Wandering Son has garnered extensive praise (from the GLBT community, from manga fans, and from comics fans in general) for its uniquely funny, warm, and sensitive treatment of the travails of two Japanese tweens who find themselves coping with the knotty issue of gender identification as they slowly realize that maybe they aren't who they were meant to be.
In this latest volume, love is in the air. It's in the trees and on the streets. It's hanging on the walls and piled in great heaps on the floor. Or is it really love? These sixth and seventh graders don't really know. But something is definitely amiss. They can't sleep, and when they do sleep they have strange dreams. They get angry and cry for no reason. They blush and grin like idiots for no reason. And it isn't even spring. But the standard rules apply: If A is in love with B, B is certain to be in love with C, and C is likely to be in love with D, or possibly A.
And now it seems a good third of the alphabet is in love with our shy protagonist, Nitori-kun. But the flip-side of love is jealousy, and hate. The simple friendships of childhood develop into the complex, tense relationships of adolescence. Friends become strangers, or worse. But while everyone seems to have caught the bug — even characters whose names you can't remember — Volume 4 revolves solidly around the triangle of Nitori-kun, Takatsuki-san, and Chiba-san. Yet centrifugal force seems to push the three away from each other, and there is a certain grimness as they say goodbye to elementary school, and put on the (highly gendered) uniforms of junior high school…
Available with a limited-edition bookplate signed by R. Crumb for an additional $30. The bookplate has been uniquely designed for this book, and each bookplate is printed on acid-free cardstock and hand-signed by the author. Please indicate your preference when adding the item to your shopping cart.
Another year's worth of prize Crumb here, folks — including the second issue of Zap!, the introduction of Angelfood McSpade, lots and lots of Mr. Natural, the long Fritz story "Fritz the No-Good," and plenty of little-seen and rare art, plus all of Crumb's contributions to the legendary Snatch comics, possibly the raunchiest book in the raunchy history of the undergrounds. There's also a jam or two with some of the other Zap! artists, the little-seen alternate version of the famous Janis Joplin Cheap Thrills album cover, the alternate version of the cover to Zap #3... all wrapped up with Crumb's hilarious new cover and an extensive set of photographically illustrated biographical notes from Crumb himself.
"Fantagraphics' Crumb project advances into wilder, woolier, scarier, more fantastic, and lewder and still lewder territory in [Volume 5]... This is definitely X-rated material — make that triple-X! — but it's brilliant, scabrously hilarious, absolutely basic to understanding the 1960s American counterculture, and authentically mind-blowing." – Booklist
1991 Harvey Award Winner, Best Domestic Reprint Project
BAM, BeerAndMovie Fest, returns for its 4th year in the Portland market. Sponsored exclusively by Ninkasi Brewing and Fantagraphics Books, BAM takes place April 5-11 at the Academy Theater, and April 5-May 2 at the Laurelhurst Theater. Sexy Time editor Jacques Boyreau tells you why you need to be there:
With BAM (BeerAndMovie) in its 4th year, can BAB (BeerAndBook) be far off? Let's hope it ain't! If the alignment design (by Olga Lopata) between Fantagraphics Books and Ninkasi Brewing that adorns our marquee is any omen, expect BAB soon.
Back to BAM...as the info posits, we got some cool movies ready to go. Speaking to the mosh of BAM, what fest has ever existed that so neatly connected ANNIE HALL with THE DUELLISTS (portraits of obsession); or HARD BOILED with PATHS OF GLORY (studies of body counts); or WHERE EAGLES DARE with STARSHIP TROOPERS (paragons of WW2 fetish); or ROAD HOUSE with KELLY'S HEROES (macho magical realism meets feminine absurdity). Yes it is so---BAM occupies the most potentially integrated, schizoidal zone of Pop Rep Cinema known to man or venue...Zoinx! All you need do is recall that in our first year we paired BRING ME THE HEAD OF ALFREDO GARCIA with ADVENTURES IN BABYSITTING.
The Academy series comprises 4 titles showing every day, April 5-11: ANNIE HALL (1977), STARSHIP TROOPERS (1997), ROAD HOUSE (1989), and HARD BOILED (1992). All Academy titles are on 35mm film.
The Laurelhurst series runs 4 consecutive weeks, with each title playing for the whole week: April 5-11 WHERE EAGLES DARE (1968), April 12-18 PATHS OF GLORY (1957), April 19-25 KELLY'S HEROES(1970), April 26-May 2 THE DUELLISTS (1977). All Laurelhurst titles are digital prints.
So sit your butts in some seats for sweet films and win some Fantagraphics books while you're there! Brew Views says "it’s still a great excuse to gather with a group of friends, the Swayze and some giant bugs for a beer—or six." There's even an art contest called "Interpreting Patrick Swayze" going on during the fest. Wanna draw the Swaze? You can turn in your art in the theater during any show or email it directly to
. Here are some of early entries:
Tim Colley captures the Road House homoeroticism between Swayze's "Dalton" character and the mysteriously named "Jimmy" (played by Marshall R. Teague).
Tim Colley channels The Swayze in sensitive black and white.
Colley goes "meta" with this Swayze-as-tat piece.
Academy Theater 7818 SE Stark Street Portland, OR 97215 503.252.0500
Laurelhurst Theater 2735 East Burnside Street Portland, OR 97214 503.232.5511
With this volume, "The Complete Carl Barks Disney Library" loops back to Barks's earlier days, collecting the entirety of Barks's (astounding) 1948 output.
The title story, "The Old Castle's Secret," is notable not just for being the first full-length 32-page adventure instigated by Scrooge McDuck (in his second-ever appearance), but for featuring some of Barks's spookiest, lushest settings in old Clan McDuck castle of Dismal Downs. The other long story, "The Sheriff of Bullet Valley," plunks Donald and the nephews in the Wild West, with Donald as an overconfident deputy having to deal with some high-tech rustlers. The book also includes the less-known "In Darkest Africa," originally published in a giveaway and unreleased for decades.
This volume also features an even 10 of Barks's dynamic "Walt Disney’s Comics and Stories" 10-pagers, including "Wintertime Wager" (the first appearance of a not-yet-lucky-but-still-obnoxious Gladstone Gander); "Spoil the Rod" (in which the exquisitely named educational professor Pulpheart Clabberhead is brought in to help tame the nephews); "Rocket Race to the Moon" (a rare full-on adventure — interplanetary, no less — in the short form); "Gladstone Returns" and "Links Highjinks" (two more Gladstone yarns); and five more stories... plus a half-dozen hilarious one-page gags.
Of course, once again all the stories have been shot from crisp originals, then re-colored (and printed) to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals — and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world.
Just a cool note that some of our artists' work has been appearing onThe Colbert Report and The Daily Show. It's friggin' awesome because you (dear reader) have been with us for a long time, supporting the likes of Tony Millionaire or our political comics, this is Janet Hamlin's first book with us, and now they are showing up on your computer monitors or TVs or Google glass. Above, Steve Colbert ran a picture of Tony Millionaire's cover to the classic Moby Dick. Below is a clip of Jon Stewart on The Daily Show discussing Guantanamo Bay detainee, Khalid Sheikh Mohammed, and his reaction to courtroom sketch of himself by Hamlin. Hamlin was the only media allowed to visually document the trials from 2006-early 2013.
Janet Hamlin's work also appeared on The Colbert Report last month in a piece on censorship of the Guantanamo Bay courtroom trials with Stephen Colbert. You can pre-order her book Sketching Guantanamo from us today. Enjoy the twisted system that is American justice in action.
The creator of the acclaimed graphic novels Bottomless Belly Button and Bodyworld hits the road in support of his new graphic novel, New School, as well as the one-shot comic book, 3 New Stories. At each location, Dash Shaw will be signing copies of his new books before their wide release, often with a gallery full of original artwork and presentations of his animation works (including the Sigur Rós video, "Seraph"). New School is a full-color, classic coming-of-age story that encapsulates the current generation, both trapped and enthralled by pop culture. Shaw dramatizes the story two brothers, one moving to an exotic country where an ambitious new amusement park recreates historical events and the younger one who goes to find his brother after years of little contact. New School is unlike anything in the history of the comics medium: at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.
On the long road to becoming an Oscar-winning animation director, Gene Deitch became an intense jazz fan. At the age of 21, he discovered The Record Changer magazine, a jazz collector's magazine filled with fanatical, scholarly, and purist essays about jazz as well as listings of hard-to-find jazz albums. Every jazz swinger in the '40s was called a cat (as in "cool cat"), so Gene Deitch created a cartoon feature for Record Changer titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951 along with "The Cat." Deitch's stylistically virtuoso images exquisitely embodied the essence of jazz and became a visual paean to the joy of collecting and appreciating jazz.
Fantagraphics Books is proud to collect all of Deitch's Record Changer covers and "Cat" cartoons in one coffee-table, landscape-format art book, reproducing his covers in the same gorgeous colors in which they first appeared as well as the black-and-white Cat cartoons, with commentary and reminiscences by Deitch himself. Originally published in 2003 in hardcover and out of print for years, this redesigned, first-ever paperback edition will delight a new generation of fans.
"This oversized volume... is a hipster's delight nonpareil." – Booklist
"Anyone hoping for a contact high from the manic crazy-man pulse of the '40s hipster should look no further than here. To momentarily slip into the vernacular, this really is a bitch. Five stars." – MOJO
"Deitch achieves what only the greatest cartoonist can — a deep spiritual resonance with minimal representation. The Deitch covers are thrilling for their quiet beauty. [...] This is a terrific rediscovery of a forgotten giant of a small world." – New York Press
"This book is a must for any collector of vinyl, shellac and even wax. Four stars (and a thousand laughs) for this volume." – Anything Phonographic
"Excellently reproduced volume. [...] Hard to think of a better present." – Jazzwise
With its long-awaited second volume, Linda Medley's witty and sublimely drawn fantasy eases into a relaxed comedy of manners as Lady Jain settles into her new life in Castle Waiting.
Unexpected visitors result in the discovery and exploration of a secret passageway, not to mention an epic bowling tournament. A quest for ladies' underpants, the identity of Pindar's father, the education of Simon, Rackham and Chess arguing about the "manly arts," and an escape-prone goat are just a few of the elements in this delightful new volume.
The book also includes many flashbacks that deepen the stories behind the characters, including Jain's earliest romantic entanglements and conflicts with her bratty older sisters, the horrific past of the enigmatic Dr. Fell, and more.
Originally released in a slightly shorter version when the series ceased publication, this new edition includes over 60 pages' worth of brand new additional story and epilogue, and the entire book has been re-lettered in a livelier, more inviting style for an even more engaging reading experience.
During the 1990s and 2000s, Peter Bagge worked mostly on his "Buddy Bradley" stories in Hate and a series of standalone graphic novels (Apocalypse Nerd), but in-between these major projects this ever-energetic cartoonist also cranked out dozens of shorter stories, which are now finally being collected in this riotously anarchic book.
Peter Bagge's Other Stuff includes a few lesser-known Bagge characters, including the wacky modern party girl "Lovey" and the aging bobo "Shut-Ins" — not to mention the self-explanatory "Rock 'N' Roll Dad" starring Murry Wilson and the Beach Boys. But many of the strips are one-off gags or short stories, often with a contemporary satirical slant, including on-site reportage like "So Much Comedy, So Little Time" (from a comedy festival) and more. Also: Dick Cheney, The Matrix, and Alien!
Other Stuff also includes a series of Bagge-written stories drawn by other cartoonists, including "Life in these United States" with Daniel Clowes, "Shamrock Squid" with Adrian Tomine, and the one-two parody punch of "Caffy" (with art by R. Crumb) and "Dildobert" (with art by Prison Pit’s Johnny Ryan)... plus a highlight of the book, the hilarious, literate and intricate exposé of "Kool-Aid Man" written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.)
Bagge is one of the funniest cartoonists of the century (20th or 21st), and this collection shows him at his most free-wheeling and craziest... 50 times over.
With its pitch-perfect blend of laughs, terror, and gore, as delineated by some of the finest cartoonists to ever draw a rotting, reanimated corpse, Tales from the Crypt (1950-1955, R.I.P.) remains the quintessential horror comic of all time.
And no cartoonist better encapsulated the grand-guignol spirit of Tales from the Crypt than Jack Davis, who, even at the earliest stage of what would become a six-decade career, possessed a level of skill that would elude most other cartoonists during their lifetimes. His maniacs were more homicidal, his victims more terrified, his dismemberments bloodier, and his werewolves more feral than anyone else's.
'Tain’t the Meat... It's the Humanity and Other Stories collects all of Davis's Tales from the Crypt classics, from EC's wicked revenge fantasies ("The Trophy!" and "Well Cooked Hams!") through the outright supernatural (the voodoo yarn "Drawn and Quartered!" and "Concerto for Violin and Werewolf") to the origin of the Crypt-Keeper ("Lower Berth") — and the legendary splatter gross-out of the title story.
This volume also includes biographical notes and essays, and an ultra-rare EC bonus: Davis's completely redrawn 3-D version of "The Trophy!" — back in print for the first time since its original appearance 60 years ago (and for the first time in regular, easy-on-the-eyes 2-D).
"...I have a spot in my heart for Jack Davis. I mean, that guy just makes me laugh. Even when he's drawing a gross-out, he just makes me laugh. I love his shoes, the way he draws shoes, and knuckles... there's just something about Jack Davis' stuff that blows me away." – George A. Romero