• Review: "And now, Fantagraphics has packaged some of the best movie parodies in this ripely-colored book [The Sincerest Form of Parody]. But these aren't Mad comics. They're the imitators which popped up on newsstands in the 1950s -- comic books like Whack, Nuts!, Crazy, Bughouse and Unsane.... Most of the comics in the pages of this book are understandably dated for today's web-weaned generation who may have never heard of I, Jury ('My Gun Is the Jury by Melvie Splane'), What's My Line? ('What's My Crime?'), or Come Back, Little Sheba ('Come Back Bathsheba'), but that doesn't drain these parodies of their punch." – David Abrams, The Quivering Pen
• Plug: "Most of the 21 stories in this great new book collection [Young Romance] haven't been compiled before, and if you're not familiar with them, you're in for thrill after melodramatic thrill. My favorite: 'Norma, Queen of the Hot Dogs.'" – Michael Galucci, Cleveland Scene
• Interview:Mark Kalesniko talks about his latest graphic novel Freeway at the FLIP animation blog; that site's Steve Moore says "Mark Kalesniko’s graphic novel Freeway is a truly brilliant, hilarious look at the hunched and goofy lifestyle in our industry's ground zero. His humor is wickedly honest, his storytelling unflinching."
• Interview: At The Believer's blog, part 3 of Ross Simonini's 2008 chat with Jim Woodring: "[Frank]’s an agent representing my interests, my perspective. The world is never a settled matter to him. He’s always trying to discover what is really going on, and when he does find out, he gets a terrible jolt. Sometimes he is driven beyond the limits of sanity. As William Burroughs said: a schizophrenic is a guy who has just discovered what is really going on. That’s a paraphrase."
• Review: "The Peanuts of 1981 was an utterly professional entertainment machine, and still the pure product of Charles Schulz's own pen and mind. But its pleasures in the '80s were like those of watching a late-season baseball game between two teams out of contention: it doesn't mean anything, and won't have any real effect on anything, but it's a quite agreeable way to spend a few hours." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "While other colleagues have seen their short stories and graphic novels draw serious attention in literary circles, Griffith remains the 'Are we having fun yet?' guy to many. Perhaps the long-overdue collection Lost and Found: Comics 1969-2003 will change that. Leaning heavily on the stories Griffith drew in the early ’70s for undergrounds like Young Lust, Short Order Comix, and the revolutionary Arcade, Lost and Found shows off more facets of Griffith, putting his obsessions with Hollywood, suburbia, and a certain type of corporate cockiness into a larger context." – Noel Murray, The A.V. Club
• Review: "Diane Noomin has seen her work scattered around anthologies like Wimmen’s Comix and Twisted Sisters since she made her comics debut in 1972, but has never received the dedicated study afforded by her new book Glitz-2-Go: Collected Stories, which brings together nearly 200 pages of Noomin’s work.... From the cluttered panels to the bracing honesty, these strips are very much of a piece with the original underground comics movement, and may not be immediately accessible to people unused to that tradition. But for those who fondly remember the glory years of Dori Seda, Aline Kominsky-Crumb, Joyce Farmer, and Roberta Gregory, it’s a pleasure to see Noomin get her own showcase." – Noel Murray, The A.V. Club
• Review: "...Nancy possesses in spades the quality common to all great art — a singularity of vision.... The clarity and unity of purpose made it quite impossible to miss a single punch line. Nancy is simplistic, yes — but it is simplistic by design, a strip without clutter, diagrammatic in its relentless formalism. Set against today’s comic-strip landscape, where Doonesbury has the ambition and scope of the Great American Satirical Novel and even gentle family comedies like Zits and Foxtrot boast character casts expansive enough to baffle a new reader, the dumbness of Nancy starts to look like some kind of genius. The roly-poly, Brillo-mopped mischief-maker and her lowlife pal Sluggo stand eternal, as iconic as the puppets in a Punch and Judy show or the Columbines and Harlequins of commedia dell’arte." – Jack Feerick, Kirkus Reviews
• Review: "At 7.6% ABV, Nibiru is a beer that doesn’t pull any punches, but its potency is disguised by the refreshing herbal and citrus flavours on offer. Like its European cousin, Duvel, it's light enough to be easy-drinking, but the intensity of alcohol mean that it’s a beer that demands to be savoured." – Gavin Lees, Graphic Eye
• Interview (Audio): On the new episode of the Mostly Harmless Podcast, host "Dammit Damian" chats with Noah Van Sciver about "how Noah got into making comics, his family and making comics for a living," among other topics
• Scene (Video):Graphic Eye's Gavin Lees captured Jim Demonakos & Mark Long's slideshow presentation of their graphic novel (with Nate Powell) The Silence of Our Friends on video at Fantagraphics Bookstore & Gallery this past Saturday
• Review: "If Spielberg shed the skin of Hergé’s style in an effort to get to the heart of his stories, the compelling work of Dutch cartoonist Joost Swarte performs the procedure in reverse.... Swarte, equally inspired by the underground comix that emerged from the American counterculture of the 1960s and ’70s, adapted the clear line and reanimated it with subversive content unlike the perennially chipper Boy Scoutism of Hergé’s Tintin. ...Is That All There Is?, collecting the bulk of his comics oeuvre to date (excluding a body of children’s comics), provides an overdue opportunity to linger over and consider his narrative work.... Like a Rube Goldberg machine designed according to De Stijl aesthetics—with a rhythm and blues soundtrack—Swarte’s comics communicate a historically freighted, European sense of the absurd, poised toward a globalizing, postmodern present." – Bill Kartalopoulos, The Brooklyn Rail
• Review: "The real joy of Swarte’s work... is the architectural elegance of his illustrations and his fine ability to colour them using everything from watercolour to retro duo-tones. Looking at Swarte’s mostly 20th century work [in Is That All There Is?] now, what’s also — and tangentially — interesting is the retro-futuristic look of it: the settings are near-future, but everything’s styled circa the 1940s, much in the same way Ridley Scott imagined the future in Bladerunner. For sheer design swagger you need to check Swarte out." – Miles Fielder, The List
• Review: "These stories [in Athos in America] are a little less open-and-shut than Jason usually makes. His comics are always good, but I usually don't think about them too much after reading them. This one's more of a think stimulator than previous books.... It's a beautiful book. This is definitely Jason's best book yet. Good job, Jason." – Nick Gazin, VICE
• Interview:Chicago Publishes has an interview with Mome contributor Laura Park: "I’m really happy with the stories I did for MOME. I love short stories. Novels are the format now — it’s a selling format. You can have graphic novels in a bookstore, because non-comics people might buy them. Whenever you can get a comic from the comic shop into a bookstore, it’ll make more money. But short stories are kind of magical to me. My favorite writer is Flannery O’Connor. She has novels, but her short stories are the ones that linger and itch away through you."
• Review: "Nearly every cover in this collection [Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-45] sizzles like a good slice of breakfast bacon. Pop art and the peculiar modernist aesthetic that defined postwar American culture really started here, with the liberation of comics from the funny pages and their metamorphosis into this most dynamic and demented of mediums. As a result, every deli and newsstand in America became its own peculiar gallery exhibit, a nexus of transient mass culture. This magical and immersive communion is now a thing of the past, but flipping through the gory, scary, and often beautiful pages of this discerning and honest anthology is an intoxicating experience." – Publishers Weekly
• Review: "If you think you've seen all the best early comic covers, this'll make you think again.... I have a bias here myself...I helped Greg put parts of this together, with rare and fun covers from my own collection. Here you find the really cool and offbeat stuff... And Greg writes a concise bio of every cover and cover artist, putting each in perspective. I can't wait to show this to my Golden Age collecting buddies, it's a must-have book. You have my word on it." – Bud Plant
• Review: "...[N]o publisher has done more to preserve the Great American Newspaper Strip than the Seattle-based Fantagraphics, which has undertaken an audacious program of reprints in the last decade.... The most recent addition to the Fantagraphics line is the most anticipated: Walt Kelly’s unassailable funny-animal strip about Pogo the possum and his cadre of friends and antagonists in the Okefenokee Swamp. ...[I]f the company can pull off a complete edition of Kelly’s masterpiece — especially a full series as lovely as the first volume promises — ...it will be a publishing masterpiece of its own." – Matthew Everett, MetroPulse
• Review: "Is Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 the coolest book ever published? Yes, it is. Just out from the stellar Seattle publisher Fantagraphics, Listen, Whitey! is a gorgeously designed and smartly written coffee table book... Author Pat Thomas has done major archeological work to unearth albums from the era; for people like me who love classic record designs from the 1960s and ’70s, it’s heaven.... The book is a joy to leaf through.... Black music, art, and culture has been assimilated, and it’s made America a better, stronger place. Listen, Whitey! is an archival project, not a modern one. To which I, a white guy, can only say: Right on!" – Mark Judge, The Daily Caller
• Review: "The page in [The Cabbie Vol. 1] where the cabbie brings his father’s sewage covered remains home and puts them in what’s left of the coffin and then puts the coffin on top of his mother’s recently deceased body tells you everything you need to know. Unless you’re a Prince Valiant dude, this is the best reprint of the year. Impregnable would be the best word, EXCELLENT! will have to do." – Tucker Stone, Savage Critics
• Review: "Prince Valiant Vol. 4: 1943-1944 is not only a great book, I think it could also serve well as a good jumping-on point for those curious about the strip. By this point Foster has gotten a strong grip on his characters and the format of the strip, and with a new storyline beginning so early on in this volume you don’t have to worry about being lost. And while this volume doesn’t end at a conclusion for the last storyline (running a whopping 20 months in all, as it turns out, only the first 7 months are present here), there’s so much meat here that you’ll be eager for Prince Valiant Vol. 5 so you can find out how it ends. I, for one, can’t wait." – Greg McElhatton, Read About Comics
• Review: "Are you a fan of Ghost World? You might not have noticed that Seattle-based Fantagraphics has reduced the price of their Ghost World: Special Edition to a bargain-priced $25.... The Special Edition is packed with goodies sure to thrill the Ghost World geek.... It’s a great item to add to your Ghost World collection — or to get it started." – Gillian Gaar, Examiner.com
• Interview:The Believer presents part 2 of Ross Simonini's 2008 chat with Jim Woodring: "I depend on a certain little frisson that I get when I hit upon a valid idea, relationship, event, or image. The thing shimmers in my mind, gives me that sense that it is glowing with unseen energy. 'Fluorescing' is the way I think of it. I reject dead ideas and keep live, glowing ones until the story resolves itself and I have a script."
• Review: "Jacques Tardi is a master storyteller, and The Arctic Marauder is a great place to start reading his work. If you’ve ever had an interest in expanding your comics enjoyment to European comics, this may be the book for you. But only if you like beautiful, smart and imaginative stories of high adventure." – Chris Neseman, iFanboy
• Review: "As ever, Jaime’s clear line style is masterfully rendered. The simplicity of his characters is disguised only by their realism, a clash of styles that he’s an accomplished practitioner of. Truly, in my opinion, there isn’t another artist working in comics who can seemingly capture so much from his characters while using so little.... [Perla La Loca] may not be the biggest or most dynamic story that’s come from Jaime’s pen, but if the previous volume’s death of Speedy storyline was the catalyst that brought on Maggie’s adulthood, this volume is the inevitable fallout." – Grovel
• Review: "In addition to undermining the colonialist attitudes of Hergé and classic Disney cartoons with his R. Crumb-ish verve, Swarte also presents a clutch of perfectly packaged riffs on cartoon art. Having a Chris Ware introduction makes sense, given Swarte’s excruciating eye for architectural detail, and could help introduce Swarte to a larger audience, but the book [Is That All There Is?] may not need it — the art doesn’t speak for itself, it shouts." – Publishers Weekly
"The Puerto Rican slugger overcame family poverty, racial prejudice, and the language barrier to be voted the National League’s Most Valuable Player for 1966. Puerto Rican-born Santiago (In My Darkest Hour) superbly captures the kinetic excitement of baseball as well as Clemente’s skill and warm humanity on and off the diamond.... Highly recommended; buy several."
"First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond."
• Plug: "The Fantagraphics reprint of the Mickey Mouse comic strip made by Floyd Gottfredson was already a gem in its first edition in two volumes separately, but with this new edition, with two volumes in a box and a lower price, it becomes essential." – CaraB (translated from Spanish)
• Interview (Video/Audio): Get comfy for an hour-long chat with Bill Griffith about Lost and Found: Comics 1969-2003 on Bob Andelman's Mr. Media podcast, presented in video and streaming audio formats: "I’m sure somebody will be offended, which will be nice — to still offend somebody after all these years. People who only know Zippy comics through King Features will probably be surprised to see that Zippy was more adult-oriented."
• Review: "This collection of strips [The Frank Book] doesn’t have much of a thread running through it, apart from the characters and their surroundings. Like classic cartoons and newspaper strips, they are there to have situations inflicted upon them. In his afterword, Woodring suggests that each strip is intended to be a mystery but that one concept runs through each one, like a sort of moral or statement. Finding these can, at times, be challenging, but this obscurity and strangeness is a large part of what gives the book it’s charm." – Grovel
• Review:Novi Magazine's Jona gives a spoiler-filled and tipsy run-through of The Left Bank Gang by Jason: "This book is basically the original Midnight in Paris. It features Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, and James Joyce living in France, but as cartoonists (instead of writers) in the mid 1920’s. It’s presented in Jason’s signature 'animal people' style, with consistent 3x3 conventional grids, and an immaculate sense of pacing. In short, the whole thing reeks of Jason, and I love it. I mean, seriously. All literature has been replaced with comics in this universe. What’s not to love?"
• Commentary: At Robot 6, J. Caleb Mozzocco examines the racial depictions in Walt Disney's Donald Duck: Lost in the Andes by Carl Barks: "Because so many of Barks’ stories dealt with the Ducks visiting exotic lands, because the stories in this collection were produced between 1948 and 1949 and because Disney doesn’t exactly have the most sterling reputation when it comes to representing diverse nationalities or ethnicities, I was sort of concerned about what the lily-white ducks would be faced with when they journeyed to South America or Africa. Or, more precisely, how Barks would present what they would be faced with."
• Commentary: At The Webcomic Overlook, Larry Cruz looks at Hal Foster's Prince Valiant for his "Know Thy History" column: " Foster was a fantastic all-around artist. His strip boasted some great looking architecture, meticulously detailed clothing, and epic clashes. He had a keen eye for adding shadows to heighten drama. Hal Foster is said to have put 50 to 60 hours working on a single strip, and it shows." (via Robot 6)
• Review: "And indeed, [Carl Barks's] work of c. 1948–54 ranks amongst the most consistently inspired, inventive, touching, and plain fun in the history of comics. Fantagraphics’ inaugural volume in their complete edition of Barks’s Disney comics [Walt Disney's Donald Duck: Lost in the Andes] drops the reader in right at the onset of this creative surge, covering the years 1948–49. ...[T]his is a series that finally promises Barks done right, promising a major revival of one of our greatest cartoonists." – Matthias Wivel, The Comics Journal
• Interview:The Believer blog presents part 1 of an interview with Jim Woodring conducted in 2008 by Ross Simonini: "There’s a Robinson Jeffers poem about a guy who has made wounds on the back of his hands and keeps them fresh by cutting them over and over again with a sharp piece of clean metal. That always struck me as being akin to what I do. I wouldn’t let those childhood wounds heal. The tunnel kept trying to close behind me, and I kept forcing it open so I could remember those primordial things, the way that the world seemed to me as a child. It’s been a vocation for me to keep that view intact."
• Interview (Audio): Matt Smith-Lahrman of New Books Network talks to Kevin Avery about Everything Is an Afterthought: The Life and Writings of Paul Nelson; in Smith-Lahrman's written introduction he says "In Avery’s biography, Nelson is a man who deeply believed in the idea of the American hero as a maverick: tough, brave, in touch with the essence of what it means to be human, and, importantly, alone. Nelson died in 2006, just as Avery was beginning to write this book. He died alone.... Nelson’s writing is deeply personal, inviting readers into the relationships he had with the people he wrote about. Avery’s biography similarly invites readers into Paul Nelson’s life, lonely as it was."
• Plug: "New from Fantagraphics, a decade spanning comics anthology from icon maker Bill Griffith. Griffith is surely best known as the creator of the polka-dot robe wearing daily strip character, Zippy the Pinhead, but Griffith's productivity reaches far beyond Zippy. Lost and Foundis a collection of comics, handpicked by the artist, many rare and out of print, from 1969-2003 (but with the first third of that time period, the heyday of the underground, occupying the majority of the book). Though most of the comics in Lost and Found aren't about Zippy, there are some unique and important Zippy moments included, like the icon's first appearance..." – 211 Bernard (Librairie Drawn & Quarterly)
• Plugs:Robot 6's Michael May & Graeme McMillan look ahead to a couple of our upcoming releases:
Angelman – I’ve not read much by Austrian cartoonist Nicolas Mahler, but I think I’m won over just by the idea of his new book, which satirizes not just superheroes, but the business behind them. [Graeme]
Interiorae – Lovely, lovely art by Gabriella Giandelli in this collection of his Ignatz series. (It’s also in full-color, unlike the original serialization, which is another win.) [Graeme]
I don’t know why it’s taken this long for Fantagraphics to collect the comics that got their cool Ignatz format a few years ago, but I’ll shut up and be grateful. I greatly enjoyed Giandelli’s creepy tale of an apartment building, its residents, the large rabbit who roams its halls, and the creature the rabbit seems to serve. What’s also exciting though is that this means Richard Sala’s Delphine will get a collection too. [Michael]
• Plug: "Malcolm McNeill was just finishing art school when he began his seven year collaboration with the author, William S. Burroughs. This work, which has never been published, is finally going to see the light of day. Fantagraphics has two books coming out this Spring by McNeill: one with his lost drawings and paintings, and the other a reflection on the relationship between word and image which has made an indelible mark on the artist and master draftsman." – Laura Williams, Lost at E Minor
• List: On the Inkstuds radio programme's "Best of 2011 with the Cartoonists" episode, Aaron Costain, Dustin Harbin and John Martz discuss their favorite comics of 2011 with host Robin McConnell, including:
• Review: "You know who’s great? Lewis Trondheim, the incredibly prolific French cartoonist. Evidence comes in... Approximate Continuum Comics, an English translation of a six-part series Trondheim published in the 1990s concerning his struggles in the comics industry, desire for success and acclaim and just general angst, anxiety and feelings of self-doubt. It sounds all terribly self-involved to the point of tedium, but Trondheim is simply too skilled a storyteller to allow his own ego to override the quality of his work. Approximate is filled with wonderful visual inventions, like an early daydream about dealing with obnoxious passangers on the subway. More to the point, Trondheim’s self-effacing sense of humor is so charming and revealing that the book never becomes too solipsistic or insufferable." – Chris Mautner, Robot 6
• Review (Audio):Extra Sequential Podcast hosts Kris Bather and Mladen Luketin examine Young Romance: "Legendary creators Joe Simon and Jack Kirby effectively created the romance comics genre which was surprisingly dominant during the 1940s and 50s. We look at Fantagraphics’ entertaining new collection of some of their work."
• Review: "Paul Nelson's life narrative is too good and too tragic.... The painful thing about reading this book [Everything Is an Afterthought], beautifully written and edited by Kevin Avery, is a lot of people are going to identify with Nelson's love for culture and what it means to him/us/them.... A very sad book. But the interviews with his fellow critics and friends (most love him to bits) [are] quite moving and a tribute to those who write to expose how 'their' feelings are attached to the shine or the mirror-like image of pop culture." – Book Soup Blog
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