In this January's issue of Booklist you can find a review of our recent releases, excerpted below:
Heads or Tails by Lilli Carré: "Most of these stories are concerned with alternatives—overlapping realities, different explanations of a single phenomenon, evolving contradictions. . . As a graphic artist, Carré carries forward the design tradition that stems from the gossamer surrealism of Cocteau; as a verbal artist, she may be the most successful prose poet going. . . Her Wanda Gag-meets-Gene Deitch drawing style and new-weirdness literary bent make her work acutely interesting to both read and scrutinize." — Ray Olson (Starred Review)
Bizarre Magazine recently ran an article by Stephen Daultrey featuring some primo "JUICY" posters from our arty porn poster book Sexytime, edited by Jacques Boyreau and Peter Van Horne. Seeking to celebrate "the age of trashy porn with tales of enemas, garage lube, balcony wanking" and Sexytime, Daultrey and Boyreau's words effectively magic a nostalgia within the reader that I didn't think possible.
The 1960s brought on such a world that "Grindhouse movie producers had begun competing about who could up the filth factor," Boyreau points out. This pushed the crazitude of poster art to a higher level, porny and punny. Think enemas, pumps and dumps.
Daultrey laments the availibility of VHS tapes and internet porn meant a lessening need for "suggestive and sometimes absurd posters [that] made the films even more trendy and often operated as standalone works of art that were almost entirely autonomous from the fuck films they promoted."
But that's the beauty of the posters seen in Sexytime says Boyreau, "They activated their own post-porn, personal narratives. They're much like how Impressionist paintings or religious, symbolic paintings can induce visionary relationships between body and soul."
To read more, pick up the next Bizarre Magazine for the full article and buy a copy of Sexytime. That one at the library has at least '69 holds' on it and is smelling a wee bit ripe.
Ian Chipman writes, ". . . Now, English readers can dig into another fantasy series populated by [Trondheim's] distinctive anthropomorphized animals and distinguished by equal parts cutting humor and bizarre plot twists. . . What seems like a good, old-fashioned unlikely-hero tale in the making actually turns out to be more complex and slippery, as Ralph’s past gets sliced in bit by bit as we gradually learn about the world he inhabits, all leading to a blindsiding reveal and a tantalizing finish. Trondheim’s cartooning is as saucy and quirky as ever in this first of six volumes that promises more endearing oddities to come."
This month's issue of Booklist reviewed two recent releases by Fantagraphics creators, excerpted below:
Folly: The Consequences of Indiscretion by Hans Rickheit: "Here are early stories by the graphic novelist whose work... comes closer than any other’s (except Nate Powell’s) to the prose stories of Zoran Živkovi, Andrew Crumey, Kelly Link, Ray Vukcevich, Theodora Goss, Benjamin Rosenbaum, and other practitioners of what’s been called slipstream fiction. They feature people, animals, and flesh-and-machine hybrids in all stages of development and dissolution, from fetus and pupa to suppurating near-corpse to skeleton . . . Among their protagonists, a bear-headed man in a long coat and high boots and identical teen sisters Cochlea and Eustachia, who wear only black masks and very short-skirted tops, recur often. Rescued from their original appearances in Rickheit’s slim, stapled-together Chrome Fetus Comics, these stories are less polished than his current stuff . . . but fully developed in every other aspect of his puzzling, engrossing, and disturbing storytelling." — Ray Olson
Interiorae by Gabriella Giandelli: "A large and (mostly) invisible rabbit looks over the affairs of various tenants in a modern apartment building: an elderly woman dying in one apartment, a couple entrenched in unhappiness and unfaithfulness in another, young schoolgirl friends in a third, and a happy group of ghosts in a fourth . . . the rabbit as harbinger of change [leaps] from panel to panel, view to view, addressing the reader enough to keep the outsider engaged in asking what might happen to whom next. The images are gorgeously penciled and inked, with coloring to note moods and approaching climaxes and denouements in the various tales. The rabbit’s own identity — or power — finds explanation in an Algonquin tale found in an open book on a bed in one scene; figuring out who is the Boss in the basement, sometimes referenced by the rabbit, takes more digging. Beautifully rendered art and sweetly told, serious stories." — Francisca Goldsmith
• Interview: On the National Post, Nathalie Atkinson interviews Gabriella Giandelli on her graphic novel, Interiorae., and the retrospective exhibit at the Italian Cultural Institute. Giandelli states, "There are some stories where it would be possible to have the soundtrack of what you listened to during the work for every page of the story. Or sometimes the song is inside my work — nobody knows but for me it’s there."
• Review:The Weekly Crisis solves the weekly dilemma for you with a "buy it" verdict for Gabriella Giandelli's Interiorae. Taylor Pithers says, "Giandelli also weaves magic on the way the other characters speak. There is a certain rhythmic beauty to the dialogue that gives the whole book a feeling of quiet, almost as if everyone is speaking in soft tones."
• Review: The Boston Phoenix gets a slap in the face from Hans Rickheit and asks for more. In the review of Folly: The Consequences of Indiscretion, S.I. Rosenbaum says, "It's as if other masters of visual bodyhorror — Cronenberg, Burns, Dan Clowes, Tarsem Singh — are weird by choice. Rickheit, it seems, just can't help it. There's a conviction to his creepiness, a compulsive nature even in his early draftsmanship."
•Commentary: BEA was last week and Publishers Weekly couldn't get enough of Associate Publisher Eric Reynolds and new book, The Hypo by Noah Van Sciver. Heidi MacDonald and Calvin Reid teamed up to cover the event: "Eric Reynolds said it was a good show for the house, noting that all the galleys for Van Sciver books were taken and there was “huge interest” in Fantagraphics titles, like the Flannery O’Connor: The Cartoons."
•Review:The Comics Bulletin reviewed God and Science: Return of the Ti-Girls by Jaime Hernandez. In the wake of near-universal criticism for super hero comics, Jason Sacks gives an angsty-yet-positive review: "[God and Science] is indeed very indy and quirky and idiosyncratic and personal and uncompromising as any of Jaime's comics."
•Plug: The blog for CAKE (Chicago Alternative Comics Expo) mentioned the our newest collection, No Straight Lines. "LGBTQ cartooning has been one of the most vibrant artistic and countercultural movements of the past 40 years, tackling complex issues of identity and changing social mores with intelligence, humor, and an irreverent imagination. No Straight Lines: Four Decades of Queer Comics . . . is the most definitive collection to date of this material, showcasing the spectrum from lesbian underground comix, to gay newspaper strips, to bi punk zines, to trans webcomics." Debuting this weekend at Cake in Chicago, you can find editor, Justin Hall, at table 76.
•Review: A short-and-sweet review on Scripp News popped up today. Andrew A. Smith tips his hat to Mysterious Traveler: The Steve Ditko Archives Vol. 3. " . . .despite the stultifying constriction of the draconian Comics Code of 1954, Ditko managed a remarkable body of work in both volume and content. Even more amazing is his accelerated learning curve, which shoots straight up from first page to last."
• Review: At Boing Boing, as part of their "Mind Blowing Movies" series of guest posts, Amy Crehore examines the Ghost World film: "I knew it was going to be good, but I had no idea that the movie Ghost World (2001) would bathe me in such an uncanny sense of deja vu from start to finish. The characters are so real and familiar that they could have been based on my friends and me."
• Commentary:Ashok Karra has a short but thought-provoking analysis of elements of the Ghost World graphic novel: "A ghost world could be three things. Two of them are types of haunting: either by the past (nostalgia for childhood) or the present (the glow of the television). The third possibility is that you pass through as a ghost."
• Plug: At Flavorwire, Emily Temple includes Ghost World on the list of "30 Books Everyone Should Read Before Turning 30," saying "Clowes writes some of the most essentially realistic teenagers we’ve ever come across, which is important when you are (or have ever been) a realistic teenager yourself."
• Plug/Preview: At The Beat, Jessica Lee posts a 5-page sneak peek of New York Mon Amour by Jacques Tardi et al., saying "This newest Tardi release... is slated for a July release, just in time for Independence Day, where we can all revel in the patriotic depictions of New York that Tardi has provided — oh wait. True to his new realism style, 'Manhattan' retains the same kind of gritty aesthetic as his illustrations of WWI trench warfare as well as Parisian life."
• Review: "The 11 horror stories in [The Furry Trap] showcase Simmons’s possession of a dark and capable imagination, one that has discomfort down to an exact science.... Simmons is at his best in stories like 'Mutant' and 'Demonwood,' where rash decisions and chance encounters lead to nightmarish consequences ... Simmons’s brand of deep unease permeates all of [these stories], even in the opening story, 'In a Land of Magic,' which features a scene of sexual and physical violence that could lead to sleepless nights. The book is also filled with illustrations and short comics that just add to the pile of evidence that Simmons has a wide-ranging talent, with an artistic sense that brings to life his most ghoulish creations. These stories are, hopefully, harbingers of even stronger and more sinister work in the future..." – Publishers Weekly
• Review: "The action [in God and Science] ebbs and flows, but the story remains engaging and exciting. I had to read it all in one afternoon because I just couldn't put it down. I was enjoying it too much to stop reading.... [There]'s another great thing about this comic — there's some subtle philosophical questions nudged in that the characters (and reader) have to answer themselves.... I can't recommend this title enough. I can easily say that I want more Ti-Girls, or at least comic characters like them." – Sheena McNeil, Sequential Tart
• Review: "Prince Valiant Vol. 5 — As the war years draw to a close, the strip finds Valiant settling down — at least a little bit — by finally winning his true heart’s love, Aleta. There’s still enough brigands and evildoers to keep Val busy, but a lot of Vol. 5 is spent with the couple developing their relationship, and Harold Foster deepening and developing Aleta’s character in the process. ...[I]t remains a thrilling, boisterous work." – Chris Mautner, Robot 6
• Review: "Dungeon Quest Book Three — Joe Daly’s faithful D&D fantasy by way of Harold and Kumar proceeds apace, with lots of bloody skirmishes with fierce animals and fiercer bandits and an abundance of jokes about penises, pot, hand-jobs and the like.... His incredibly detailed forest backgrounds are really quite exquisite, and the full panel sequences of his band of adventurers simply trekking along a forest path or walking through a stream were my favorite parts of the book." – Chris Mautner, Robot 6
• Commentary: It's been interesting seeing the evolution of the "hey, they should bring Love and Rockets to the screen" article in the age of the serialized cable drama. Arthur Smith at The Paley Center for Media is the latest to add his voice to the chorus
• Plug: "Got this beautiful Popeye compilation book (Fantagraphics) a couple of days ago. Haven't had a chance to even crack it open, but my son is now running around going 'Arf, arf.' It's a hit." – Ruben Bolling
• Tribute: At The New York Times, Tim Kreider remembers the great Ray Bradbury: "Prescience is not the measure of a science-fiction author’s success — we don’t value the work of H. G. Wells because he foresaw the atomic bomb or Arthur C. Clarke for inventing the communications satellite — but it is worth pausing, on the occasion of Ray Bradbury’s death, to notice how uncannily accurate was his vision of the numb, cruel future we now inhabit."
• Review: "Beyond the quality of the artwork, which remains amazingly detailed and perfectly perfect in its storytelling,Dungeon Quest is really funny, the humor sometimes seeming dissonant — but pleasingly so — given the seriousness with which Daly approaches, say, drawing a rock-strewn valley or depicting a slow, tiring march through a forest (It’s almost Tolkeinesque in his commitment to describing walking!) or choreographing a thrilling action scene." – J. Caleb Mozzocco, Robot 6
• Review (Audio): The guys at Washington, D.C.'s Big Planet Comics discuss Angelman by Nicolas Mahler on this week's episode of their podcast, declaring "if you're sensitive about your love of superhero comics, this is probably not for you, but if you want awesomely cool cartooning art by Mahler and something really different, here you go. It's funny too."
• Awards: Congratulations to the great Joost Swarte, awarded the 2012 Marten Toonder Prize and its concomitant fat cash prize by the Netherlands Foundation for Visual Arts, Design and Architecture, as reported by Tom Spurgeon at The Comics Reporter
• Review (Audio):Inkstuds host Robin McConnell is joined by Paul Gravett, Joe McCulloch and Tom Spurgeon for a roundtable discussion of Cruisin' with the Hound by Spain Rodriguez and other books
• Review: "Here are the early ejaculations from the primordial form of what was to become one of the great American writers. Here is Flannery O'Connor as she is formulating her unique vision of America and all that it entails.... What value does Flannery O'Connor: The Cartoons have inherently? I think the answer to that question is entirely subjective. ...I personally wish to thank Fantagraphics for going out on a limb and publishing this book, if for no other reason than to put Flannery O'Connor back into the pop culture discussion for however briefly it may be." – Daniel Elkin, Comics Bulletin
• Review: "Anyone can be grotesque and horrifying. To truly get under the skin of the audience is an ability not many have. Someone who does is Thomas Ott, and he uses his ability to the highest effect in Cinema Panopticum. ...[I]f you are looking for an unsettling horror story rendered beautifully by an expert craftsman there is no doubt this should be in your collection." – Taylor Pithers, The Weekly Crisis
• Interview (Audio): Spend 3 minutes with Michael Kupperman as Tom Gambino of Pronto Comics talks to Michael from the floor of last April's MoCCA Fest on the ProntoCast podcast
• Film Studies: At Boing Boing, Jim Woodring writes about the 1931 Fleischer Bros. short that expanded his young mind: "I might have come to grips with the overwhelming mystery of life in a rational, organic manner if it weren't for a cartoon I saw on my family's old black and white TV in the mid '50s when I was three or four years old. This cartoon rang a bell so loud that I can still feel its reverberations.... Whatever [the creators'] motivation and intent, 'Bimbo's Initiation' became my prime symbolic interpreter, the foundation of my life's path and endlessly exploding bomb at the core of my creative output."
• Review: "The sad, forgotten beauty of the in-between moments of daily life: playing a board game at a kitchen table just cleared from a family dinner; listening to music having just slipped off your shoes; daydreaming while doing the dishes. What would it be like if a series of graphic novellas tried to capture these moments? What if it also featured an omnipresent, invisible rabbit that could change sizes and a dark, cloud-shaped creature ('the Big Blind') living in the basement of an apartment building that fed on the memories, dreams, and nightmares of its inhabitants? It would probably be something like the Italian comic-book creator Gabriella Giandelli’s... Interiorae." – Nicholas Rombes, Oxford American
• Preview: At The Beat, Jessica Lee presents a 5 page sneak peek of the new book by Josh Simmons, saying "Toying with the vulnerability of characters that seem timelessly recognizable, i.e. fairies in a fantastical land or a batman-esque figure scaling a wall, The Furry Trap is a graphic novel that is set to shock and appall its reader, yet Simmons is able to retain an even stronger range of visual style that makes this graphic novel’s scope extend further than being just a horrific tale."
• Plug: "...[T]he new volume of Prince Valiant, volume 5, is here and an event all its own. Fantagraphics' new hardcover printings of these wonderful Hal Foster Sunday pages offers the finest reproduction yet, far superior to their old softcover series. While I own the original Sunday pages, collected years ago, I could not resist sitting down with these new volumes and getting re-hooked on the stories AND art by one of the very true masters of comic art." – Bud Plant
• Plug: "Out of the Shadows deserves your attention. Meskin is one of my favorite artists from the 1940s and 1950s.... Mort's work here are some of the hidden gems of the Golden Age.... This book comes a long way to reveal this incredible talent who rose above the mass of Golden Age artists." – Bud Plant
• Preview/Interview: At Print Magazine, Michael Dooley presents a bunch of pages of The Sincerest Form of Parody: The Best 1950s Mad-Inspired Satirical Comics and has a quick Q&A with editor John Benson: "When Isaac Asimov edited his massive Before the Golden Age anthology of 1930s science fiction... he relied entirely on his memories of reading the stories when they first appeared, and that's how he made his selections. Similarly, Jules Feiffer largely relied on his memories of the stories from his original reading when making selections for his seminal The Great Comic Book Heroes in 1965. Like the Asimov and Feiffer books, The Sincerest Form of Parody is partly an exercise in nostalgia, so in making my selections, I think it's fair to give some consideration to my reaction to the material when I first saw it."
• Review: "...Fantagraphics recently unlocked whatever crate must have been used to house Mr. Twee Deedle: Raggedy Ann's Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle. Over a foot long and over a foot-and-a-half tall, the hardcover features the most beautiful endpapers in recent memory. Gruelle’s artwork is full of whimsy, presented in both the richest nostalgic color and black and white. The narrative involves two children on a journey through a magical land as guided by a wood sprite, but this is truthfully an art book. It’s meant to be read sprawled out on the floor, the only surface in an average reader’s home that is likely large enough to properly balance this fine luxury. Rick Marschall provides a lengthy, informative essay that is lavishly accompanied by further illustrations." – Alex Carr, Omnivoracious
• Review: "In an age of indie-comics dependent upon the banality of the everyday, a hesitant realism, Rickheit eschews reality in favor of the impossible, a state of existence that is truly fantastical. But this is not a utopia, this is a world entirely of the body, though not only the body of human beings, but the body of all living meat, of anything that breathes and shits. This is a world of pure imagination, of subconscious desires let loose with an acutely detailed drawing style. And ultimately, [Folly]’s a perfect work for those who refuse to float away from their bodies but are ready to let their heads go where-ever one can find the new." – Invisible Mike, HTMLGIANT
• Tweet of the Day: "I just read The Furry Trap by Josh Simmons; I'll be on the Internet the rest of the day looking for instructions on how to boil my eyes." – Tom Spurgeon (@comicsreporter)