Your mission, should you choose to accept it... is CANNON by the legendary Wallace Wood (Mad, EC Comics, Daredevil)! CANNON appeared every week for two and a half years in Overseas Weekly, a newspaper distributed exclusively to U.S. Military bases around the world. Uncensored by commercial editorial restrictions, Wood pulled out all the stops — producing a thrilling and salacious Cold War spy serial run amok with brutal violence and titillating sex all in an effort to boost morale and support our troops!
Meet John Cannon, the perfect agent and America's exploitative answer to James Bond. Initially brainwashed by the terrifying, voluptuous, and always half naked Madame Toy to be "the perfect assassin" for the Red forces, Cannon was eventually rescued and brainwashed (again) by the CIA until he had no emotions whatsoever. Under the employ of our government’s Central Intelligence Agency, Cannon experiences action like no other agent! Undercover and under the covers, Cannon endures nude torture by beautiful women, explosive gunplay, naked catfights, bone-crunching plastic surgery, nudity, Hitler, nihilistic lovemaking, Weasel the spy, naked women, death from above, and more naked women! Take that, 007!
Together with the Wallace Wood Estate, and working from newly unearthed source material, Fantagraphics Books presents the biggest, baddest, best-looking collection of CANNON, ever!
Charlie Brown may not be the best pitcher, batter, or team manager, but his love for the game is boundless, no matter how many home runs he gives up, how many games he loses, how many errors his team makes, or how many times the game is rained out. This delightful gift book features three complete baseball stories starring good ol’ Charlie Brown and his frustrating (and frustrated) teammates Lucy, Linus, Pigpen, Snoopy, and the rest of the gang. Whether it’s at home or on the road, on the mound or off the field, Charlie Brown gives it his all in these funny, touching testaments to his indefatigable spirit.
The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published — all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 — a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The Blighted Eye is not only the greatest collection of original art ever produced, but a testament to Bray's dogged and visionary commitment to preserving the work by the greatest artists working in an art form habitually sneered at by cultural gatekeepers throughout most of the 20th century.
The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and — it should go without saying — many more.
With the increasing sophistication of comics over the last 20 and 30 years in the form of graphic novels, journalism, and memoirs, the cartoon form is finally taking its place alongside other popular narrative media — novels, films, theatre — as an art form to reckon with, widely reviewed and embraced by a discriminating reading public.
Simultaneous with this growing acceptance of comics as a literary form has been the recognition among museums and galleries that the artists' original drawings are art objects. Public exhibitions of original comics art has proliferated over the last decade with such shows as Masters of American Comics at LA's Hammer Museum and R. Crumb's Underground at Seattle's Frye Museum. Readers have been able to see this original art in museum catalogues and the occasional compilation of work digitally scanned directly from the original art. Although drawn for print, the hand-crafted original art — brush strokes and pen lines inked on paper — offers a beauty and an unique insight into the form, a different way of perceiving the artist's work.
From tears to soda fountains, from mobsters to pretty ingénues in freshly pressed dresses, the stories of love and betrayal herein will prompt you to grab a tissue box or swoon in delight. Joe Simon and Jack Kirby's sensational romance comics continue in this sequel to 2012's acclaimed Young Romance. This volume covers 1947 through 1949 and includes stories about women from all walks of life — from French widows to released prisoners. Simon and Kirby invented the romance comics genre and explored all the flirtations, dalliances, and passions of the young men and women who populated their stories. Get swept away by the sheer delirium that these pages induced so long ago. These comics have been meticulously restored in order to produce one of the most striking and faithful reproductions of 1940s comics ever published. Edited by acclaimed animator and cartoonist Michel Gagné.
Even as butterflies ominously proliferate in town, the rumor of a mysterious creature lurking in the tunnel behind the school spreads among the children. When the body of Arié Kimura's mother is found by this tunnel's entrance, next to apparently human traces, the legend seems to be confirmed. Is the end of the world coming? In order to appease the wrath of the beast, the children decide to offer it a sacrifice: The unfortunate Arié, whom they believe to be the cause of the curse, is shoved into a well that leads to the Nijigahara tunnel — an act that in turns pushes Komatsuzaki, the budding thug who has carried a torch for Arié for a while already, entirely over the edge.
But this is only the beginning of the complex, challenging, obliquely told Nijigahara Holograph, which takes place in two separate timelines and involves the suicidal Suzuki; Higure, his stalkerish would-be girlfriend; their teacher Miss Sakaki, whose heavily bandaged face remains a mystery; and many more — brothers, sisters, parents, co-workers, teachers, aggressors and victims who are all inextricably linked to one another and all will eventually — ten years later — have to live with what they’ve done or suffered through.
Asano, whose Solanin was nominated for the 2009 Eisner and Harvey comics awards (and which was made into a feature film in 2010), delves into disturbing territory with this Lynchian horror story, told in his unnervingly crisp and detailed panels.
Tony Millionaire's Sock Monkey is one of the great all-ages comics properties of the new millennium, spawning plush dolls, TV appearances, lunch boxes, Zippo lighters and more. Now, for the first time, all twelve of multiple Eisner Award-winner Tony Millionaire's acclaimed Sock Monkey all-ages comic books (1998-2007, originally published by Dark Horse Comics) are collected under one cover, as well as the full-color graphic novella "Uncle Gabby" (2004) and the full-color illustrated storybook, "The Glass Doorknob" (2002), ready to be devoured by a new generation of young readers.
The precocious sock monkey Uncle Gabby and his innocent pal Mr. Crow are the heroes of this funny, unsettling and endearing collection. Follow them as they try to find a home for a shrunken head, play matchmakers between the bat in the doll's house and the mouse in the basement, unlock the mysteries of a glass doorknob, hunt salamanders, try to get to heaven, and much more.
The book also includes the only full-length Sock Monkey graphic novel, "The Inches Incident." Inches the doll was the cutest in the whole house and loved by everyone. Then one day... Inches turned EVIL! What will Mr. Crow and Uncle Gabby do? Beloved by adults and children, Sock Monkey harkens back to a time when comics actually were for kids.
What is it about odd-looking comic strip characters that catch the public's attention? Carl Anderson's classic comic strip character Henry was certainly not your average-looking youngster, with knobby knees, a pencil neck, and a bulbous, bald head, but for years, he entertained millions of readers worldwide with his pantomime pranks. He was also the subject of a long-running comic book series, with one significant difference from the newspaper strip — in the comic books, Henry spoke! Written and drawn by John Liney, who also handled art chores on the daily Henry strip, these stories were done in a Tintin-esque clean-line art style that made them attractive to the younger set, but with writing clever enough to cause the adults to chuckle while reading to their children. These 1940s-'50s stories have never before been reprinted, and this collection provides a long-overdue look at a forgotten "kid's comic" masterpiece.
248-page black & white/color 8.5" x 11" softcover • $35.00 ISBN: 978-1-60699-708-6
Ships in: February/March 2014 (subject to change) — Pre-Order Now
Women: what do they want? They might want to float into the sky while hosting a brunch party. They might want a couple of handsome cops to come over and get rid of a snake problem. They might seek a doctor's treatment for "wise-ass disease" or fantasize about revenge and forgiveness at the dentist's office. They might want to sing the White Girl Blues and dance the White Girl Twist.
And what about men? Mr. Science just wants to carry out his pointless experiments. "Earl D. Porker, Social Worker" converses with household items and forgets the cat food. One fellow's head is a basket of laundry.
One of the funniest cartoonists of the last four decades, M.K. Brown has accumulated a body of work long savored by aficionados but never comprehensively collected — until now. Stranger Than Life is the first retrospective collection of Brown's cartoons and comic strips from the National Lampoon from 1972-1981, as well as such other magazines as Mother Jones, The New Yorker, Atlantic Monthly, and Playboy; and her comics from underground publications like Arcade, Wimmin's Comics, Young Lust, and Twisted Sisters.
In these pages: Read instructions for the use of glue, making a pair of pants, home auto repair, coping with chainsaw massacres, and jackknifing your big rig. Travel the globe to witness the giant bananas of Maui, strange sightings in Guatemala, camel races, and a "Saga of the Frozen North." Learn about love 'round the world, among eccentric suburbanites, and in a "Condensed Gothic" romance. Meet Virginia Spears Ngodátu, who (with a bit of a name change) would go on to star in "Dr. Janice N!Godatu," Brown's series of animated shorts that appeared on The Tracy Ullman Show alongside the first incarnation of The Simpsons. Aliens, old people, pilgrims, mermen, monitor lizards, tiny floating muggers and other weirdos feature in Brown's side-splitting single-panel gag strips.
Brown's cartoons combine a penchant for the absurd with the gimlet observational eye of Roz Chast. Brown satirizes suburban anxiety and ennui by turning it upside-down and sideways, and her slightly grotesque yet lovable characters are perfectly captured in her restless pen line and delicate jewel-tone watercolors.
With his wholesome approach, Jack Kamen stood out amongst the grand-guignol grunge, gritty realism, or futuristic dazzle of his fellow EC cartoonists — but his brilliant editor/writer Al Feldstein found a way to exploit the surface innocence of his style with seemingly nice stories of romance gone horribly wrong, or future fantasies with an unexpectedly brutal twist. And nowhere did Kamen'’s clean-but-lush graphics work better than in the stories he created for EC's science-fiction comics.
The title story, "Zero Hour" (one of three in this book adapted from works by Ray Bradbury), set in a Spielbergian suburban idyll, is particularly well served by Kamen's surface innocence; "A Lesson in Anatomy" works similar magic, with its Mayberry-esque setting veering into alien-invasion terror.
If there was any devil in Kamen, it came out in his loving depiction of the female face and form, and you could see why his hapless heroes were often fatally entranced with them — as in "Punishment Without Crime" (Bradbury again), "He Who Waits!" (a scientist finds an extreme way of rejoining his eight-inch-tall inamorata), and "Miscalculation!" (the lucky recipient of a package from the future literally brews his own harem); even the supercomputer in "Only Human!" proves vulnerable to a beautiful woman's charms.
Zero Hour and Other Stories contains 22 classic EC yarns — plus the usual all-new biographical, historical, and critical essays that have made Fantagraphics' EC Library series the ultimate version of these classics.
Even sixty years after their original release, in a post-Saw-and-Hostel era of explicit horror, EC Comics superstar Graham "Ghastly" Ingels's grisly pages retain the power to shock.
His loving depictions of the endless corruption of flesh and nature made him the go-to guy for stories involving swamps, maniacs, and dismemberment — and all three combined to best effect in one of the standouts of this collection of his stories: "Horror We? How’s Bayou?" — considered the single most spectacularly drawn of all of EC’s horror stories, with a climax that would give body-horror king David Cronenberg nightmares.
Ingels specialized in depicting the unimaginable. If you ever wondered what the vengeful, decaying corpse of an elephant stomping a woman to death would look like, it's in here ("Squash...Anyone?"). Or living rats sewn into the bodies of a tyrannical king and queen ("A Grim Fairy Tale")... or the results of injecting a "poison-pen" letter writer with literal poison and reducing him to, in the words of Al Feldstein's script, a "foul-smelling, oozing pool of putrescence" ("Notes to You!"). One of the two Ray Bradbury adaptations in the book, "There Was an Old Woman" (about a deceased crone who simply refuses to stay dead) provides the closest thing to a note of sweetness that you'll find here — perhaps with the exception of the genuinely romantic "A Little Stranger!" and its loving marriage between a dead vampire and a dead werewolf.
Sucker Bait and Other Stories features 25 classic stories from Tales from the Crypt, Shock SuspenStories, Vault of Horror, and Ingels and his "Old Witch" character's special showcase Haunt of Fear — plus the usual fascinating historical, critical, and biographical material.
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