A boxed set of our first four books in our acclaimed EC Comics Library, which collects the best comics of the 1950s from the greatest mass market comic book publisher in history. Featured are: Corpse on the Imjin! by Harvey Kurtzman, et al.; Came the Dawn by Wallace “Wally” Wood, Al Feldstein, et al.; 50 Girls 50 by Al Williamson, Al Feldstein, et al.; and 'Tain’t the Meat... It’s the Humanity! by Jack Davis, Al Feldstein, et al. A great gift for Father’s Day or for the genre fiction fan in your life!
"EC Comics' output of crime, horror, and war comics have been reprinted and collected multiple times, but never like in Fantagraphics' new 'EC Comics Library,' which repackages some of the most influential comics ever published in writer/artist-driven volumes, printed in black and white.” – The A.V. Club
"The EC Comics Library collections display the grace of cartooning." – The Chicago Tribune
"Fantagraphics has been inventing unique ways to publish [this] treasure trove of '40s and '50s crime, horror and war comics." – The Toronto Star
The Amateurs, the debut graphic novella by Conor Stechschulte, is at the printer for release this spring. One part Samuel Beckett, one part Laurel and Hardy, one part Texas Chainsaw Massacre, this is a story of escalating madness, mystery, slapstick, and violence unlike any you've read before.
Our downloadable 8-page preview includes the horrifying prologue and introduces Jim and Winston, our protagonists who, after a strange night of sickness, arrive at work and are baffled to find that their butcher shop is as empty as their minds are of how to do their job. Pre-order now and get the rest of the story in May.
"Pow! Zam! Comics aren't for kids anymore because of Cannon! Cannon is like a punch in the face with a cement-filled giant salami. Ugly description? Wait'll you see Cannon’s ugly mug! And the gals? Wood style, of course! What else do you need?" – Gilbert Hernandez
"I bow to no man in my appreciation for Cannon." – Daniel Gillespie Clowes
Your mission, should you choose to accept it... is CANNON by the legendary Wallace Wood (Mad, EC Comics, Daredevil)! CANNON appeared every week for two and a half years in Overseas Weekly, a newspaper distributed exclusively to U.S. Military bases around the world. Uncensored by commercial editorial restrictions, Wood pulled out all the stops — producing a thrilling and salacious Cold War spy serial run amok with brutal violence and titillating sex all in an effort to boost morale and support our troops!
Meet John Cannon, the perfect agent and America's exploitative answer to James Bond. Initially brainwashed by the terrifying, voluptuous, and always half naked Madame Toy to be "the perfect assassin" for the Red forces, Cannon was eventually rescued and brainwashed (again) by the CIA until he had no emotions whatsoever. Under the employ of our government’s Central Intelligence Agency, Cannon experiences action like no other agent! Undercover and under the covers, Cannon endures nude torture by beautiful women, explosive gunplay, naked catfights, bone-crunching plastic surgery, nudity, Hitler, nihilistic lovemaking, Weasel the spy, naked women, death from above, and more naked women! Take that, 007!
Together with the Wallace Wood Estate, and working from newly unearthed source material, Fantagraphics Books presents the biggest, baddest, best-looking collection of CANNON, ever!
Charlie Brown may not be the best pitcher, batter, or team manager, but his love for the game is boundless, no matter how many home runs he gives up, how many games he loses, how many errors his team makes, or how many times the game is rained out. This delightful gift book features three complete baseball stories starring good ol’ Charlie Brown and his frustrating (and frustrated) teammates Lucy, Linus, Pigpen, Snoopy, and the rest of the gang. Whether it’s at home or on the road, on the mound or off the field, Charlie Brown gives it his all in these funny, touching testaments to his indefatigable spirit.
In the new Previews catalog at your local comic shop you'll find our solicitation for a new 32-page one-shot comic book by Dash Shaw. Cosplayers is a sweet & sour, sad & funny story that follows the adventures of Annie and Verti as they shoot homemade movies for YouTube, guerilla-style, and face some unexpected consequences. Read the first three pages of the story below, ask for it at your local comic shop, and look for it on the racks in April! (We'll be taking orders, too.)
Doctors comes out this October from Fantagraphics Books. It's 96 pages, 6 X 8", full color.
Here's the catalog copy Fanta wrote:
"This new graphic novel from acclaimed cartoonist Dash Shaw (Bottomless Belly Button, BodyWorld, New School) is his most taut book to date. Dr. Cho is the creator of the Charon, a device that allows his staff to enter a dead patient's afterlife by taking the form of a memory in the patient's consciousness, and bring he or she back to life with one catch: the experience is traumatic and the process kills them again soon thereafter. But for some bereaved, the opportunity is priceless. So when Bell is killed in a random accident, her daughter hires Dr. Cho's team to bring her back. But what if Bell didn't want to come back? The dying unconsciously create the afterlife they want, or feel they deserve, in their minds before everything fades to black. Isn't that better than the reality, and no less meaningful than life itself? Part science-fiction thriller, part family drama, part morality play for the 21st Century, and quite possibly Shaw's best book to date."
Welp, there you go. Two new comics from Dash to look forward to this year!
"Glenn's fabulous collection and the stories that go with it is the kinda stuff you can't make up." – Jaime Hernandez
"The Bray Collection is a national treasure, a Fort Knox of astounding pop-culture holdings compiled with uncanny prescience and a singular, infallible eye for both the unassailably great and the otherwise overlooked. Bray and Zwalve have assembled a sum that is possibly greater even than its magnificent parts, and to experience the body of work in its entirety — finding connections, noting omissions, succumbing to the perfection of the vision — is to understand the visual world in a whole new way." – Daniel Clowes
"Glenn Bray is the Great Curator of brilliant, overlooked pop culture, and this wild book is an eye-popping art treasure for us all." – Matt Groening
The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published — all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 — a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The Blighted Eye is not only the greatest collection of original art ever produced, but a testament to Bray's dogged and visionary commitment to preserving the work by the greatest artists working in an art form habitually sneered at by cultural gatekeepers throughout most of the 20th century.
The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and — it should go without saying — many more.
With the increasing sophistication of comics over the last 20 and 30 years in the form of graphic novels, journalism, and memoirs, the cartoon form is finally taking its place alongside other popular narrative media — novels, films, theatre — as an art form to reckon with, widely reviewed and embraced by a discriminating reading public.
Simultaneous with this growing acceptance of comics as a literary form has been the recognition among museums and galleries that the artists' original drawings are art objects. Public exhibitions of original comics art has proliferated over the last decade with such shows as Masters of American Comics at LA's Hammer Museum and R. Crumb's Underground at Seattle's Frye Museum. Readers have been able to see this original art in museum catalogues and the occasional compilation of work digitally scanned directly from the original art. Although drawn for print, the hand-crafted original art — brush strokes and pen lines inked on paper — offers a beauty and an unique insight into the form, a different way of perceiving the artist's work.