|Music Inspired by Fletcher Hanks, or Our Former Intern is Better than Your Former Intern|
|Written by Kristy Valenti | Filed under staff, rock, Fletcher Hanks||11 Sep 2009 2:36 PM|
Search / Login
Sign up for our email newsletters for updates on new releases, events, special deals and more.
Category >> staff
The second issue of this oversized broadsheet newspaper comics anthology (take that, Wednesday Comics) published by Desert Island is out now. Cover by Dash Shaw, with strips by Gabrielle Bell, Michael Kupperman, Frank Santoro, our own Jason T. Miles, and over 30 more contributors. Available for free in person at Desert Island in Brooklyn or $3 postpaid.
We received the list of our nominees for this year's Ignatz Awards. It's a good lookin' list, and we're especially proud to have staffer Jason T. Miles nominated for Outstanding Comic! As is traditional, we've put all of our nominated titles on sale -- 15% off for a limited time! Click here to browse & buy. Recipients of the brick will be announced at SPX on September 26. For all the nominees, head to the SPX website for the official announcement.
Tim Hensley, Mome (Fantagraphics), Kramer's Ergot #7 (Buenaventura)
Richard Sala, Delphine (Fantagraphics/Coconino)
Josh Simmons, Mome (Fantagraphics)
Carol Tyler, You'll Never Know, Book One: A Good and Decent Man (Fantagraphics)
Outstanding Anthology or Collection
Abandoned Cars, Tim Lane (Fantagraphics)
Fuzz and Pluck: Splitsville by Ted Stearn (Fantagraphics)
Outstanding Graphic Novel
You'll Never Know, Book One: A Good and Decent Man, Carol Tyler (Fantagraphics)
"The Carnival," Mome #14, Lilli Carré (Fantagraphics)
Delphine, Richard Sala (Fantagraphics/Coconino)
Interiorae, Gabriella Giandelli (Fantagraphics/Coconino)
Uptight, Jordan Crane (Fantagraphics)
Interiorae #3, Gabriella Giandelli (Fantagraphics/Coconino)
Uptight #3, Jordan Crane (Fantagraphics)
Dead Ringer, Jason T. Miles (La Mano)
Friday Online Commentary & Diversions:
• Review: "As slim, smooth, and hard as its attractive, Adam Grano-designed album-style hardcover format, West Coast Blues is as strong a crime comic as you're likely to see this year (or until whenever the next Gipi Wish You Were Here Ignatz book comes out)... Tardi's art [is] a master class in spotted blacks and lines like garrote wire... This sucker's good." - Sean T. Collins
• Staff: Disparate Magnets, the new book of poetry by our own Nico Vassilakis, is deemed "some of Vassilakis's best work to date" by The Stranger's Paul Constant
Online Commentary & Diversions for the day:
• Analysis: For Comics Comics, Dash Shaw pens an appreciation of the work of Tim Hensley: "It’s like what he chooses to draw in the environment (and what he chooses not to draw) is determined by some graphic Feng Shui. When his comics are at their most beautiful, these environments function both as the story’s world and abstractly... With his best dialogue, a line that you first read as being surreally disconnected on a second reading is funny and on a third reading reveals a wider scope of the story."
• Review: "Yes, both of these books are like kryptonite to good taste. But there are a couple of big differences between what Johnny Ryan is doing in Comics Are for Idiots!, his latest Blecky Yuckerella strip collection, and what he's doing in Prison Pit, his ultraviolent action-comic debut... The four-panel Blecky strips often feel like a breakneck race to the punchline through some kind of bizarre obstacle course requiring the basic premise of the gag to get more ridiculous with each panel... Ryan's rep as altcomix's premier overgrown juvenile delinquent is well deserved--and don't get me wrong, you can absolutely enjoy Prison Pit on that level--but the poetic savagery he depicts here is the work of a grown-ass man." - Sean T. Collins
• Review: "[Delphine], Richard Sala's contribution to Fantagraphics's prestigious Ignatz Series, is some of his strongest and most personal work yet... He sets his pop-cultural influences aside this time to lead us down a grimmer path... As for the art -- well, what can I say? It's recognizably Sala's, and at the top of his game, but taken to the next level, in that the usual precision of his black-and-white work is here inflected with sepia washes that give an added visual dimension to the murkiness of the hero's experience... The heavy dustjackets, with such gorgeous full-color art not only front and back but on both big inside flaps, deliver a lush visual and tactile experience that no bonus gallery in a collection will be able to duplicate... By whatever route you get here, I highly recommend this." - Curt Purcell, The Groovy Age of Horror
• Review: "Even when she's not especially inspired, Dame Darcy creates superior goth comics: cheerfully mean-spirited, idiosyncratically stylish, and oozing with surreal ichor... In [Meat Cake #17], Darcy indulges her goth tropes and her feminism: men are tormented, sisterhood is affirmed, and light-hearted squick is relished by all. And, as always, Darcy's eccentric drawing is a joy, with perspective, proportion, and visual logic all flattened out to fit into geometrically obscure but oddly elegant patterns." - Noah Berlatsky, The Comics Journal (reprinted at The Hooded Utilitarian)
• Plug: "The big story here [in The Comics Journal #299] is Bob Levin's spectacular essay on Michel Choquette and his never-completed comics anthology... Sadly, the project never got off the ground, and Levin details in his typical stellar fashion why and how. It's a fascinating tale, one well worth your $12." - Chris Mautner, Robot 6
• Plug: "The new Comics Journal (#299) is in Direct Market stores today. I got mine a week ago and love it, especially the absolutely essential Bob Levin cover article." - Alan David Doane, Comic Book Galaxy
• Interview: Seth continues discussing his design work for The Complete Peanuts in the final part of Brian Heater's interview at The Daily Cross Hatch: "Schulz’s work is right there in the book. Every line in those strips is his. But the design stuff is just design stuff. It’s a setting to put a gem in. The setting is not the gem."
I know what's up with Fantagraphics Associate Publisher Eric Reynolds since he sits right across the room from me (his nifty new job title didn't come with its own office), but for the rest of you, Publishers Weekly's Heidi MacDonald grills him about past, present and future, with first glimpses at some of his upcoming editorial projects. It's a must-read for Fanta loyalists and industry observers.
Every year when much of the staff heads down to San Diego, there are always a few poor souls who have to stay behind and (theoretically) hold down the fort, answer phones, get books out the door to printers, etc. But how much work really gets done? This year we installed hidden cameras and decided to monitor the emails of those who stuck around. It's not pretty:
If you see a sudden surge in sloppily produced books from Fanta in about three months, you'll know it was because the entire art dept (including Adam Grano, above) worked drunk during Comicon (side note: this also explains much of our output from about 1994-1999).
Anyone who thinks they spoke to Gary Groth on the office phone last week and wondered why he was slurring his words and going on and on about the ninja turtles might want to call back this week. Anyone who needs to speak to Jacob Covey soon might want to try the unemployment office.
I have no idea what's going on here but it clearly involves a level of frivolity not tolerated in the office. Jenny Catchings and Eric Buckler, start updating your resumés immediately.
Here's TCJ Editor Michael Dean looking into the security cam just before getting up to cover the lens with what appeared to be whipped cream; I don't even want to know what happened next and neither do you.
I intercepted this missive from Grano's email account with the subject header "backyard cosplay NOW".
Note to Kim: next time you leave town, lock the door to your office.
A brief yet interesting installment of Online Commentary & Diversions:
• Staff: New vispoems and essay from our own Nico Vassilakis
Written by Jessica Lona, Gavin L., and Brittany Kusa.
After a long hard day of drinking tea in the underground Fantagraphics comics library, tapping away at our keyboards transcribing conversations between famous cartoonists, we interns needed to unwind. How better to do this than by drinking booze and testing our knowledge of geeky things?
We (Brittany, Gavin, Jessica, and our fearless leader, Kristy) tromped downtown to a lovely little pub to attend the Geeks Who Drink trivia night. It was tough to settle on a team name, not for lack of ideas, but because there are so many juicy possible namesakes in the Eros catalog. After hemming and hawing between such titles as "Yuppies, Rednecks, and Lesbian Bitches from Mars" and "The Milk Mamas," we decided to go with "Anal Intruders from Uranus."
Our college educations paid for themselves in helping to identify cross-dressing Australians, heavy metal xylophone music, cereal mascots and Indiana Jones' favorite hiding place. Although, how we ever confused Little Miss Sunshine with Trucker Fags in Denial is still a mystery.
The Anal Intruders from Uranus wound up in 4th place. But, geekily enough, Kristy left with inspiration for a story based on the names of the 1st and 2nd place teams, Werewolf Quinceañera and Werewolf Bar Mitzvah. Tell me who the real winner is there.
Which EROS title should we name our team after next?
Pictured: Brittany Kusa and Gavin L.
After a very long stint as our Fantastic Intern here in the Fantagraphics Art Department, we are very pleased (and relieved) to have the poorly-photographed Alexa Koenings working on staff as Designer #3. We all know liquor sales rise as recession creeps but who'd have thought that we could add staff at a comics publisher?
Onward we push, to bring the world more comics, more graphic novels, more of the best inky inebriants. Thank you comics buyers for your support. We owe you a drink.
Trivia: Alexa's the only person I've met whose name is spelled and pronounced similar to Matt Groening. Fate?