When the formulaic constraints, censorious nature, and onerous lack of creator's rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-published witzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzend in this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz.
The team of Harvey Kurtzman and John Severin was one of the most fruitful collaborations in the history of comics. The work they did combines the taut emotional and psychological insights of Stephen Crane with a verisimilitude so gritty that it seems as if they are reporting from the scene. Together with inker and friend Will Elder, whose own obsession for detail perfectly heightened the impact of every line, they produced 34 war stories — emotionally draining and dramatically eloquent — in just under three years. This book collects them all. Settings include: the Roman empire; the Revolutionary War; the American-Indian Wars; the Alamo; the Civil War; World War I (in the trenches and in the air); World War II (in the Pacific and in Europe, including the D-Day invasion); and the Korean War.
"The minute you looked at his artwork you knew you were looking at a John Severin illustration; it could be no one else. Besides his inimitable style, there was a feeling of total authenticity to whatever he drew, whether it was a Western, a crime story, a superhero saga or a science fiction yarn." – Stan Lee
The long-lost comic strip masterpiece by Crockett Johnson, legendary children's book author (Harold and the Purple Crayon, The Carrot Seed), collected in full and designed by graphic novelist and Barnaby superfan Daniel Clowes (Ghost World, Wilson).
Vol. 2 collects the years 1944-1945 of five-year-old Barnaby Baxter and his Fairy Godfather J.J. O'Malley's misadventures. The cigar-chomping, bumbling con-artist and fast-talker O'Malley takes Barnaby on a trip to D.C. to serve his term in Congress, and introduces Launcelot McSnoyd, the invisible leprechaun and fellow member of the Elves, Leprechauns, Gnomes, and the Little Men's Chowder and Marching Society. Also, Gus the Ghost and O'Malley follow the Baxters to their seaside cottage, enlisting Barnaby to join them on a treasure hunt. Plus Wall St., Ermine hunters, soap salesmen and more!
Adored by all ages, Barnaby's deft balance of fantasy, timeless humor and elegant cartooning will delight even the most sophisticated reader, much as it did in its original run, attracting fans as diverse as Dorothy Parker, Charles Schulz, W.C. Fields, Gardner Rea, Milton Caniff, Rockwell Kent and Louis Untermeyer.
The bestselling, award-winning, critically acclaimed series that sparked a renaissance for fans of classic comic strips upon its debut in 2004 is now in softcover! This first volume, covering the first two and a quarter years of the strip, features hundreds of strips rarely reprinted before this series. Three major cast members — Schroeder, Lucy, and Linus — initially show up as infants and only “grow” into their final “mature” selves as the months go by. Even Snoopy debuts as a puppy! The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day. This volume is rounded out with Garrison Keillor’s introduction and a biographical essay by David Michaelis (Schulz and Peanuts).
Annie and Verti are two teen cosplayers with too much time on their hands. Annie wants to act, and Verti wants to be a photographer/filmmaker. Together, they embark on making a film starring themselves and featuring an unsuspecting cast of extras they record via hidden camera. What could possibly go wrong? A one-shot dose of humor and melancholy from the creator of New School, BodyWorld, and Bottomless Belly Button.
Joe Orlando was a mainstay at EC, especially on science fiction, and this collects 23 of his best sci-fi stories. All of them, most scripted by Al Feldstein, serve up classic O. Henry-style endings, such as “I, Robot,” and “Fallen Idol.” The title story is one of EC’s most famous, with its blunt anti-racism message. When it was printed during the era of the Comics Code, publisher Bill Gaines and Feldstein had to fight to keep the story’s final panel “reveal” (and thus its whole point) intact. It was a pyrrhic victory, however, as “Judgment Day” became the last story in the last comic book EC published. This volume also features two of Orlando’s outstanding adaptations of classic Ray Bradbury science-fiction stories: “The Long Year” and “Outcast of the Stars.” Also included are all of EC’s “Adam Link” adaptations, a series which was later adapted for The Outer Limits TV show featuring Leonard Nimoy.
A local medical expert and sheriff are summoned to investigate a strange sighting that sets the stage for Conor Stechschulte's debut graphic novella: a severed human head that still seems to be talking. We flash back to a pair of butchers who arrive at work one morning to find not only that there is no meat in their shop but also that they have forgotten completely how to do their job. As customers arrive, they are too fearful for their livelihood to admit their dilemma, leading to increasingly disastrous events. But what has caused their strange amnesia? This often hilarious, enigmatic, and uncomfortable book establishes Stechschulte as an exciting new talent.
Peanuts enters its final decade, and The Complete Peanuts enters its homestretch, with material that is perhaps the most overlooked of Schulz’s career and soon to be reconsidered by scholars with this volume. Schulz’s cartooning has never looked more confident, and his sense of humor never more unrestrained. This is the 21st volume (of 25) of the perennial, bestselling series that collects every single one of the 18,000-plus Peanuts strips created by Charles M. Schulz, from its debut in 1950 to the end in 2000.
"There are certain things about my family Mom always preferred to keep hush hush."
The suppression of family history is the initial thread that ties together The Love Bunglers, featuring Hernandez's longtime Love and Rockets heroine Maggie. Because these secrets can't be dealt with openly, their lingering effect is even more powerful. But Maggie's ability to navigate and find meaning in her life — despite losing her culture, her brother, her profession, and her friends — is what's made her a compelling character. After a lifetime of losses, Maggie finds, in the second half, her longtime off and on lover, Ray Dominguez. In taking us through lives, deaths, and near-fatalities, The Love Bunglers encapsulates Maggie's emotional history as it moves from resignation to memories of loss, to sudden violence (a theme in this story), and eventually to love and contentment. Much like John Updike in his four Rabbit novels, Jaime Hernandez has been following his longtime character Maggie around for several decades, all of which has seemed to be building towards this book in particular.