Jules Verne-esque “retro-sci-fi” yarn executed on scratchboard in a stunningly detailed faux-woodcut style perfectly chosen to render the Edwardian-era mechanical marvels on display. Created in 1972, The Arctic Marauder is a downright prescient example of proto-“steampunk” science fiction — or perhaps more accurately, and to coin a spinoff genre, “icepunk.”
In 1899, “L’Anjou,” a ship navigating the Arctic Ocean from Murmansk, Russia, to Le Havre, France comes across a stunning sight: A ghostly, abandoned vessel perched high atop an iceberg. But exploring this strange apparition is the last thing the sailors will ever do, as their own ship is soon dispatched to Davy Jones’ locker via a mysterious explosion.
Enter Jérôme Plumier, whose search for his missing uncle, the inventor Louis-Ferdinand Chapoutier, brings him into contact with the sinister, frigid forces behind this — and soon he too is headed towards the North Pole, where he will contend with mad scientists, monsters of the deep, and futuristic submarines and flying machines.
Told with brio in hilarious slabs of vintage purple prose, The Arctic Marauder works both as ripping good adventure story and parody of same, and, predating as it does the later and not dissimilar Adèle Blanc-Sec series, is a keystone in Tardi’s oeuvre in his fantastical mode.
The biographical 21: The Story of Roberto Clemente is a human drama of courage, faith and dignity, inspired by the life of baseball star Roberto Clemente.
No other baseball player dominated the 1960s like Roberto Clemente and no other Latin American player achieved his numbers. Born in 1924 in Puerto Rico, Clemente excelled in track and field and loved baseball. By the age of 17 he was playing in the PR Winter league. Spotted by the big-league scouts because of his hitting, fielding, and throwing abilities, he joined the Pittsburgh Pirates in 1954. A fierce competitor, within two seasons he was hitting above .300 consistently. He played like a man possessed, fielding superbly, unleashing his rifle arm, and hitting in clutch situations. Despite his aesthetic brilliance, he faced prejudice throughout his career and was given his due only after his unexpected and tragic death in a 1972 plane crash.
Although baseball was his obsession, Clemente never lost sight of his dreams and his greater responsibilities outside the game. This sense of urgency is what came to define him beyond that of a grand athlete. His eventual success and accompanying celebrity gave him the opportunity to engage his conscience in public life. He died when his plane went down in the Caribbean Sea on a relief mission to earthquake-torn Nicaragua that he personally directed.
21 chronicles Clemente’s life from his early days growing up in rural Puerto Rico, the highlights of his career (including the 1960s World Series where he helped the Pirates win its first victory in 33 years, and his 3000th hit in 1972 during the last official at-bat of his life) as well as his private life and public mission off the field.
After his death, Major League Baseball declared September 18 to be “Roberto Clemente Day,” and in 1999, Pittsburgh’s Sixth Street Bridge was renamed the Roberto Clemente Bridge in honor of the greatest Latino ballplayer in history.
Wilfred Santiago captures the grit of Clemente’s rise from his impoverished Puerto Rican childhood, to the majesty of his performance on the field, to his fundamental decency as a human being in a drawing style that combines realistic attention to detail and expressive cartooning.
"Wilfred Santiago's 21 is brilliant and beautiful, challenging and lyrical ... which seems exactly right, as Roberto Clemente was all those things and more." – Rob Neyer, ESPN.com
"A kaleidoscopic look at the life of the great Clemente. Santiago's artwork is superb and the depth of his passion for the subject and incredible preparation comes through on every page." – Steven Goldman, author of Forging Genius: The Making of Casey Stengel and editor of Baseball Prospectus
"I'll admit, being a baseball player often feels like a comic book experience: the costumes, the origins, the battles for great victories and inspiration it conjures in our fellow man. This book captures the essence of one of our sport's greatest heroes, and it does so in a way that engages the imaginations as much as it reveals the heart, ink, color, style, and character; I can think of no better way to share a tale of a true legend." – Dirk Hayhurst, Toronto Blue Jays pitcher and author of The Bullpen Gospels
Download an EXCLUSIVE 18-page PDF excerpt (6.6 MB). See the trailer, get more information, and download wallpapers and buddy icons at 21comix.com.
With this volume, Foster reaches (by common critical consensus) the peak of his drawing and storytelling prowess – a peak at which he will remain for most of the run of this glorious strip.
Almost the entirety of 1941’s strips feature a single ten-month epic entitled “Fights for the Singing Sword,” a globetrotting adventure fueled by Valiant’s obsessive search for his bride-to-be Aleta throughout Northern Africa, with stops in Jerusalem, the Arabic deserts, and, inevitably, a harem which Val must infiltrate. Then finally, in “The Misty Isles” Valiant meets Aleta face to face but upon learning that she has had his crew killed (deservedly so, actually, but still), he flees in anger, vowing never to see her again.
“Homeward Bound,” Valiant continues his travels, with stops in Athens (where he meets the boisterous Viking Boltar, who will become his friend for life), North Africa, and Gaul (where Valiant liberates Gawain), before finally returning to Camelot. But his joyous return is short-lived as an alliance of Picts and Vikings threatens Britain’s security, and thus Valiant must journey forth with, as his ultimate destination, “The Roman Wall.”
The final pages of this volume boast a special feature: a gallery of images that were censored for being too sexy or violent (or subject to other editorial interference) prior to publication, plus another gruesome example of Foster's art being altered for publication, all with commentary by series editor Kim Thompson.
Download an EXCLUSIVE 12-page PDF excerpt which includes Dan Nadel's Foreword and 10 strips (9.5 MB). Also, read editor Kim Thompson's Afterword from Vol. 1, detailing the production and restoration of these new editions, right here on our website.
Remember last volume’s cliffhanger? The penultimate installment of this acclaimed reprinting of E.C. Segar’s masterpiece begins with “Popeye’s Ark: Part Two,” the tale of Popeye’s eventful reign over Spinachovia — a bleak island populated only by men and lacking all “femininity” — even as Olive Oyl controls the country of Olivia (not to mention the men of Spinachovia). Then in “War Clouds,” the two monarchies come tumbling down in a furious battle as Spinachovia is attacked by the tyrannical land-hungry King of Brutia, King Zlobbo!
This volume’s star is Eugene the Jeep, the rare, friendly, leopard-spotted, and magically-endowed little creature. And Segar makes a great addition to the cast in “The Search for Popeye’s Poppa,” when the ever-cantankerous Poopdeck Pappy is tracked and finally, hilariously found; the title of the follow-up story, “Civilizing Poppa,” speaks for itself, as it tells the classic tale of man taming beast as Popeye guides a stubborn Pappy through table manners.
And as in every volume, this year-and-a-half’s worth of full-color Sunday strips are as dazzlingly reproduced as ever. The adventures of Popeye, Olive, Wimpy, Swee’Pea and the gang on the top are complemented with the riotously funny bonus strip “Sappo,” including a somewhat self-referential storyline where the titular character becomes a cartoonist and teaches the craft to his friend, Professor Wotasnozzle.
Download an EXCLUSIVE 15-page PDF excerpt (20 MB) with 10 pages of dailies and 5 pages of Sundays.