Like Sex and the City but with adorable, ex-wrestler hairy gay men (or bears), Wuvable Oaf is Luce’s debut graphic novel. This book fills a romance comics hole by portraying a likeable gay male character that is both fully realized and relatable. Mostly playful, but sometimes serious, Wuvable Oaf captures the levity of loneliness. Luce delivers a rom-com that would leave Zack Galifianakis and Zooey Deschanel feuding over who got to play Oaf in a hypothetical movie adaptation.
Oaf is a large, hirsute, scary-looking ex-wrestler who lives in San Francisco with his adorable kitties, and listens to a lot of Morrissey. The book follows Oaf’s search for love in the big city, especially his pursuit of Eiffel, the lead singer of the black metal/queercore/progressive disco grindcore band Ejaculoid. Luce weaves friends, associates, enemies, ex-lovers, and the pasts of both men into the story of their courtship. Like Scott Pilgrim, Love and Rockets, and Archie, Wuvable Oaf explores the joys and pains of romantic conquests, set against the backdrop of the San Francisco scene. After decades of comics about boy-loves-girl, Luce finally gives readers of all orientations some insight into man-loves-man. Oaf’s silly, sweet, and sometimes sexy stories will win over everyone’s heart.
Josh Simmons returns with his first full-length graphic novel since 2007's acclaimed House. A group of women, one man, and two dogs are making their way through a post-apocalyptic world in search of a city that supposedly still has electricity and some sort of civilization. Along the way, they go to a comedy club, take a drug called Gumdrop, and encounter gangs of men who are fools, lunatics, or murderous sadists. In other words, all manner of terrors.
Josh Simmons is one of the field's most distinctive voices in the genre of horror (The Furry Trap, House),and this full-length graphic novel is his best work yet, echoing director John Carpenter's perfect tick-tock pacing, as well as Shirley Jackson's ability to transcend genre and turn it into literature.
In the spirit of Hergé's Tintin or Carl Barks' Uncle Scrooge, The Kurdles is an all-ages comic spiced up with a teaspoon of strange. Sally is a teddy bear who gets separated from her owner while on a drive in the country. Desperate to find her way home, she stumbles upon Kurdleton, home to a most peculiar group of characters in the midst of a crisis; their forest house has grown hair, eyes, and a mouth! The creatures work with their new friend to keep Kurdleton from growing legs and running away! Goodin, an animation industry veteran (American Dad, Rugrats), delivers a timeless classic in his debut graphic novel, introducing an unforgettable and charming cast of characters. Printed in an oversized format to showcase Goodin's stunning, hand-painted artwork, The Kurdles will capture the imagination of both parents and children.
Before he rose to fame as the author of the bestselling graphic novels Ghost World, David Boring, Ice Haven, and The Death Ray, Daniel Clowes made his name from 1989 to 1997 by producing 18 issues of the beloved comic book series Eightball, which is still widely considered to be one of the greatest and most influential comic book titles of all time. Now, for the 25th Anniversary of Eightball, Fantagraphics is collecting these long out-of-print issues in a slipcased set of two hardcover volumes, reproducing each issue in facsimile form exactly as they were originally published. Included are over 450 pages of vintage Clowes, including such seminal serialized graphic novels/strips/rants as “Like a Velvet Glove Cast in Iron,” “Ghost World,” “Pussey,” “I Hate You Deeply,” “Sexual Frustration,” “Ugly Girls,” “Why I Hate Christians,” “Message to the People of the Future,” “Paranoid,” “My Suicide,” “Chicago,” “Art School Confidential,” “On Sports,” “Zubrick and Pogeybait,” “Hippypants and Peace-Bear,” “Grip Glutz,” “The Sensual Santa,” “Feldman,” “Glue Destiny,” and so many more, including many never reprinted before now.
The publication of Alexander Theroux’s Collected Poems, a gathering of more than 660 poems, an astonishing creative output, will be among the major literary events of the year. Here is a full cornucopia of sonnets, odes, ballads, free verse, triolets, pure, satires, narratives, dramatic monologues, fanciful meditations, flytings and harangues, ruminations on death and lost love, and no end of lyrics both beautiful and fierce. Taken altogether they contrive to make up a record of the author's deepest thoughts and reflect the dramatis personae of his life. Theroux captures in his work those rare, frail, but precious truths, inaccessible to the common run of men that would otherwise have vanished into nescience. Sardonic, astute, impertinent, tender, clever, warm-hearted, delphic, truculent, comic, defiantly aggressive, and often achingly personal, he shows an intensity of observation and invention.
Kinokuniya posted a 12 minute clip of the Massive talk from last Wednesday in New York City with editor Anne Ishii, designer Chip Kidd and moderated by Terence Irvins (comics and graphic novel buyer). They talk about how Massive came to be, how Anne Ishii and Chip Kidd met, The Passion of Gengorah Tagame from PictureBox and more.
Featuring: Johnny Craig's complete crime and horror stories from Crime SuspenStories and The Vault of Horror, twenty-five legendary horror stories from "Ghastly" Graham Ingels, Al Feldstein's solo science fiction from Weird Science and Weird Fantasy, and twenty-two EC science-fiction gems illustrated by Jack Kamen. Plus essays and notes by EC experts! A great gift for Father's Day or for the genre-fiction fan in your life.
Harvey Kurtzman created MAD, and MAD revolutionized humor in America. Kurtzman's groundwork as the original editor, artist, and sole writer of MAD provided the foundation for one of the greatest publishing successes of the 20th century. But how did Kurtzman invent MAD, and why did he leave it shortly after it burst nova-like onto the American scene? Bill Schelly's heavily researched biography finally and fully answers these question for the first time. Through fresh interviews with Kurtzman's colleagues, friends and family, including Hugh Hefner, Al Feldstein, James Warren, R. Crumb, Jack Davis, Gilbert Shelton, and many others, and an examination of Kurtzman's personal archives, this book tells the true story of one of the 20th century's greatest humorists. His family life, an FBI investigation during the McCarthy Era, his legal battles with William M. Gaines (publisher of MAD), all are revealed for the first time. Rich with anecdotes, from Kurtzman's Brooklyn beginnings to his post-MAD years, when his ceaseless creativity produced more innovations: new magazines, a graphic novel, and "Little Annie Fanny" in Playboy.
Dripping With Fear: The Steve Ditko Archives Volume 5 features another 200-plus meticulously restored, full-color pages from Spider-Man co-creator Steve Ditko in his early prime, at the time working in near anonymity for Charlton Comics in the then-popular horror/suspense genre.
Comics like Tales of The Mysterious Traveler and This Magazine Is Haunted saw an explosion in Ditko’s ingenuity, as he manipulated the traditional comic-book page layout with masterful results.
It was during this time that Ditko and his art-school colleague, the famed fetish artist Eric Stanton, began sharing a studio in Manhattan. The introduction by editor Blake Bell examines Ditko’s stylistic evolution and delves deep into his association with Stanton. Ditko’s secret collaborations with Stanton on his female bondage material remain a highly controversial topic, and Bell’s introduction highlights numerous examples that prove the allegedly shy and private Ditko contributed with wild abandon to these risqué tales of titillation.
This fifth volume stands as the best example yet of the Steve Ditko that would soon begin crafting such iconic classics as Spider-Man and Doctor Strange alongside Stan Lee at Marvel Comics.
Johnny Ryan's utterly unpretentious taboo-tackling is an infectious and hilarious bombardment of political incorrectness, taking full advantage of the medium's absurdist potential for maximum laughs. In an age when the medium is growing up and aspiring to more mature and hoity-toity literary heights, Ryan builds on the visceral tradition that cartooning has had on our collective funny bone for over a century. Now, for the first time, all fourteen issues of Ryan's career-defining comic book series Angry Youth Comix (2000-2008) are collected in one place. All the comics, the covers, and even the contentious letters pages, in one toilet-ready brick shithouse.