Summer vacation is here and Tammy Pierce is back with more sometimes ordinary, often humiliating, occasionally poignant, and usually hilarious exploits! Her hopes, dreams, agonies, and defeats are brought to vivid, comedic life by Watson's lovingly grotesque drawings, filled with all the eighties essentials — too much mascara, leg warmers with heels, and huge hair, etc. — as well as timeless teen concerns like acne, dandruff, and the opposite sex (or same sex, in some cases). Unlovable addresses the mysteries of high school through Tammy's naivete; girls and women in particular will find much that resonates, but men will also relate to Unlovable's universal humor and loser cast of characters. Tammy's life isn’t pretty, but it is endlessly endearing and hilarious.
"Esther's consistently original, hilarious and heart-felt work evokes the travails of puberty with painful accuracy. After perusing Unlovable Vol. 3 we immediately broke out in zits and had clumsy beginner sex." – Megan Mullally and Nick Offerman
"Tammy's enchanting smile and dazzling eyes are a gift of grace from Esther Watson." – Pendleton Ward, creator of Adventure Time
"Unlovable is the great teen comic tragedy of our time!" – Matt Groening
It’s off to Shangri-Lala for Donald, Huey, Dewey, and Louie, on a perilous expedition to bring back a rare unicorn for Uncle Scrooge! But it’s not as easy as it sounds, with a mysterious stowaway, intrigue, and double-crosses in this land of many secrets. But once you do catch a unicorn, what, exactly, do you do with him? Then, in a trio of frigid challenges — “Luck of the North,” “Land of the Totem Poles,” and “Serum to Codfish Cove” — the Ducks must face the perils of the north. Each story has been meticulously restored and re-colored. Insightful story notes by an international panel of Barks experts. Introduction by Jeff Kinney, bestselling author of Diary of a Wimpy Kid. Edited by Gary Groth.
He's back! Now in his 30s and married with child, onetime slacker hero Buddy Bradley gets a "real" job, shaves his head, dons an eyepatch, quits his "real" job and buys the local dump — because what better place to raise a toddler? Peter Bagge's iconic character is to alternative comics what Homer Simpson has been to television animation over the past quarter-century: a generation-defining slacker and the greatest comedic character of its form and era. Featuring stories originally published in the comic book series Hate Annual from 2000–2011, as well as an all-new 20-page conclusion to the story arc, this book marks the first new book of Buddy stories since the now-perennial classics Buddy Does Seattle (2005) and Buddy Does Jersey (2007).
Buz Sawyer — adventurer, bon vivant, and former bachelor — can't let a little thing like romance and marriage slow him down. Buz knows that Christy is the only woman for him — brave, beautiful, and able to handle herself when the going gets tough, and just the kind of woman Buz needs when the chips are down — a lover and a fighter.
And indeed, Christy has her mettle tested, because the road to marriage is a rocky one. First, Buz has to survive a hurricane in the Caribbean, a typhoon in the South Seas, and a stone cold killer with a deceptively mild manner and the innocuous-sounding name of Harry Sparrow. As if that weren't enough, Buz gets himself caught in a political hurricane when he gets trapped behind the Iron Curtain just as the Cold War heats up. And if you think Buz and Christy's African honeymoon is a picnic... think again.
All of this is brought vividly and gorgeously to life through Roy Crane's sure-footed writing and stunning storytelling, a rollicking series of adventures filled with knock-out women, brutal assassins, and extremely bad weather.
This volume also includes some of the best Buz Sawyer Sunday strips (starring Buz's pal Rosco Sweeney), in full color!
A boxed set of our first four books in our acclaimed EC Comics Library, which collects the best comics of the 1950s from the greatest mass market comic book publisher in history. Featured are: Corpse on the Imjin! by Harvey Kurtzman, et al.; Came the Dawn by Wallace “Wally” Wood, Al Feldstein, et al.; 50 Girls 50 by Al Williamson, Al Feldstein, et al.; and 'Tain’t the Meat... It’s the Humanity! by Jack Davis, Al Feldstein, et al. A great gift for Father’s Day or for the genre fiction fan in your life!
"EC Comics' output of crime, horror, and war comics have been reprinted and collected multiple times, but never like in Fantagraphics' new 'EC Comics Library,' which repackages some of the most influential comics ever published in writer/artist-driven volumes, printed in black and white.” – The A.V. Club
"The EC Comics Library collections display the grace of cartooning." – The Chicago Tribune
"Fantagraphics has been inventing unique ways to publish [this] treasure trove of '40s and '50s crime, horror and war comics." – The Toronto Star
Your mission, should you choose to accept it... is CANNON by the legendary Wallace Wood (Mad, EC Comics, Daredevil)! CANNON appeared every week for two and a half years in Overseas Weekly, a newspaper distributed exclusively to U.S. Military bases around the world. Uncensored by commercial editorial restrictions, Wood pulled out all the stops — producing a thrilling and salacious Cold War spy serial run amok with brutal violence and titillating sex all in an effort to boost morale and support our troops!
Meet John Cannon, the perfect agent and America's exploitative answer to James Bond. Initially brainwashed by the terrifying, voluptuous, and always half naked Madame Toy to be "the perfect assassin" for the Red forces, Cannon was eventually rescued and brainwashed (again) by the CIA until he had no emotions whatsoever. Under the employ of our government’s Central Intelligence Agency, Cannon experiences action like no other agent! Undercover and under the covers, Cannon endures nude torture by beautiful women, explosive gunplay, naked catfights, bone-crunching plastic surgery, nudity, Hitler, nihilistic lovemaking, Weasel the spy, naked women, death from above, and more naked women! Take that, 007!
Together with the Wallace Wood Estate, and working from newly unearthed source material, Fantagraphics Books presents the biggest, baddest, best-looking collection of CANNON, ever!
Charlie Brown may not be the best pitcher, batter, or team manager, but his love for the game is boundless, no matter how many home runs he gives up, how many games he loses, how many errors his team makes, or how many times the game is rained out. This delightful gift book features three complete baseball stories starring good ol’ Charlie Brown and his frustrating (and frustrated) teammates Lucy, Linus, Pigpen, Snoopy, and the rest of the gang. Whether it’s at home or on the road, on the mound or off the field, Charlie Brown gives it his all in these funny, touching testaments to his indefatigable spirit.
The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published — all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 — a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The Blighted Eye is not only the greatest collection of original art ever produced, but a testament to Bray's dogged and visionary commitment to preserving the work by the greatest artists working in an art form habitually sneered at by cultural gatekeepers throughout most of the 20th century.
The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and — it should go without saying — many more.
With the increasing sophistication of comics over the last 20 and 30 years in the form of graphic novels, journalism, and memoirs, the cartoon form is finally taking its place alongside other popular narrative media — novels, films, theatre — as an art form to reckon with, widely reviewed and embraced by a discriminating reading public.
Simultaneous with this growing acceptance of comics as a literary form has been the recognition among museums and galleries that the artists' original drawings are art objects. Public exhibitions of original comics art has proliferated over the last decade with such shows as Masters of American Comics at LA's Hammer Museum and R. Crumb's Underground at Seattle's Frye Museum. Readers have been able to see this original art in museum catalogues and the occasional compilation of work digitally scanned directly from the original art. Although drawn for print, the hand-crafted original art — brush strokes and pen lines inked on paper — offers a beauty and an unique insight into the form, a different way of perceiving the artist's work.
From tears to soda fountains, from mobsters to pretty ingénues in freshly pressed dresses, the stories of love and betrayal herein will prompt you to grab a tissue box or swoon in delight. Joe Simon and Jack Kirby's sensational romance comics continue in this sequel to 2012's acclaimed Young Romance. This volume covers 1947 through 1949 and includes stories about women from all walks of life — from French widows to released prisoners. Simon and Kirby invented the romance comics genre and explored all the flirtations, dalliances, and passions of the young men and women who populated their stories. Get swept away by the sheer delirium that these pages induced so long ago. These comics have been meticulously restored in order to produce one of the most striking and faithful reproductions of 1940s comics ever published. Edited by acclaimed animator and cartoonist Michel Gagné.
Even as butterflies ominously proliferate in town, the rumor of a mysterious creature lurking in the tunnel behind the school spreads among the children. When the body of Arié Kimura's mother is found by this tunnel's entrance, next to apparently human traces, the legend seems to be confirmed. Is the end of the world coming? In order to appease the wrath of the beast, the children decide to offer it a sacrifice: The unfortunate Arié, whom they believe to be the cause of the curse, is shoved into a well that leads to the Nijigahara tunnel — an act that in turns pushes Komatsuzaki, the budding thug who has carried a torch for Arié for a while already, entirely over the edge.
But this is only the beginning of the complex, challenging, obliquely told Nijigahara Holograph, which takes place in two separate timelines and involves the suicidal Suzuki; Higure, his stalkerish would-be girlfriend; their teacher Miss Sakaki, whose heavily bandaged face remains a mystery; and many more — brothers, sisters, parents, co-workers, teachers, aggressors and victims who are all inextricably linked to one another and all will eventually — ten years later — have to live with what they’ve done or suffered through.
Asano, whose Solanin was nominated for the 2009 Eisner and Harvey comics awards (and which was made into a feature film in 2010), delves into disturbing territory with this Lynchian horror story, told in his unnervingly crisp and detailed panels.
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