The publication of Alexander Theroux’s Collected Poems, a gathering of more than 660 poems, an astonishing creative output, will be among the major literary events of the year. Here is a full cornucopia of sonnets, odes, ballads, free verse, triolets, pure, satires, narratives, dramatic monologues, fanciful meditations, flytings and harangues, ruminations on death and lost love, and no end of lyrics both beautiful and fierce. Taken altogether they contrive to make up a record of the author's deepest thoughts and reflect the dramatis personae of his life. Theroux captures in his work those rare, frail, but precious truths, inaccessible to the common run of men that would otherwise have vanished into nescience. Sardonic, astute, impertinent, tender, clever, warm-hearted, delphic, truculent, comic, defiantly aggressive, and often achingly personal, he shows an intensity of observation and invention.
Kinokuniya posted a 12 minute clip of the Massive talk from last Wednesday in New York City with editor Anne Ishii, designer Chip Kidd and moderated by Terence Irvins (comics and graphic novel buyer). They talk about how Massive came to be, how Anne Ishii and Chip Kidd met, The Passion of Gengorah Tagame from PictureBox and more.
Featuring: Johnny Craig's complete crime and horror stories from Crime SuspenStories and The Vault of Horror, twenty-five legendary horror stories from "Ghastly" Graham Ingels, Al Feldstein's solo science fiction from Weird Science and Weird Fantasy, and twenty-two EC science-fiction gems illustrated by Jack Kamen. Plus essays and notes by EC experts! A great gift for Father's Day or for the genre-fiction fan in your life.
Harvey Kurtzman created MAD, and MAD revolutionized humor in America. Kurtzman's groundwork as the original editor, artist, and sole writer of MAD provided the foundation for one of the greatest publishing successes of the 20th century. But how did Kurtzman invent MAD, and why did he leave it shortly after it burst nova-like onto the American scene? Bill Schelly's heavily researched biography finally and fully answers these question for the first time. Through fresh interviews with Kurtzman's colleagues, friends and family, including Hugh Hefner, Al Feldstein, James Warren, R. Crumb, Jack Davis, Gilbert Shelton, and many others, and an examination of Kurtzman's personal archives, this book tells the true story of one of the 20th century's greatest humorists. His family life, an FBI investigation during the McCarthy Era, his legal battles with William M. Gaines (publisher of MAD), all are revealed for the first time. Rich with anecdotes, from Kurtzman's Brooklyn beginnings to his post-MAD years, when his ceaseless creativity produced more innovations: new magazines, a graphic novel, and "Little Annie Fanny" in Playboy.
Dripping With Fear: The Steve Ditko Archives Volume 5 features another 200-plus meticulously restored, full-color pages from Spider-Man co-creator Steve Ditko in his early prime, at the time working in near anonymity for Charlton Comics in the then-popular horror/suspense genre.
Comics like Tales of The Mysterious Traveler and This Magazine Is Haunted saw an explosion in Ditko’s ingenuity, as he manipulated the traditional comic-book page layout with masterful results.
It was during this time that Ditko and his art-school colleague, the famed fetish artist Eric Stanton, began sharing a studio in Manhattan. The introduction by editor Blake Bell examines Ditko’s stylistic evolution and delves deep into his association with Stanton. Ditko’s secret collaborations with Stanton on his female bondage material remain a highly controversial topic, and Bell’s introduction highlights numerous examples that prove the allegedly shy and private Ditko contributed with wild abandon to these risqué tales of titillation.
This fifth volume stands as the best example yet of the Steve Ditko that would soon begin crafting such iconic classics as Spider-Man and Doctor Strange alongside Stan Lee at Marvel Comics.
Johnny Ryan's utterly unpretentious taboo-tackling is an infectious and hilarious bombardment of political incorrectness, taking full advantage of the medium's absurdist potential for maximum laughs. In an age when the medium is growing up and aspiring to more mature and hoity-toity literary heights, Ryan builds on the visceral tradition that cartooning has had on our collective funny bone for over a century. Now, for the first time, all fourteen issues of Ryan's career-defining comic book series Angry Youth Comix (2000-2008) are collected in one place. All the comics, the covers, and even the contentious letters pages, in one toilet-ready brick shithouse.
In 1953, in conjunction with the fiftieth anniversary of the World Series, legendary cartoonist Willard Mullin created images illustrating one of America's best-loved poems: Ernest Thayer's "Casey at the Bat." These images were then put on a series of drinking glasses that were given away as premiums at various major and minor league ballparks across America. The first set was issued on April 15, 1954, at the very first home game for the modern day Baltimore Orioles.
The illustrations by Mullin were for years thought to have been lost, but were found at an auction in 2002. They have been meticulously reproduced to create this stunning edition of "Casey at the Bat." This edition will include additional Mullin material like the "Fan's Alphabet" from 1953 and the poems "Iron Horse Lou" and "O Brooklyn, My Brooklyn" from 1947. With a preface by Yogi Berra and an essay on the history of both "Casey" and Mullin's images by noted baseball historian Tim Wiles, this edition of "Casey" is the most authentic ever produced. A keepsake for the ages.
This new graphic novel from acclaimed cartoonist Dash Shaw (Bottomless Belly Button, BodyWorld, New School) is his most taut book to date. Dr. Cho is the creator of the Charon, a device that allows his staff to enter a dead patient's afterlife by taking the form of a memory in the patient's consciousness, and bring him or her back to life, with one catch: the experience is traumatic and the process kills them again soon thereafter. But for some bereaved, the opportunity is priceless. So when Bell is killed in a random accident, her daughter hires Dr. Cho's team to bring her back. But what if Bell didn't want to come back? The dying unconsciously create the afterlife they want, or feel they deserve, in their minds before everything fades to black. Isn't that better than the reality, and no less meaningful than life itself? Can unconsciousness coexist with consciousness? Part science-fiction thriller, part family drama, part morality play for the 21st century, and quite possibly Shaw's best book to date.
Acclaimed cartoonist Lucy Knisley (French Milk, Relish) got an opportunity that most only dream of: a travel-expenses-paid trip to Europe and Scandinavia, thanks to a book tour. An Age of License is Knisley's comics travel memoir recounting her charming (and romantic!) adventures. It’s punctuated by whimsical visual devices (such as a "new experiences" funnel); peppered with the cute cats she meets along the way; and, of course, features her hallmark — drawings and descriptions of food that will make your mouth water. But it’s not all kittens and raclette crêpes: Knisley's experiences are colored by anxieties, introspective self-inquiries, and quotidian revelations — about traveling alone in unfamiliar countries, and about her life and career — that many young adults will relate to. An Age of License — which takes its name from a French saying — is an Eat, Pray, Love for the alternative comics fan.