• List:USA Today's pop culture maven Whitney Matheson starts counting down her People of the Year at Pop Candy, with Jim Woodring kicking things off at #100 ("This year the artist constructed a seven-foot-long fountain pen that even Lloyd Dobler would be proud to own") and Leslie Stein coming in at #78 ("She had me at the talking guitar: The Brooklyn-based cartoonist's Eye of the Majestic Creatureprovided a joyous reading experience")
• List (Audio): Jim Woodring's Congress of the Animals and Johnny Ryan's Prison Pit Book 3 are among the books discussed by Inkstuds host Robin McConnell and his guests Tim Hodler, Joe McCulloch and Matt Seneca for his "Best of 2011 with the Critics" episode
• List: Librairie Drawn & Quarterly's Jade names her Top 5 Books of 2011 on the 211 Bernard blog: "Thirty years after the first Love and Rockets issue, the Hernandez Brothers continue to impress with some of their best work to date in Love and Rockets: New Stories #4. Both brothers produce storylines that are absolutely amazing... I can’t even begin to imagine what these guys will come up with next."
• Review:The Seattle Times' Mary Ann Gwinn looks at Pogo Vol. 1 and the "Playing Possum" exhibit at Fantagraphics Bookstore & Gallery: "Kelly had an uneasy relationship with the newspapers that ran the strip. Though Pogo was hilarious, it could also be extremely pointed. Fantagraphics curator Larry Reid says the Hoover strips, featuring a bulldog with an uncanny resemblance to the FBI director, aggravated Hoover no end. 'He was driven to distraction' by the notion that the strips had hidden messages embedded in them, says Reid. 'He had cryptographers trying to decipher swamp talk.'"
• Review: At Artdish, Gary Faigin also looks at "Playing Possum": "Kelly was both famous and honored in his lifetime (over 50 collections of Pogo were published, and the strip appeared in most major newspapers), but just enough time has passed since his demise in 1973 that many people, younger ones especially, are not familiar with his work. While that’s a good reason to celebrate the Pogo show and book launch at the Fantagraphics Gallery this month, an even better reason is the opportunity to be reminded how fresh, lively, and relevant his work is, decades after it first appeared."
• Review: "These are deeply strange short stories [in The Man Who Grew His Beard], centered on ideas and effects I’m not sure I’d have come up with even with the proverbial infinite number of monkeys at my disposal; even in this short-story-saturated alternative comics climate, there’s nothing else like his gestalt of finely calibrated nonsense. It’s good to see that comics can do things you’d never think to ask of them in the first place." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Although Barks didn’t create Donald Duck, it is his interpretation that probably resides in most people’s memories.... Donald in the animated shorts was a hot-headed buffoon. Barks’ Donald was an actor called upon to play whatever role Barks needed: from exasperated parent to worldly adventurer. It was Barks’ duck comics that spurred my early interest in sequential storytelling, and probably my love of reading in general." Norman Cook, Axolotlburg News
• Review: "Love & Rockets is the only series that I don't mind purchasing and repurchasing in multiple editions... I like the way that Jaime Hernandez's stories read in different configurations. Approaching his little slices of life through flashback or in different sequences lets little details, the sort of which most readers probably miss the first time around, take new shapes and new levels of importance. I really love these paperback editions... As ever, there's just a tiny hint of extra-normal fantasy at work in the stories [in Penny Century], just enough for readers to accept that there's something very strange over the horizon or in Izzy's psyche, but never enough to overwhelm the wonderful, human reality of these beloved characters. Highly recommended for older readers." – Grant Goggans, The Hipster Dad's Bookshelf (via The Comics Reporter)
• List:FEARnet's Joseph McCabe names Richard Sala's The Hidden to their Best of 2011: Books and Comics: "Sala's unique brand of creepy quirk combines Edward Gorey, Chester Gould, and Charles Adams with his own unclassifiable magic. The Hidden, from Fantagraphics Books, is his most ambitious work -- an intimate apocalypse."
• List:The SF Site's Rick Klaw ranks 21: The Story of Roberto Clemente at #4 on his top graphic novels of 2011: "In this emotionally moving biography, the Puerto Rican Wilfred Santiago magnificently chronicles the often tragic life of this icon.... Santiago expertly traverses Clemente's tribulations, losses, and success with ease and skill. His portrayal of the baseball games rank among the finest ever attempted in this medium. Under the masterful hands of Santiago, 21 evolves into far more than just a biography of a sports figure. It showcases a life worth emulating."
• Review: "I’ve been eagerly anticipating Wilfred Santiago’s graphic biography 21: The Story of Roberto Clemente since I first heard it was the works... Santiago uses black and white and some yellow-orange fill-ins, but really that’s all he needs. His style is clean, ranging in depiction of Clemente throughout the years to religious leaders to baseball action scenes, which he often depicts in a seemingly photo-realistic style with ballplayers drawn against what appears to be a collaged photo background of a baseball setting but is instead a note perfect drawing. ...Santiago does Clemente proud with 21." – David A. Kirschenbaum, Boog City (PDF download)
• Review: "Looking for someone to turn lemons into lemonade? In his own distinctive way, Alexander Theroux might be your man.... In Estonia: A Ramble Through the Periphery, he mines his disappointment and catalogs his discontents to impressively crotchety effect. ...[L]ike the country's many invaders—Russians and Germans, and, before them, Swedes and Danes—Mr. Theroux largely uses Estonia as a space for his own purposes, transforming this admirable country into a grotesque but clever caricature perfect for use as... a stage for Mr. Theroux's verbal pyrotechnics and some fine jokes... I laughed a lot, but guiltily." – Andrew Stuttaford, The Wall Street Journal
• Review: "After years and years and years, Fantagraphics has finally started their deluxe reprint series of Walt Kelly's comic strip Pogo. The first volume is available right now, and it's absolutely beautiful, a big comic book with real heft and majesty.... Pogo always felt, to me, like a strip you should read like a novel, a continuing sitcom about the personality-heavy critters who live in a swamp. This collection proves that I was right. This isn't a book you read so much as sink into: Kelly's brilliant ear for dialect and voice lulls you along, and then you're lost in his beautiful artwork.... The whole book is... a series of packed — but crystal clear — panels that grow together to establish a world of curious characters whose misunderstandings lead to great adventures. If I had to make one complaint about this Pogo collection, it'd be that it ends too soon.... If you like comics, or if you know any kids who read comic strip collections, this is the Christmas book for you." – Paul Constant, The Stranger
• Review: "[My] gripes are minor in relation to the beauty and quality of this book presentation, as well as the stories themselves.... The stories, of course, are outstanding. Most of the long adventure tales are classics in their own right.... Plus, Barks comes up with some of the most brilliant schemes and swindles — most perpetrated against Donald for comedic effect. The super-compressed plotting makes everything more frenetic — and more funny! Walt Disney’s Donald Duck: Lost in the Andes is an excellent start to Fantagraphics’ Carl Barks Library." – K.C. Carlson, Comics Worth Reading
• Review: "It was the best of Momes, it was the worst of Momes. Alright, that’s not quite accurate, and not quite fair, either. But this unwittingly penultimate issue of Fantagraphics’ long-running alternative-comics anthology — page for page the longest-running such enterprise in American history! — is a hit-or-miss affair in the mighty Mome manner. ...[T]he hits... are strong enough to make the book worth checking out.... You gotta take the rough to find the diamonds." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "The ability to make me cry is not generally something I praise in a book.... But in Special Exits Joyce Farmer pulls off something much more difficult — she takes a true story and plays it straight without any overly dramatic embellishment. Her frank honesty lays bare the emotional core of the story.... Farmer’s black and white line drawings are detailed and expressive, but never flashy. Her art is straightforward, as befits the story.... The end product is as honest and unembellished as a personal journal and we’re lucky Farmer’s chosen to share it with us." – Andrew Fuerste-Henry, No Flying No Tights
• Review: "Despite [Taking Punk to the Masses'] coffee table book appearance, McMurray tries to keep the punk rock do-it-yourself ethic by letting the artifacts and punk denizens speak for themselves.... The quotes from the publisher/artists who created them and musicians who were featured weave together nicely to give a sense of moment. And sometimes the creator and object merge, such as the Nirvana show posters hand-drawn by Kurt Cobain." – Ian S. Wilder, Boog City (PDF download)
• Interview: At Heeb, Eli Valley chats with Drew Friedman about old Jewish comedians and Old Jewish Comedians: "A lot of these guys, they get to a point where they’re angry they’re not getting the attention they used to get. I guess that’s true for anybody getting old who used to be in the limelight. I wanted to capture that. 'Pay attention to me, I’m old but I’m still funny and I want you to pay attention to me.' These guys are still in your face, they never slow down, but basically it’s over. There’s no more work. A lot of them would just be happy to receive an award for their work. You just don’t want to be forgotten."
• List: Esteemed Washington, DC bookstore Politics & Prose has posted their list of "Favorite Graphic Literature of 2011":
"It seems sort of cruel to celebrate the final issue of Mome, Fantagraphics’ premier anthology of comics. But one can hardly resist such a celebratory finale. As to be expected, Mome Volume 22 packs a wallop, throwing in a mind-bending array of cartoonists, some Mome regulars, some first-time contributors. Some favorites: Joe Kimball’s 'Secret Hand,' Tim Lane’s 'Belly Gunner,' Eleanor Davis’ 'Nita Go Home' and 'Loving Bin Laden' by James Romberger. As always, this is a refreshing and eye-opening anthology. So thank you, Mome, and goodbye."
"Jacques Tardi’s wildly inventive The Arctic Marauder follows Jerome Plumier as he tries to uncover the mystery of why ships keep sinking in the arctic. Written to parody a Victorian and Jules Verne-esque style, Tardi’s illustrations look as if they’re out of a much older book; his seascapes and townscapes are scenic and highly detailed; his creative paneling is fresh and interesting; and the abundance of machinery and wild inventions makes this book a real wonder to read. Ending on a strangely ominous, ironic, and humorous note, this is yet another masterpiece by the French master, finally brought to American audiences."
"Jim Woodring’s little anthropomorph, Frank, has been around for quite some time, and his silent, life altering, universe confusing, epic comics finally get collected into one nice book. Frank has graced the comics page for decades now, and his curiosity, foolishness, but utter innocence leaves one always wishing for more, and to have it collected into one volume is an absolute treasure. There is much to say about The Frank Book, but really, you should just pick it up and wander with Frank and his friends and enemies, into a world that is so different, and yet, so similar to our own."
"Stigmata is one of the greatest virtuoso displays of pen-and-ink work in the history of graphic novels. Illustrator Lorenzo Mattotti’s 'raging fury of intense linework' is mesmerizing on every single page, and drives the novel-length story by Claudio Piersanti set in the hellish world of bars and traveling carnivals (with a final redemptive chapter). Stigmata is a recognized classic in the comics world, and was published in Europe in 1998. It has finally been translated and published here."
"Pogo Possum and the bunch of characters that make up Walt Kelly’s colorful, smart, and witty comic finally get the sort of treatment they deserve. It has taken Fantagraphics a long, long time to find perfect copies of all these fantastic strips, and to make sure Pogo was given its due in the best possible way. So here it is: the first of twelve volumes, complete with dailies and Sunday pages (with absolutely gorgeous color). This is quite possibly one of the best things to come out this year, and one of the best books for any library."
"Hot on the heels of popular Mickey Mouse hardcover comics collections, Fantagraphics puts forth a second Disney classic, Donald Duck: Lost in the Andes. While some readers may have been surprised by Mickey’s exploits in the early days, Donald is exactly as you remember and expect him to be: perpetually frustrated with a heart of gold. What is also not surprising is the level of skill behind the cartooning of Carl Barks, whose knack for expressive figures and attention to detail makes this collection an endlessly entertaining read. So well-loved were these stories, that none other than the great Steven Spielberg paid tribute to them in the famous scene of Indiana Jones versus the boulder in Raiders of the Lost Ark. Sure to please any fan of good-humored Golden Age comics."
"I’ve never quite liked Mickey Mouse. He was always a little too tame, too good. And while he was always the hero, he never seemed to earn it. Fantagraphics recent release of the classic 1930’s comic strips has completely changed my mind. While Mickey’s essential character hasn’t changed, he is certainly more bold, more willing to throw a punch or rush into a haunted house, or even into a brawl with Pegleg Pete and his gang. Floyd Gottfredson’s artwork bears the trademark Disney look (given that it is clear and at times inventive), but the limit on panels and the daily format of the strip forced Gottfredson to tell his stories in intriguing, and always brilliant ways. These comic strips are full of adventure and clever satire. With the usual Fantagraphics treatment, there are over 50 pages of supplemental material, so these books provide a wealth of information on the series and on Gottfredson’s life. Also available in a slipcased set!"
"For those who still think that Prince Valiant is simply an illustrated version of your boring high school history textbook, it is time to take heed. Fantagraphics continues to release these gorgeous remastered editions of one of America’s most beloved and enduring comics. This is a story steeped in family and tradition, with a dash of fantasy. Hal Foster’s professionalism shines in every painstakingly-researched and well-composed page of Prince Valiant Volumes 3and4. Each panel’s composition immediately draws you in and invites you to linger in a world of romance and adventure, in which you may spend many Sunday afternoons. Previously released editions were high-contrast, lurid affairs that seemed determined to destroy the good name of the original color artist; however, the impeccable restoration of the comic’s original colors makes it enjoyable for the modern audiences and almost a brand new experience for fans lucky enough to have read it in their youth."
• List/Review: "Finally starting to be collected, Gottfredson's masterful first year was released by Fantagraphics, publisher of all good things, in a wonderful hardbound... Aside from the subject matter, the most striking thing about this volume is Gottfredson's art. He demonstrates a supernatural knack for detail and fluidity that remains largely unchallenged in his representation of Mickey, as well as in animation/ cartooning/ sequential art.... As a longtime appreciator of Gottfredson and proponent for his legacy, Race to Death Valley was the best comic release of 2011 — a feat, considering the material is 70 years old. Take that, modern literature!" – Rafael Gaitan, Spectrum Culture "Best Books of the Year"
• Review: "The fact is that Paul Nelson was one of the handful of people who have scribbled about rock-and-roll over the years who might be described as a genuinely important writer, regardless of the (some would say) transience of much of his subject matter. In that regard, while re-reading Everything [Is an Afterthought] I was struck by how little any of it has dated; the various reviews and think pieces Avery has anthologized are as passionate, perceptive and hilarious as they seemed back in the day, and given that most of them have been out of print since forever (in fact, almost all the work collected here has never been between hardcovers) this is a major piece of cultural exhumation at the very least." – Steve Simels, PowerPop
• Review: "The gender orientations of eleven-year-olds just isn’t the stuff of stories here. In fact, it is the stuff of reality. Shimura balances a full plate in this story, all the while offering it with the kind of easy grace that makes the balance appear to be almost magical.... In Shimura’s sympathetic hands, this manga is neither gag nor message heavy: both main characters, their peers, and their family members are credible and developed with enough depth that readers can think about them beyond the bounds of the book. ...[Wandering Son Vol. 1] belongs in every high school library, as well as in public collections that are accessible to both youth and adults." – Francisca Goldsmith, School Library Journal
• Review: "But upon reflection, I wonder if these terrible people’s wholly alien way of interacting with the world isn’t just the writing equivalent of Tardi’s nimble, scribbled line and sooty blacks — a heightened reality in which things are rendered at their loosest, darkest, ugliest, and weirdest at all times. God knows both creators can rigorously focus when they want... Tardi’s backgrounds and lighting effects are a realist’s dream and his action sequences and set-pieces are choreographed tighter than a drum. The absurdist demeanors may prevent everything from gelling as well as they might have done, but overall [Like a Sniper Lining Up His Shot] delivers a fastball to your face so hard that you barely have time to notice that some of the stitches need straightening." – Sean T. Collins, Attentiondeficitdisorderly
In this month's issue of Booklist you can find praise for three of our recent releases:
Nuts by Gahan Wilson: "One of the greatest gag cartoonists, whose monthly contributions to Playboy may prove that magazine’s most durable legacy, Wilson gave National Lampoon something to be remembered for, too — his only comic strip, collected here. Titled to echo Charles Schulz’s great newspaper feature full of kids who think and talk like adults, the six-paneled Nuts develops a realistic situation from out of memory (the strips typically begin with the word “remember”). All the fully visible characters are children, mostly boys, but, contra Peanuts, what they say expresses kids’ enthusiasms, fears, and frustrations in the words grown-up memory gives them (the slightly precocious language is Wilson’s primary departure from naturalism, except for his loopy drawing, of course). The frustrations are particularly important, so much so that, despite the acorn next to it in every first panel, the strip’s title is best understood as a child’s curse, “Nuts!” The scenarios include summer camp, going to horror movies, being sick and obsessing about it, making models, eating too much, not knowing the answer (or even the subject) in school, selecting comics in the local cigar store, and other normal-enough stuff that holds the potential for humiliation, failure, and maybe worse. In Nuts, that potential is always realized and, as memory colors it, so uproariously that you just about choke with laughter. For sheer hilarity, this is Wilson’s masterpiece." – Ray Olson (Starred Review)
Oil and Water by Steve Duin & Shannon Wheeler: "Four months after the 2010 Deepwater Horizon oil spill, a small group of Oregonians traveled to the Gulf Coast to assess the damage. In this graphic-novel recounting of their expedition, we follow the well-intentioned but naive activists as they meet scientists, crabbers, bird rehabilitators, the local head of Homeland Security (found shark fishing on a beach), and other locals whose lives were roiled by the disaster. ...[T]he work effectively sets forth the essential dilemma: the region’s economy remains dependent on the very industry that ravaged the coast; and the “hush money” paid by BP in the wake of the disaster ensures that most residents continue to see oil as the solution to their woes rather than the problem." – Gordon Flagg
Pogo - The Compete Syndicated Comic Strips Vol. 1: Through the Wild Blue Wonder by Walt Kelly: "After numerous delays, this essential purchase for any collection that values comic-strip reprints is finally
available.... In these... strips from the first two years of Pogo’s two-and-a-half-decades
run, the direct political satire is mostly broadly focused (thinly masked approximations of headliners from
McCarthy and Nixon to Castro and Khrushchev would all spend time in Okefenokee Swamp), but the
inventive wordplay, idiosyncratic swamp patter, and goofy slapstick are all in full effect right from the
start, as is the broad cast of loony critters that would eventually number upwards of 500 distinct characters.
Due to run 12 volumes, this collection completes the holy trifecta, along with Charles Schulz’ Peanuts and
George Herriman’s Krazy Kat, of comic strips whose influence cannot be overstated."
– Ian Chipman
• Review: "The book is lovingly made and the strips presented with care and pleasure. But is it any good? Oh yes. It's funny and charming, bursting with witty wordplay and vivid characters you love immediately. You can see the influence the Marx Brothers and Krazy Kat and Mark Twain had on Pogo and its love of silly grammatical puns and Southern dialect. And you can see the influence Pogo had on Doonesbury and Calvin & Hobbes... In short, read Pogo and you can immediately see it slide into the pop cultural matrix and how it drew upon the work that came earlier, moved forward the art form of comic strips and influenced artists after it for generations to come. But most of all you'll laugh..." – Michael Giltz, The Huffington Post
• Review: "The only real problem with this beautifully produced book [Jack Davis: Drawing American Pop Culture ] is that it’s much, much too short.... The art reproduces gorgeously, scanned in many cases from the original material, and the volume as a whole is an effort to give Davis the respect he deserves as a legitimate artist.... A few essays, slotted at the front and back of the back, rather than next to the art itself, place him in context and give some biographical details, but the work, with Davis’s fluid, effortless line and gift for characterization, speaks for itself." – Hillary Brown, Paste
• Review: At Greek site Comicdom, Tomas Papadimitropoulos looks at Mark Twain's Autobiography 1910-2010 by Michael Kupperman: "Δεν είμαι σίγουρος αν είναι ο καλύτερος τρόπος για να γνωρίσεις τον Kupperman και τις ιδιαιτερότητές του, αλλά σίγουρα θα ικανοποιήσει (και θα χορτάσει) τους fans του (ίσως και αυτούς του Twain – ο Αμερικανός συγγραφέας δεν έγινε γνωστός για το συμβατικό χιούμορ του, άλλωστε), οι οποίοι θα βρεθούν σε γνώριμα μεν νερά, αλλά με κάποιες καλοδεχούμενες διαφορές."
• Review: At his blog Mandorla, Santiago Garcia looks at the latest chapters of Jaime Hernandez's "Locas" saga: "Estas últimas semanas he comentado que uno de los mejores tebeos que he leído en el 2011 ha sido 'The Love Bunglers,' historieta que Jaime Hernandez ha publicado en los números 3 y 4 de Love and Rockets: New Stories. Pero no había dicho nada sobre ella todavía, quizás porque es de esas historietas sobre las que uno se queda casi sin nada que decir. Son demasiado inmensas para encerrarlas en un puñado de palabras. Pero eso es lo que tenemos aquí, un puñado de palabras, así que vamos a dejar que lleguen hasta donde lleguen, al menos."
• Interview: The writer of Straight 2 DVD blog talks with editor Michel Gagne about Young Romance: The Best of Simon & Kirby's Romance Comics: "I quickly realized that if someone didn’t make an effort to preserve this material, most of it would vanish into oblivion. That’s when it hit me! Perhaps I should be the one to start the ball rolling. I had been itching to do a comic book preservation project for many years and this would be the perfect opportunity."
• Plug: "Another comprehensive package is going to take a bit longer to collect: the complete Peanuts library from Fantagraphics.... Currently the collection has progressed to the early 1980s, where the strip is at its peak... There's nothing that says 'holidays' like the Peanuts gang. Didn't all of us watch A Charlie Brown Christmas and A Charlie Brown Thanksgiving a thousand times?" – Andrew A. Smith, Scripps Howard
• Scene: At Examiner.com, Christian Lipski reports from the Oil and Water discussion group at Bridge City Comics recently, which was crashed by writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen: "Those who had attended the team's convention panels and saw video clips from the trip tended to expect more of a straight travelogue, and were surprised by the addition of fiction to the equation. On the other hand, it was noted that the reader could identify with the observers as an entry into the story. The characters also allowed Duin to tell a side of the story through the reactions of outsiders. 'I think that Fantagraphics was as surprised as you guys,' the author confided."
• List: Moto Hagio's The Heart of Thomas tops Deb Aoki's list of the Most-Anticipated New Manga of 2012 at About.com Manga: "This 3-volume story from 1974 has been on many manga connoisseur's wish lists for years, so it's a real joy to see that Fantagraphics will be publishing the entire saga in English in one volume."
• List/Review:Manga Worth Reading's Johanna Draper Carlson ranks Wandering Son the #2 Best New Manga of 2011 and recommends Volume 2 in her review: "Shimura Takako’s young figures are adorable. They look unspoiled, with their future ahead of them, which puts their struggles into greater relief.... Translator Matt Thorn’s essay at the back of this volume addresses the issue of being 'Transgendered in Japan' directly, providing valuable information on cultural context, as well as warning us that the children’s lives may be very difficult in years (and stories) to come. There is no more handsome manga than Fantagraphics’ presentation of Wandering Son."
• List:Forbidden Planet International asks comics creator Martin Eden his 3 favorite comics of 2011: "My attention had been waning a bit with the Love and Rockets comics, and then 2010′s Love and Rockets [New Stories] 3 came out and it blew my mind – it was one of the most incredible things I’ve ever read. So much so, that I found myself re-reading the entire series and tracking down all the issues I’d missed. This year’s Love and Rockets[New Stories] 4... was still utterly mind-blowing, and Jaime Hernandez is producing the best work he’s ever done, in my opinion."
• Review: "One of comics revered masters gets a fresh new reprinting [Walt Disney's Donald Duck: Lost in the Andes ] worthy of his work and accessible to kids.... This volume finds [Barks] at a creative peak, combining the bold adventuring of Tintin with the wisely cynical view of human weakness of John Stanley.... Donald is an everyman of frustration whose life is one big Chinese finger trap—the harder he fights, the harder the world fights back.... Despite the dark undertones, the comic expressions and dialogue is still laugh-out-loud funny. A wonderful project that should put Barks’s name in front of new generations of admirers." – Publishers Weekly (Starred Review)
• Review: "This exceptional first volume of the collected adventures of Pogo Possum should remind readers of the substantial legacy left behind by Kelly.... The volume is beautifully put together, including excellent insights into Kelly and his work... One only needs to get a short way into the adventures of Pogo and his pals in Okefenokee Swamp to recognize the impact Pogo has had on so many cartoonists... With Pogo Possum and [his] supporting characters..., Kelly was able to blend hilarious humor, exceptional storytelling, keen political satire, and brilliant wordplay into a strip that could be appreciated both by children and adults. The more one reads this volume, the clearer picture one has of Kelly as comics’ answer to Lewis Carroll, with Alice having changed into a possum and left Wonderland behind for a swamp." – Publishers Weekly (Starred Review)
• Review: "The Art of Joe Kubert contains extensive commentary by Bill Schelly that contextualizes Kubert's work with the development of comics as a medium. ...[I]t's an informative and briskly engaging essay. In reviewing the vast panorama of Kubert's eight-decade career, The Art of Joe Kubert allows readers previously unfamiliar with the artist to share an appreciation of his abiding interest in human nature (as opposed to just superhero theatrics) through a surprising variety of storytelling styles and subject matter. Kubert's great influence on other cartoonists came from the way he embraced the comics medium as a whole, instead of just a particular niche or character type." – Casey Burchby, SF Weekly
• Interview:The A.V. Club's Sam Adams chats with Jack Davis: "I’ve said this many a time; I’ll tell it again. When I was going to kindergarten, and that’s a very young age, my mother used to walk me to school. I would go up past a chain gang — that was the old days when the prisoners wore stripes and everything — and I saw that. I would go to kindergarten, and they’d put a piece of construction paper in front of me, and crayons, and I did, probably, a stick figure, but I put stripes on him. And from that, they thought I had talent. My mother thought I was great. And from then, I’ve always drawn. Drawn pictures. I love to draw cartoons."
• Interview:Nerve gets sex advice from a trio of cartoonists including Rick Altergott — "If you want to talk about inking brushes or pens or what kind of paper or even something as broad as 'who's your favorite cartoonist?' 'Do you know Robert Crumb?' 'Do you know the Hernandez brothers?' Once you get the answer, you can fine-tune it from there. Before you know it, you're probably going to end up in bed." — and Anders Nilsen
• Plugs: The fine folks at L.A.'s Secret Headquarters are posting their staff gift suggestions: Julie recommends Leslie Stein's Eye of the Majestic Creature ("Good for: Anyone with an overactive imagination; fans of whimsy and good times") and Malachi suggests The Cabbie Vol. 1 by Martí ("A European (and comically sordid) take on the American crime genre") and Walt Kelly's Pogo Vol. 1 ("The essential collection of Pogo – A comic that expertly integrates social satire into the daily newspaper format")
• List: At the Forbidden Planet International blog, comics creator Nick Abadzis names Jaime Hernandez's "The Love Bunglers" from Love and Rockets: New Stories #4 as one of his three favorite comics of the year: "Hernandez just keeps delivering stories of the highest calibre. There are no pyrotechnics or fancy-ass page layouts, just a slow burn of emotion and expression, presented in calmly immaculate style. The moments of his characters’ lives that Hernandez chooses to show in the telling of his tales are picked and deployed with such precision it betrays a wisdom and clarity very few storytellers possess, in comics or any other media. Just beautiful."
• Review: "Everything Is an Afterthought is as much a eulogy for the life and work of this influential critic and writer as it is a reflection of how otherworldly the entertainment industry of the 1960s and '70s appears from a contemporary perspective of online bloggers and digital music.... Avery's narrative is bookended by a morbid fascination with Nelson's lonely end, living poorly and finally dying in his apartment in 2006 at age 70. But the dual nature of his book is fantastic, because after reading about Nelson's life we desire and deserve to read his work." – Thomas Conner, Chicago Sun-Times
• Review: "What is central to this magnificent book [Everything Is an Afterthought] is that Avery, a fabulous writer in his own regard, is also clearly a big Paul Nelson fan. As such, he presents a critical, yet caring, picture of Nelson's professional and personal life, the latter a bit sad and wistful, pulling out all the stops in a moving tribute, warts and all. And since he is such a good writer in his own regard, Avery's introduction to the book is almost like a second book in itself, and worth the price of admission alone. [Rating] 5 stars" – Sound Waves
• Review: "With this new book, I feel like Gottfredson’s take on the characters is blossoming into something strong enough that I wish I’d encountered it much earlier in life.... The Mickey Mouse books from Fantagraphics are full of tons of bonus material; advertising art, essays, sketches, even examples of how the stories got re-purposed down the line. These feel like the Criterion Collection DVDs translated into comic strip compilations, a prime example of how to give the readers more than their money’s worth.... With Mickey Mouse: Trapped on Treasure Island, I’m already eager to see what Gottfredson did next. I’m in for the long haul." – Greg McElhatton, Read About Comics
• Review: "If men dressed as bears are stealing your homework or you can't find that mysterious fortune teller because you have a lousy sense of direction, Tales Designed to Thrizzle can help you. Just be aware that this book is as rapid-fire a comic as I've ever read and is an almost overwhelming experience. If you can hang on to enjoy the ride, and are a fan of the humor of webcomics like Wondermark or the prose stylings of John Hodgman, then you really need to find someone who already owns a copy of this book and kill them for it. Or, you know, buy one for yourself. Either way, I'm good. And so is Tales Designed to Thrizzle." – Rob McMonigal, Panel Patter
• Plug: "Pogo Vol. 1: Through The Wild Blue Wonder – ... Kelly’s illustrations are masterful, with expressive characters who are warm and friendly. Pogo‘s deft social satire makes this collection about Pogo Possum and friends a must own for humor comics fans and people who just like good things in general." – Robot 6 guest contributors Geoffrey Golden & Amanda Meadows
• Reviews: Author and comics scholar Michael Barrier examines several of our recent classic comics reprints in detail
• List:Multiversity Comics' David Harper counts down the Best Graphic Novels of 2011, with Mark Twain's Autobiography 1910-2010 by Michael Kupperman — "Part prose, part two color comic, this beautiful hardcover is a fanciful romp through history the way I wish it really was. I can hardly wait for the next hundred years to pass so we ca get the next installment" — and Johnny Ryan's Prison Pit Book 3 — "If it doesn't make you sick, you shouldn't be allowed to walk among the public in the first place. If it doesn't make you giddy for the next one, you don't deserve comics" — tied for 5th place
• List:ComicsAttack ranks Gil Jordan, Private Detective: Murder by High Tide by M. Tillieux at #6 on their Top 15 All-Ages Titles of 2011: "Fantagraphics has put out some amazing work this year... Gil Jordan sticks out to us in all of its splendor. Yes, it can be compared to a gritty version of Tintin, but at the same time is so much more and its world so much deeper in crime. The adult tones make adults pick it up, and the colors and action give it an appeal to kids, making it an all-ages gem for anyone who picks it up."
• Review: "Barks' duck stories have been reprinted several times over the years, in different formats of varying quality. Now, Fantagraphics has published the first volume of its new series of hardcover reprints (Walt Disney's Donald Duck: Lost in the Andes), and there's much to be heartened by.... Even the silliest premise, when executed by an artist in perfect control of his gifts, can land with deftness and grace — that's something that strikes you again and again as you read Barks' work. And it's a lesson that won't get lost on any kid with whom you might choose to share it, which is convenient, as this collection makes a perfect introduction to one of the greatest all-ages comics artists of all time." – Glen Weldon, NPR - Monkey See
• Plug: "Though I have many contemporary cartoonists and comics writers whose work I admire, there is one artist whose work defies my critical ability to write about it intelligently. This artist is Kevin Huizenga. Mixing a disarmingly simple style with narrative complexity rarely achieved in comics, Huizenga has consistently turned out some of the most interesting and perplexing works of the early 21st century." – Rob Vollmar, LitStack
• Plug: "A definite contender for music book of the year, Kevin Avery's Everything Is an Afterthought is the biography of pioneering rock critic Paul Nelson... It's a fascinating story of an important writer and recommended to anyone who has an interest in sixties and seventies rock 'n roll and music writing in general." – 211 Bernard (Librairie Drawn & Quarterly)
• Review: "A lot of the conventions with which we are familiar from Pogo were birthed during this period, and most of the characters with which we are most familiar have already been fully realized during the initial Dell Comics run. Walt Kelly’s wit and charm is unmatched in the history of sequential storytelling, and is in evidence here fully developed. I’d get this book for Jimmy Breslin’s introduction alone. Go. Read this. You’ll charm the pants off of yourself." – Mike Gold, ComicMix
• Review: "Fan/historian Bill Schelly who, like Roy Thomas is from the first generation of organized comics fandom, knows his stuff and it shows. This isthe definitive biography of Joe Kubert, and I would say it is lavishly illustrated but the word 'lavishly' pales in comparison by even a quick flip-through of this 232-page tome. Pure and simple, this is the tribute that Joe deserves." – Mike Gold, ComicMix (same link as above)
• List:About.com Manga's 2011 Best New Manga, as selected by Deb Aoki, includes Shimura Takako's Wandering Son Vol. 1 as Best New Seinen/Josei: Slice of Life: "Gender-bending is not unusual in manga, but it's rare to see transgender identity issues depicted realistically, not just as a plot gimmick. With her spare, elegant art and slice-of-life storytelling, Shimura tells a sweet and sensitive coming-of-age tale that opens your eyes and your heart to these kids and their unusual, but very real desires to be the boy/girl they know they really meant to be."
• Review: "This giant gift-book portfolio of [Jack] Davis' work reflects the high standard of design and archival presentation that is Fantagraphics' specialty.... There is a brief, punchy, informative introduction by fellow illustrator and conceptual designer William Stout, as well as a longer biographical essay at the end of the book by The Comics Journal's Gary Groth. Between these two helpful pieces are nearly 200 pages of uninterrupted artwork. The reproductions are assisted by the book's large 10-by-13-inch trim size. The size is indicative of Davis' influence, and it affords readers a panoramic view of the evolution and contributions of one of this country's most recognizable and influential cartoonists." – Casey Burchby, SF Weekly
• Review: "One thing that stories in Belgian cartoonist Olivier Schrauwen’s The Man Who Grew His Beard share is that they question their own form — and they usually feature bearded men who draw — but otherwise resist association.... So many storytellers are lauded for creating worlds so believable that they cause readers to forget. Presumably, readers forget their own realities, and become absorbed in the author’s imagined product. Schrauwen creates new worlds in every story, and these worlds envelope us, but he never allows us to forget. He doesn’t let us forget that he’s an artist, and that we are readers, and that those are his pencil lines and paint strokes on the page we’re reading. And this reminder of the form and experience is exactly what makes his stories seem so real. They refuse to deny the process with which we all struggle if rarely acknowledge, and that is the process of continually framing and creating the world in which we live." – John Dermot Woods, The Faster Times
• Review: "Accompanied by cheeky illustrations, Twain's narrative traipses from Gatsbyesque Jazz Age parties to hanging out with space robots to shrinking and befriending sentient ants. The tone is authoritative yet absurd, like your father telling you that he was definitely in an acid-induced threesome with Jessica Lange in the '70s. It's a silly and ironic romp..." – Grace Bello, Bookslut
• Review: "The material has been referred to by some as 'dark,' but I disagree. It’s not cute. It’s not really intended for kids. There are big laughs in Nuts, but they come from the reality of being a kid in America, and how disillusionment came with the territory when you embarked on the road to adulthood." – Rob Bradfield, Examiner.com
• Feature: Comics Alliance's Chris Sims has a fun spotlight on a seasonal Carl Barks story in Walt Disney's Donald Duck: Lost in the Andes: "...'The Golden Christmas Tree' might just take the fruitcake. After all, most of the other Christmas stories I've read don't involve a harvest of tears or someone turning into a woodchipper."
• Plug: "Fantagraphics have released two books in the last few years of Fletcher Hanks's fantastically strange comics. His work was around in the early twentieth century and it’s brimming with personality and energy. The books bring together some amazing stories and I can’t recommend them enough. Prepare to have your mind blown." – Jack Teagle, Lost at E Minor