Eleanor Davis's How to Be Happy is the artist's first collection of graphic/literary short stories, and it’s about time. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such connoisseurial venues as Mome, Nobrow, and Lucky Peach, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills — sketchy drawing, polished pen-and-ink line work, and meticulously designed full-color painted panels — which are always in the service of a narrative that builds to a quietly devastating climax.
Helen is an amateur bird watcher and naturalist who lives in a rural community in Wales. When local farmer Bill tells Helen that a "rare bird" named Emrys killed himself at Cuddig farm, she decides to investigate. One of the dogs at the farm tells her, by way of explanation, that Emrys "had no feathers and couldn’t fly." She plucks an old cosmetic kit from a dumpster and discovers it belonged to Emrys. Inventorying the kit's contents, she finds a spent .12 gauge shotgun shell. Her attempt to learn more about Emrys turns into a journey of self-discovery and ultimately a hard-fought reconciliation with the world — as it is. Carol Swain's Gast is the rare kind of contemporary graphic novel that critics are conjuring when they exult over the promise of the art form — a philosophically mature vision, uniquely executed by an artist wholly in control of her craft. In Gast, Helen's inner life is slowly revealed through a mixture of naturalistic detail and phantasmagoric occurrences.
Before the Amazing Spider-Man, before the mysterious Dr. Strange, before the black-and-white world of the Ayn Rand-inspired Mr. A, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and 1954), Ditko drew tales of macabre suspense that were not yet hobbled by the imminent Comics Code Authority (adopted in Oct. 1954). These stories featured graphic bloodshed, dismemberment and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko’s imagination.
Following up on Strange and Stranger: The World of Steve Ditko, Blake Bell’s 2008 best-selling critical retrospective of Ditko’s career, Strange Suspense: The Steve Ditko Archives Vol. 1 features, for the first time, spectacular full-color reprints of every story from those first two years of his career. Beginning with Ditko’s very first story to Ditko’s short stint in the Joe Simon/Jack Kirby studio, to Ditko’s eventual encampment at the Charlton Comics operation in 1954, readers will see the initial works of an artist already at a level of craftsmanship that exceeded most of his peers. The book also features editor Bell’s insightful introduction, providing historical background and speaking to Ditko's influence and his unique craft.
Hot on the heels of last year’s Vip: The Mad World of Virgil Partch comes this brand new collection of intoxicated insanity! Virgil Partch, tutor to the tanked, scholar of the sloshed, professor to the plastered, and endowed with a scholarship from the School of Advanced Study of Alcoholic Endeavor, flung himself into months-long research of the most arduous kind in order to produce — for our collective betterment — this report on the hangover, and how one may acquire it.
At the height of his career, working in quiet obscurity, Partch pursued his goal quietly and selflessly, often confining himself for long hours without food or sleep in dim, ill-ventilated holes-in-the-walls, doggedly researching, testing, rejecting, seeking no reward but that elusive ideal mixture to satiate one’s palate and wet one’s whistle.
The foamy formula of excess (C2H5OH + homo sapiens) has created a combustible concoction that has long fueled sleepless nights, great passions, artistic achievement, and regretful mornings, but never before has it produced such inspired hilarity. Collecting the top shelf of Vip’s drink-themed artwork including well-known favorites, this new book is sure to delight even the most rigid teetotaler (and perhaps cause them to reconsider). So batten down the hooch and prepare to cast off on the stormy seas of booze with your faithful captain, Virgil Partch!
Disney’s greatest villain steals the spotlight! The vile Phantom Blot — dressed head-to-foot in his ghostly black cloak — is turning Mouseton upside down and leaving a trail of danger and destruction behind! Can Mickey thwart his plans? Our latest book also finds Mickey battling "Mighty Whalehunter" Pegleg Pete on the high seas and meeting a powerful genie! Lovingly restored from Disney's original proof sheets, this volume also includes more than 30 pages of extras! You'll enjoy rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a most-wanted list of Disney scholars. Walt Disney often said that his studio's success "all started with a Mouse" — now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson's Mickey Mouse. Edited by Disney historian David Gerstein and Gary Groth.
When the formulaic constraints, censorious nature, and onerous lack of creator's rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-published witzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzend in this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz.
The team of Harvey Kurtzman and John Severin was one of the most fruitful collaborations in the history of comics. The work they did combines the taut emotional and psychological insights of Stephen Crane with a verisimilitude so gritty that it seems as if they are reporting from the scene. Together with inker and friend Will Elder, whose own obsession for detail perfectly heightened the impact of every line, they produced 34 war stories — emotionally draining and dramatically eloquent — in just under three years. This book collects them all. Settings include: the Roman empire; the Revolutionary War; the American-Indian Wars; the Alamo; the Civil War; World War I (in the trenches and in the air); World War II (in the Pacific and in Europe, including the D-Day invasion); and the Korean War.
"The minute you looked at his artwork you knew you were looking at a John Severin illustration; it could be no one else. Besides his inimitable style, there was a feeling of total authenticity to whatever he drew, whether it was a Western, a crime story, a superhero saga or a science fiction yarn." – Stan Lee
The long-lost comic strip masterpiece by Crockett Johnson, legendary children's book author (Harold and the Purple Crayon, The Carrot Seed), collected in full and designed by graphic novelist and Barnaby superfan Daniel Clowes (Ghost World, Wilson).
Vol. 2 collects the years 1944-1945 of five-year-old Barnaby Baxter and his Fairy Godfather J.J. O'Malley's misadventures. The cigar-chomping, bumbling con-artist and fast-talker O'Malley takes Barnaby on a trip to D.C. to serve his term in Congress, and introduces Launcelot McSnoyd, the invisible leprechaun and fellow member of the Elves, Leprechauns, Gnomes, and the Little Men's Chowder and Marching Society. Also, Gus the Ghost and O'Malley follow the Baxters to their seaside cottage, enlisting Barnaby to join them on a treasure hunt. Plus Wall St., Ermine hunters, soap salesmen and more!
Adored by all ages, Barnaby's deft balance of fantasy, timeless humor and elegant cartooning will delight even the most sophisticated reader, much as it did in its original run, attracting fans as diverse as Dorothy Parker, Charles Schulz, W.C. Fields, Gardner Rea, Milton Caniff, Rockwell Kent and Louis Untermeyer.
The bestselling, award-winning, critically acclaimed series that sparked a renaissance for fans of classic comic strips upon its debut in 2004 is now in softcover! This first volume, covering the first two and a quarter years of the strip, features hundreds of strips rarely reprinted before this series. Three major cast members — Schroeder, Lucy, and Linus — initially show up as infants and only “grow” into their final “mature” selves as the months go by. Even Snoopy debuts as a puppy! The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day. This volume is rounded out with Garrison Keillor’s introduction and a biographical essay by David Michaelis (Schulz and Peanuts).
Annie and Verti are two teen cosplayers with too much time on their hands. Annie wants to act, and Verti wants to be a photographer/filmmaker. Together, they embark on making a film starring themselves and featuring an unsuspecting cast of extras they record via hidden camera. What could possibly go wrong? A one-shot dose of humor and melancholy from the creator of New School, BodyWorld, and Bottomless Belly Button.