• Review (Video): It's a pretty safe bet you've never seen a review quite like Héctor G. Olarte's take on the Spanish edition of Jason's Athos in America for el Mundo's el Cultural — from the text intro (in translation): "If you have not read any of Jason, I can not think of a better way to start than with Athos. Most likely not be the last work of this author that passes through your hands."
• Plug: "Fantagraphics has released the cover for Popeye Vol. 6, the final volume of their handsome reprint series of E.C. Segar’s immortal Thimble Theater strips. We’re eager to get this if only to finish selling out POPEYE on the back of the books. Great design, great strip — one of those 'must haves' for every well-stocked comics library for sure." – Heidi MacDonald, The Beat
• Commentary:The Comics Reporter's Tom Spurgeon again, endorsing Jim Woodring's fundraising efforts for his in-progress book Fran: "Jim Woodring is one of the great cartoonists of his generation, and probably one or two generations on each side of his own. He's one of those cartoonists that raises one's estimation of the entire art form for him being [in] it." Joe at Forbidden Planet International adds "I doubt I am alone in thinking Jim creates some of the most amazing art in the medium and he’s an artist well worthy of support." Amen to both.
• Scene: On the Sequential Artists Workshop blog Tom Hart writes "Tim Kreider came to SAW to discuss with Cartoonist Majed Badra and myself the issues of expressing charged themes in single images, in addressing concerns of sensitivity, the powerful vs the powerlessness, coming to historical understandings in political situations, plus also just cramming concepts and images together to get strong visceral cartoons."
• Review: "Besides a particularly gleeful dark humour, this collection of short stories by Norweigan artist Jason [Athos in America] is tied together by a certain obsession with Hollywood genres: science-fiction and crime are the main targets, and Jason infuses them with both a slightly tweaked pathos and a taste for melancholy macabre. His drawing style is sparse and uncluttered, but that works something like keeping an even tone during a dry remark: his punchlines and gut-punches are that much sharper for having played it cool. All of these stories have an underlying sadness — something that seems to stem from the bleak futility of all our existence — but the best has to be 'Tom Waits on the Moon,' four seemingly unconnected vignettes that ruminate on various relationship troubles before tying up in [a] surprising and funny end. That’s not to discount any of these, though: this is just fantastic stuff for sad bastards and the people who love them." – David Berry, National Post
• Review: "I’m going to go out on a limb and assume anyone reading a review of comics is aware enough of Walt Kelly’s landmark Pogo series that they don’t need much in the way of description, but suffice to say that any strip artist worth their salt has taken serious cues from Kelly’s rich dialogue, playful illustration and at-times fierce politics. This first edition, which features for the first time full-colour Sunday strips, definitely leans towards the sweeter side, but there’s simply no denying Kelly’s mastery: he evokes full characters with nothing but a few choice words, and the sprightliness of his visual style is all fun here, laying the groundwork for what would become profoundly subversive later. The included essays, as is usually the case for Fantagraphics reissues, absolutely nail the context and import of the strip, too. I just don’t think you can say you love comics and not have this around." – David Berry, National Post
• Review: "[Action! Mystery! Thrills! Comic Book Covers of the Golden Age] is a fucking mind blower for me since it's just full-size reproductions of cover art of the most important comic book issues you never saw, printed on glossy paper with information about what makes them so special on the back.... The brain of the casual art looker or person who thinks comics are a genre and not a medium will look at this stuff and try to make it ironic or perverse. To appreciate the work in this book you have to turn off those parts of your cynicism and open whatever part of yourself receives beauty. America's golden-age comic books are some of the greatest art our country has produced." – Nick Gazin, VICE
• Awards:Jaime Hernandez's Speedy Ortiz dør (the Danish edition of The Death of Speedy from Aben Maler) was named winner of the Ping Prisen for "Best International Comic in Danish"
• List: YALSA's blog The Hub spotlights their previously-announced Great Graphic Novels for Teens Top Ten 2012: "Shimura Takako’s Wandering Son Volume 1 rounds out the Top Ten list for 2012 with a sensitive look at two fifth grade students struggling with gender identity: Shuichi Natori is a boy who wants to be a girl, and Yoshino Takatsuki is a girl who wants to be a boy. This is a complex and sensitive subject, but Takako handles it very gently, allowing the story to unfold in a way that is not only natural but sympathetic. Takako’s artwork is spare and evocative, supporting the story but never getting in the way of its telling. This one is for teens who like contemporary stories about real world problems."
• List: At LitReactor, Kelly Thompson runs down 10 Graphic Novels for the Literary Minded, with Castle Waiting Vol. 1 by Linda Medley recommended "for fans of fantasy": "Castle Waiting, a brutally funny book with a giant heart, has a new spin on fairy tales with a feminist bent that will draw you in and keep you reading from page one.... Medley’s world is expertly crafted and completely believable, while her black and white artwork is clean and highly detailed with an emphasis on character design and acting."
• Interview: At SF Weekly, J Poet talks to Pat Thomas about Listen, Whitey! The Sights and Sounds of Black Power 1965-1975: "As you can see from the scope of the book, there were hundreds of recordings connected to the Black Power movement. At Fred Hampton's funeral, they blasted The Supremes' 'Someday We'll Be Together' from loudspeakers. Huey Newton loved Bob Dylan's line, 'Something's happening and you don't know what it is, do you Mr. Jones?' The movement was inspired by music and the movement inspired many people, especially jazz musicians, to refocus their sound and energy."
• Plug: Denise Sullivan also digs into the Listen, Whitey! album at Blurt
• Roundtable (Audio): On the Inkstuds radio programme guests Joe McCulloch, Matt Seneca and Tucker Stone and host Robin McConnell discuss recent comics including Is That All There Is? by Joost Swarte and The Cabbie Vol. 1 by Martí as well as George Herriman's Krazy Kat
• Review: "Buddy Does Seattle collects the first 15 issues of Hate, in which the protagonist has relocated to the Pacific Northwest and become the consummate slacker.... First published when Seattle was exploding in popularity due to the rise of Nirvana, Pearl Jam, and various grunge bands, Hate offered a decidedly un-romanticized take on a particular time and place. ...Bagge's artwork took the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos. As a work of cultural commentary it's brash and invigorating, and remains so years later." – Phil Guie, Critical Mob
• Interview:Nick Thorburn's tour with his band Islands brings him to Seattle next week and the Seattle Weekly's Dave Lake asks him about his connections to the city: "...I had a comic strip in the last couple issues of Mome, which is a Fantagraphics anthology, which is a Seattle-based comics publisher. I love Fantagraphics. I got a check from them recently for being in those comics and it would have made the 13-year-old me die with joy, seeing a check with my name on it from Fantagraphics. That's beyond my wildest teenage fantasy."
• Interview: Our own Eric Buckler talks to Wilfred Santiago at our own The Comics Journal: "Unlike working with someone else’s script, there’s no linear method when I work on my own. That is to say I write while I ‘toon, and I ‘toon while I write. So the most important step is editing–what’s left on the page before going to the printer and into the sweaty hands of readers. I do believe writing has improved my cartooning. I don’t think it’s an accident that some of the best cartoonists are writers. I’m not putting myself in that group but I strive for it."
• Review: "This is a wonderful collection of golden age material from Bill Everett, all never before reprinted.... For fans of golden age material or Bill Everett Amazing Mysteries: The Bill Everett Archives, Vol. 1 is a must have look at early comics from lesser known publishers... At $40 it’s an investment into rarely seen material." – Scott VanderPloeg, Comic Book Daily
• Review: At Danish comics website Nummer9, Nikolaj Mangurten Rubin looks at Kolor Klimax: Nordic Comics Now, calling it "A many-headed troll monster of a book" and giving it a 4 out of 5 rating
• Review: "Not many music writers warrant a biography. Lester Bangs was one. Maybe Tosches or Kent. But Everything Is an Afterthought, by Kevin Avery, is a singular piece of work, a hybrid bio and anthology. Nelson was the Orson Welles of rock letterdom, a man whose profiles of Springsteen and Zevon were masterpieces of the form. A slow stone-cutter of a writer, a cinephile and a noir buff (and an inveterate deadline-misser), he shot himself in the foot many times, but Avery’s book makes the reader misty-eyed for a time when music journalism was populated by hard-nosed evangelists, not suck-ups or career snarks." – Peter Murphy, "Blog of Revelations," Hot Press
• Review: As part of ComicsAlliance's series focusing on sex in comics, Douglas Wolk looks at Gilbert Hernandez's Birdland: "Birdland has been out of print for a while, which is a pity. It's witty, eccentric, bursting with joy, and utterly, cheerfully smutty.... And the whole thing is drawn in a style that's the erotic equivalent of Jack Kirby's fight scenes: grounded in the way actual bodies interact, but pumped up to an imaginative intensity way beyond anything the naked eye has ever seen. On top of that, Birdland is funny -- not corny-funny or nudge/wink-funny, but absurd and sly, with a terrific sense for what can make the overfamiliar language of pornography fresh again."
Pat's guest spot on The Roadhouse with Greg Vandy on KEXP last Wednesday is available in the KEXP Streaming Archive through Wednesday of next week.
And if you prefer your interviews in good old text format Gillian Gaar has a Q&A with Pat at Examiner.com.
Meanwhile, the print press has been rolling in — here's a tremendous review by Mark Anthony Neal in the current issue of SPIN (click image to enlarge):
Ian Abarahams gives the book a 4-star review in Record Collector magazine:
Jon "Mojo" Mills reviews the book and album for Shindig!:
Another 4-star review, from Lois Wilson in Mojo magazine:
• Review: "Some of the most interesting travel books happen by accident. If Alexander Theroux’s wife had not gone to Estonia on a Fulbright Scholarship, it is unlikely that he would have spent an extended period in the tiny Baltic republic, an experience that impelled him to write this book [Estonia: A Ramble Through the Periphery].... Despite all [his] genuine delight in the quaint, not merely linguistic but extending also to Estonian architecture, what Mr. Theroux mostly shows us about the country and its people is exasperation, irritation, furious rage. To say that it — and they — get on his nerves is the mildest of understatements. He takes endless potshots at their food, admittedly an easy target, but by the time you get near the end of the book and find a section titled 'What did I hate about Estonia,' it’s no surprise." – Martin Rubin, The Washington Times
• Plug: "The premise of Pat Thomas's handsome book [Listen, Whitey! The Sights and Sounds of Black Power 1965-1975] is that this was an era in which revolutionaries such as Bobby Seale and Angela Davis were treated as pop cultural icons, while musicians became revolutionaries – meaning Gil Scott-Heron, the Last Poets, Bob Dylan, John Lennon and more." – Caspar Llewellyn Smith, The Guardian
• Interview:The Believer presents the fourth and concluding part of Ross Simonini's 2008 interview with Jim Woodring (which can be read in its entirety here): "I don’t believe in art like I used to. I believe in something beyond it, something that contains art and everything else. But I just don’t quite have the nerve to chuck drawing and painting. Part of it is that I enjoy IT too much, and part is that I don’t have the courage to renounce the world. I don’t want to move out of this nice neighborhood so that I can live in a shed and devote myself to meditating and touching something I can’t feel. I’m addicted to the fun of playing in the world."
• Review: "Fantagraphics is giving us another opportunity to revisit R. Crumb's iconic character in a hardcover edition of his collected adventures, called The Life and Death of Fritz the Cat.... Despite Fritz's demise 40 years ago, these stories maintain their wit, satirical edge, and their ability to offend and shock. The earlier stories are funny and bizarre..., and the later ones are funny and angry... Even the final story can be viewed as funny in an extraordinarily dark context, although it helps to be aware of Crumb's intentions. To read 'Fritz the Cat, Superstar' first, or without knowledge of Crumb, would feel a lot like confronting a knife-wielding lunatic in a dark alley.... Fantagraphics' new hardcover edition of the Fritz portfolio is unburdened by editorial commentary or contextual material of any kind. This encourages readers to experience the comics as if for the first time -- and find that the acid in Crumb's humor still stings." – Casey Burchby, SF Weekly
• Review: "Just released by Fantagraphics, [Action! Mystery! Thrills!] is one the best books yet done on Golden Age Comics! Sadowski is by far my favorite editor of compilations/retrospectives on comic book art!... A fascinating and important look at an exceptional period of American art! My highest recommendation to anyone interested in 20th Century illustration and of course the comics!" – Golden Age Comic Book Stories (via The Comics Reporter)
• Review: "[Athos in America]'s the usual collection of laconic oddness and outright weirdness.... Yes, it would be fair to say if you're looking for examples of dark humour in comics, Jason probably would be a very good place to start." – Jonathan Rigby, Page 45
• Review: "Mixing illustrated text pieces with short comic strips, Kupperman uses [an] oddball conceit [in Mark Twain's Autobiography 1910-2010] to deliver a wacky, adventure-filled romp that sends you laughing your way through the twentieth century.... The thick, precise lines of Kupperman’s drawing style bring a much needed dead-pan expression to a book that might otherwise feel out of control. The text pieces are often well-used, giving Kupperman more room to play with Twain’s voice and toss in frequent verbal puns." – Matthew L. Moffett, No Flying No Tights
• Plug: "A pop art masterpiece! If you liked Little Annie Fanny then you will like [The Adventures of Jodelle]. I think this is going to be great. And, for reference, Peellaert did the cover to Bowie’s Diamond Dogs so he knows what he’s doing." – Lee, Comics And...Other Imaginary Tales
• Feature:The Stranger's Dave Segal talks to Pat Thomas about the creation of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 and says of the book, "Listen, Whitey! presents Black Power's volatile ups and downs with stunning imagery. Designed by Fantagraphics' Jacob Covey, the copiously illustrated Listen, Whitey! is a joy to behold as well as to read.... Ultimately, Thomas captures the revolutionary spirit of myriad vital strands of the movement and stokes your desire to hear these recordings."
• Review: "...Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-1945 [is] wonderful. ...Sadowski offers up an incredibly diverse gallery of forgotten superheroes, pistol-toting gangsters, cartoonish Nazis, and talking animals. Each cover has been painstakingly restored to pristine condition, and is presented in full color on glossy paper. It’s as close to browsing the comics rack of a World War II-era drugstore as most of us will ever get.... Sadowski... is one of the most adept chroniclers of comic-book history working today. He offers succinct but informative notes on each cover, but his most notable achievement in this volume is his selection of covers. The notes are helpful and fun, but it’s the progression of images itself that is the most telling.... At a perfectly reasonable $29.99, it’s a must for any comic-book fan’s library." – April Snellings, Knoxville Metro Pulse
• Review: "Set to Sea is a book to read and contemplate on, a book to look at and think about, a book to read slowly and then to read again. It's a lovely graphic novel from a creator I hope to see a lot more from as the years go on, and I hope his own busy life affords him enough leisure and time to continue to make gemlike, poetic stories like this one." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Analysis:Buz Sawyer administers a spanking (and a beatdown) and Robot 6’s Matt Seneca analyzes the action in an October 1944 Roy Crane strip
• Review: "Barks's output has been reprinted often but either piecemeal in flimsy monthly comics or in high-priced collector's editions. [Walt Disney's Donald Duck: Lost in the Andes], covering the years 1948-49, is the first in a planned 30-volume Barks library that will reprint his entire duck oeuvre in durable, affordable hardcovers.... Above all, Barks's Duckburg rings true because of his cynical world view. He rarely plastered on the sentimentality that dogs other Disney creations.... Although there are moral values in Barks's stories, he was never didactic and never wrote down to his readers. In his words, 'I always tried to write a story that I wouldn't mind buying myself.'" – Owen Heitmann, The Sydney Morning Herald
• Interview: Peter Huestis, a.k.a. Princess Sparkle Pony, writes "Diane Noomin's comics cover quite a bit of territory, from the broad (ha, ha) farce of her Didi Glitz stories to penetrating social satire and revealing autobiography. At her best... she manages to combine all of the above approaches to devastating effect," and presents his 1995 Hypno Magazine interview with Noomin (the intro to which is blurbed on the back cover of Glitz-2-Go): "I consider myself a feminist. Certainly there are people who won't, but I'm a feminist and I think it's good to do sexual material, and make fun of sex, and not think that there are certain bodily functions that we shouldn't talk about because we're feminists. I think that's... fucked up."
• Plug: "Fantagraphics Books reprints the best, from beginning to end, of Robert Crumb's iconic Fritz the Cat comics. Collected here is a sampling from the life of the famous funny animal, the American everyguy, metropolitan college student Fritz whose wise words of 1960's rebellion win him attention from ladies of all species. It's hard not to be charmed by Fritz." – 211 Bernard (Librairie Drawn & Quarterly)
• Plug: "Reading or re-reading Sala's Mad Night seems an infinitely better use of all of our free time than reading anything on the Internet right now." – J. Caleb Mozzocco, Every Day Is Like Wednesday
• (Behind the) Scene(s): Read all about Frank Santoro's visit to the hallowed halls of our HQ and workshop presentation at our swingin' storefront in his tour diary at The Comics Journal
Thanks to Walt Disney's Mickey Mouse series co-editor David Gerstein for passing along these links I missed the first time 'round:
• Review: "Fantagraphics' second volume of Floyd Gottfredson's Mickey Mouse daily strip delves into the imagination of the cartoonist... Floyd Gottfredson is one of the most truly talented individuals that is finally getting his day in the sun. His contributions to the character and development of Mickey Mouse and newspaper storytelling are nothing short of revolutionary. Mickey Mouse Volume 2: Trapped on Treasure Island stands as second and essential tome in one of the most richly visionary and creative outputs in modern sequential art." – Rafael Gaitan, Comics Bulletin
• Review: "Like Volume 1, this volume does not disappoint. It's jam-packed full of lovingly restored daily strips. Some of the strips are definitely a product of their times. My only complaint is the color choice for the cover. Green? Seriously? And, not even a good shade either." – My Disney Collection Blog
• Plug: "While the stories are restored from Disney's originals and negative proofsheets, the book also includes over 50 pages of supplementary features, with rare behind-the-scenes art and vintage publicity material and has great paintings by Gottfredson from all stories." – Dave Wessels, Dave Wessels ComiX
• Review: "This week we look at one of the best things I bought last year: Fantagraphic’s first two volumes of the collected Floyd Gottfredson’s Mickey Mouse strips. About the presentation of the volumes, the quality is on par with other collections published by Fantagraphics. That is to say high.... This frenzied spirit and (mostly) good natured humor is just one of the reasons to pick up one or both of these volumes. Gottfredson’s art in these volumes is crisp and consistent with the Disney look. Probably because he worked in the animation studio before taking over the strips, there’s a great sense of movement and fluidity in the panels.... As impressive as the detailed panels are, the craft of the story shows equal skill." – Matt LaVergne, LEMUR Comics Blog
• Review: "[These] are outstanding books, filled not only with great comics, but with reams of background material on the character and the development of the strip itself. These books have gotten nothing but praise from most quarters and I'm very pleased to at last add them to the stack of beautiful books on comics which is slowly but steadily consuming my home." – Rip Jagger, Rip Jagger's Dojo
• Review: "This box set is one of the best books in my collection.... These early works about Mickey Mouse by Floyd Gottfredson are very enjoyable to read.... In these early stories of Mickey Mouse, he is very brave. He is a hero." – Inge, It's a Beautiful Life
• Plug: "Do yourself a favor – next time you are in the store take a few moments and pick up a copy of Lost in the Andes or Pogo, [or] either Mickey Mouse collection... [and] flip through it. Read a few strips. You will immediately see what I am talking about. These are rich, beautiful books and they deserve to be read by everyone." – Andy Mansell, The Heroesonline Blog
![Birdland [Expanded Edition - Sold Out]](components/com_virtuemart/shop_image/product/resized/bookcover_birdc.jpg "Birdland [Expanded Edition - Sold Out]")
