|Jacob Covey, Beastmaster|
|Written by Eric Reynolds | Filed under staff||2 Dec 2009 6:02 AM|
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Happy day-before-Halloween — lots of treats in today's Online Commentary & Diversions:
• Bookmark: And I thought I was thorough! Hats off to Love and Rockets fan blog Love & Maggie, your one stop for comprehensive L&R/Hernandez Bros. link gathering, commentary and more (hat tip to Mike Sterling)
• Profile: Newcity's Beatrice Smigasiewicz talks to Paul Hornschemeier about the conclusion of his Mome serial "Life with Mr. Dangerous" and other topics: “People are routinely surprised to find that in person I joke around all the time and am obsessed with comedy: they think that I must walk around in a constant fog of philosophical conundrums and Weltschmerz.”
• Staff: Oh snap! Our own Jason T. Miles is now blogging at Comics Comics. Holy crap that guy can write
Poppin' fresh Online Commentary & Diversions:
• Review: "Giraffes in My Hair: A Rock ‘N' Roll Life... is deeply personal but doesn't get bogged down with self service or making a Titan out of a man. I love that here we have a view of some of the seedier sides of counterculture that doesn't have an agenda beyond the act of sharing...of storytelling. It feels like a recounting, almost a journalistic telling of the facts of his personal history. But it also feels like you're having a great dinner with an old friend. ... As a graphic novel it is very strong. Carol Swain’s rough-layered pencils are distinct and complex with texture. ... Giraffes achieves a fusion of art and story where each serves the other in a mutually empowering way. An ideal comic. It is sharp and witty visual commentary on sharp and witty writing. There is a great eye for details at play with Swain's artwork. ... It is as though the story and memory of the story are more important than the teller himself. Brilliant." – Jared Gniewek, Graphic NYC
• Review: "The fact is that comics have always had an abstract artistic potential — and as far as my memory goes, one that is accepted by all worthwhile theoretical definitions of comics. But, until now, its role was secondary, relegated to isolated experiments. It is here that the anthology does its job: presenting an overview and organizing it, Abstract Comics creates a movement. From it, abstraction in comics can move beyond an experiment and become a legitimate possibility — a process that began in the visual arts years ago." – Eduardo Nasi, Universo HQ (translated from Portuguese on the Abstract Comics Blog)
• Review: "West Coast Blues is Fantagraphics' first offering in what one hopes will be am ambitious Tardi reprint project... It's an elegant, somewhat unorthodox set-up, at least with Tardi's narration, and indeed Tardi makes a number of creative, idiosyncratic choices in adapting the novel. ... The '70s milieu shouldn't put anyone off, and in fact that's one of the book's charms, with Tardi's clean line depicting classic old Mercedes and Citroens, and plenty of legwork and driving rather than digital assistance. Tardi has a really appealing style, clear and photorealistic in the details and yet messy with life. ... Tardi doesn't shy away from the violence of the story, but he doesn't revel in it, either, his pages all varying grids, many with tall, narrow panels that keep the pace brisk." – Christopher Allen, Comic Book Galaxy
• Plug: "As Orson Welles and Terry Gilliam have film adaptations of Don Quixote as their great incomplete masterworks; Al Columbia has Pim and Francie. A work over 15 years in the making, and never now likely to be ‘finished', the pieces of it have been assembled as Pim & Francie: The Golden Bear Days." – Marc Arsenault, Wow Cool
• Things to see: The Covered blog is a Fantagraphics intraoffice special today, as Jason T. Miles pays homage to Eric Reynolds
Left: Ajax Wood IS Ardent Vein IS Cannibal Fuckface. Right: man of the hour Johnny Ryan. Saturday night will definitely go down as one of the most memorable events in the history of Fantagraphics Bookstore & Gallery thanks to Ardent Vein's incredible performance/reading of Chapter 1 of Johnny's Prison Pit Book 1. If you weren't one of the lucky people who witnessed it in person, behold, we've put it on YouTube in two parts!
Lots more photos in our Flickr set here.
Cripes, September is over already? Here's your Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book makes for pleasant midday reading, maybe perched somewhere outdoors in the sun with a glass of ginger ale at your side. Read it in a lazy mood, identify with the slacker characters, and speculate on whether you could solve demented mysteries as well as they could. (Answer: probably not.)" – Molly Young, We Love You So
• Plug: "Man, if that Crumb book weren't coming out [Prison Pit: Book 1] would easily be my main pick for the week. Johnny Ryan does straight on fantasy/action, with no tongue in cheek, but without forsaking a single ounce of blood or guts. In fact, this may be even more gory and gruesome than his humor stuff... but those with strong stomachs will thrill to Ryan's grotesque and truly imaginative fight fest." – Chris Mautner, Robot 6
• Staff: “Language is Hell and Other Concrete Poetry from Nico Vassilakis” at Pilot Books in Seattle
The second issue of this oversized broadsheet newspaper comics anthology (take that, Wednesday Comics) published by Desert Island is out now. Cover by Dash Shaw, with strips by Gabrielle Bell, Michael Kupperman, Frank Santoro, our own Jason T. Miles, and over 30 more contributors. Available for free in person at Desert Island in Brooklyn or $3 postpaid.
We received the list of our nominees for this year's Ignatz Awards. It's a good lookin' list, and we're especially proud to have staffer Jason T. Miles nominated for Outstanding Comic! As is traditional, we've put all of our nominated titles on sale -- 15% off for a limited time! Click here to browse & buy. Recipients of the brick will be announced at SPX on September 26. For all the nominees, head to the SPX website for the official announcement.
Tim Hensley, Mome (Fantagraphics), Kramer's Ergot #7 (Buenaventura)
Richard Sala, Delphine (Fantagraphics/Coconino)
Josh Simmons, Mome (Fantagraphics)
Carol Tyler, You'll Never Know, Book One: A Good and Decent Man (Fantagraphics)
Outstanding Anthology or Collection
Abandoned Cars, Tim Lane (Fantagraphics)
Fuzz and Pluck: Splitsville by Ted Stearn (Fantagraphics)
Outstanding Graphic Novel
You'll Never Know, Book One: A Good and Decent Man, Carol Tyler (Fantagraphics)
"The Carnival," Mome #14, Lilli Carré (Fantagraphics)
Delphine, Richard Sala (Fantagraphics/Coconino)
Interiorae, Gabriella Giandelli (Fantagraphics/Coconino)
Uptight, Jordan Crane (Fantagraphics)
Interiorae #3, Gabriella Giandelli (Fantagraphics/Coconino)
Uptight #3, Jordan Crane (Fantagraphics)
Dead Ringer, Jason T. Miles (La Mano)
Friday Online Commentary & Diversions:
• Review: "As slim, smooth, and hard as its attractive, Adam Grano-designed album-style hardcover format, West Coast Blues is as strong a crime comic as you're likely to see this year (or until whenever the next Gipi Wish You Were Here Ignatz book comes out)... Tardi's art [is] a master class in spotted blacks and lines like garrote wire... This sucker's good." - Sean T. Collins
• Staff: Disparate Magnets, the new book of poetry by our own Nico Vassilakis, is deemed "some of Vassilakis's best work to date" by The Stranger's Paul Constant
Online Commentary & Diversions for the day:
• Analysis: For Comics Comics, Dash Shaw pens an appreciation of the work of Tim Hensley: "It’s like what he chooses to draw in the environment (and what he chooses not to draw) is determined by some graphic Feng Shui. When his comics are at their most beautiful, these environments function both as the story’s world and abstractly... With his best dialogue, a line that you first read as being surreally disconnected on a second reading is funny and on a third reading reveals a wider scope of the story."
• Review: "Yes, both of these books are like kryptonite to good taste. But there are a couple of big differences between what Johnny Ryan is doing in Comics Are for Idiots!, his latest Blecky Yuckerella strip collection, and what he's doing in Prison Pit, his ultraviolent action-comic debut... The four-panel Blecky strips often feel like a breakneck race to the punchline through some kind of bizarre obstacle course requiring the basic premise of the gag to get more ridiculous with each panel... Ryan's rep as altcomix's premier overgrown juvenile delinquent is well deserved--and don't get me wrong, you can absolutely enjoy Prison Pit on that level--but the poetic savagery he depicts here is the work of a grown-ass man." - Sean T. Collins
• Review: "[Delphine], Richard Sala's contribution to Fantagraphics's prestigious Ignatz Series, is some of his strongest and most personal work yet... He sets his pop-cultural influences aside this time to lead us down a grimmer path... As for the art -- well, what can I say? It's recognizably Sala's, and at the top of his game, but taken to the next level, in that the usual precision of his black-and-white work is here inflected with sepia washes that give an added visual dimension to the murkiness of the hero's experience... The heavy dustjackets, with such gorgeous full-color art not only front and back but on both big inside flaps, deliver a lush visual and tactile experience that no bonus gallery in a collection will be able to duplicate... By whatever route you get here, I highly recommend this." - Curt Purcell, The Groovy Age of Horror
• Review: "Even when she's not especially inspired, Dame Darcy creates superior goth comics: cheerfully mean-spirited, idiosyncratically stylish, and oozing with surreal ichor... In [Meat Cake #17], Darcy indulges her goth tropes and her feminism: men are tormented, sisterhood is affirmed, and light-hearted squick is relished by all. And, as always, Darcy's eccentric drawing is a joy, with perspective, proportion, and visual logic all flattened out to fit into geometrically obscure but oddly elegant patterns." - Noah Berlatsky, The Comics Journal (reprinted at The Hooded Utilitarian)
• Plug: "The big story here [in The Comics Journal #299] is Bob Levin's spectacular essay on Michel Choquette and his never-completed comics anthology... Sadly, the project never got off the ground, and Levin details in his typical stellar fashion why and how. It's a fascinating tale, one well worth your $12." - Chris Mautner, Robot 6
• Plug: "The new Comics Journal (#299) is in Direct Market stores today. I got mine a week ago and love it, especially the absolutely essential Bob Levin cover article." - Alan David Doane, Comic Book Galaxy
• Interview: Seth continues discussing his design work for The Complete Peanuts in the final part of Brian Heater's interview at The Daily Cross Hatch: "Schulz’s work is right there in the book. Every line in those strips is his. But the design stuff is just design stuff. It’s a setting to put a gem in. The setting is not the gem."