Hot on the heels of his acclaimed Mark Twain’s Autobiography 1910-2010 comes Michael Kupperman’s second all-comics collection of surreal slapstick and crazy non-sequitur goofiness, all from the pages of his beloved comic book series Tales Designed to Thrizzle.
Tales Designed to Thrizzle Volume Two features two of Kupperman’s recurring duos: America’s favorite mustachioed physicist/writer double team of Twain and Einstein (solving new crimes and barreling through exciting new adventures), and the crime-fighting team of Snake and Bacon ("Sssssssssssss!") who make a special return just to star in Reservoir Dogs 2.
Elsewhere in this volume the crusty Quincy, M.E. makes his comic book debut, struggling through the fantastic landscapes of his own dreams in "Quinception" (in which St. Peter also gets his own comic book). And learn the true story of the first lunar landing, guest starring Woodward & Bernstein, Lt. Columbo and... Quincy again??... in "Moon 69."
Also: The Jungle Princess battles rhino traders... A story of Broadway theatrics in "All About Drainage"... Slightly cursed merchandise and other dubious products... Cockney grave robbers... Cowboy Oscar Wilde... McArf the Crime Dog takes a bite out of scum... The origin of The Hamanimal... A photocomic starring comedian Julie Klausner, "Voyage To Narnia"... Break out your crayons for the highly educational "Train & Bus Coloring Book"... The story of French national hero "The Scythe"... and "Murder, She Goat."
Plus! This volume contains a full issue's worth of never-before-published, brand new Thrizzle material featuring "Mandate the Magician," "Fart Boobs," "The Odd Couple of Draculas," "Skull Groin," "Gladiator & Snivolus," "Mr. Flopears," "Gordon Ramsay's Fairy Tale Toilet Kitchen Nightmares," "McGritte the Surrealist Crime Dog," a new Twain & Einstein adventure and ever so much more!
Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World," a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King," during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.
This volume is rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies including our most spectacular bonus feature yet — a double-sized fold-out page reproducing a strip hand-colored by Foster — plus a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art.
As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.
Another fascinating collection of early work from one of America's most original, trenchant, and uncompromising artists. "Some More Early Years of Bitter Struggle" features several key stories from Crumb’s pre-underground, homemade comics of the early 1960s (such as Farb and Arcade), with stories featuring early Crumb characters Fritz the Cat, Jim, Mabel, and Little Billy Bean. It also includes "Roberta Smith, Office Girl," Crumb's charming 4-panel strip for the American Greetings employee newsletter; a full-color section of cover illustrations; copious reproductions from Crumb's sketchbooks; and more of the biographical introduction by Crumb confidant Marty Pahls.
1989 Harvey Award Winner, Best Domestic Reprint Project
Starring Fritz the Cat includes Crumb's classic original Fritz stories from 1965, including "Fritz Bugs Out" and "Fritz the Cat, Special Agent for the CIA," the first two "real" stories in the Fritz canon, as well as "Fritz the Cat, Ace Statesman," four pages of a previously unpublished Fritz story, and several Fritz illos never before printed in color. Plus: Crumb's first published work from Help! and Yell, including the "Harlem Sketchbook" and the "Bulgarian Sketchbook," most never before reprinted; two dozen of his Topps trading cards, plus extremely rare promotional items, as well as many creeting cards done for American Greetings, several in full color; and many pages of strips from Crumb's 20-year-old sketchbooks. Plus more of Marty Pahls's ongoing Crumb biography, including the story of Crumb's first acid trip, with more rare photos of the young Crumb!
1989 Harvey Award Winner, Best Domestic Reprint Project
Buy Two, Get One Half Off! When ordering either of these volumes, add any two other available volumes from The Complete Crumb Comicsseries and the third volume will be half price! (Note that you will receive all 3 books in one shipment when they are all available in our warehouse.) See product pages for more details.
Cartoonist, animator and story teller Dash Shaw's animated music video for band Sigur Ros entitled "Seraph" will be shown at next year's Sundance Film Festival. This six and half minute film will appear in the animated short section of the festival. For those of you not attending, feel free to watch it here from home in your jam-jams.
If you are one of the fortunate thousands who enjoy untangling the enigmatic images that fill Jim Woodring's comics and drawings, Problematic is just the book for you to put under your pillow and dream on.
Woodring is a devotee of the pocket-sized Moleskine sketchbook and has filled at least one per month since 2004. Quick concept sketches, figure studies, self-challenges, finished drawings, revenge portraits and caricatures, scene tryouts... everything goes into these idea batteries.
Problematic provides the adventurous viewer with a bounty of unfiltered, hand-captured glimpses of life by an artist that Publishers Weekly called "a modern master of hallucinatory cartoon fables." Lots of this material re-emerges in the form of pictures and storylines but much of it is just too baffling to be harnessed for any practical use. Of course, these untamable notions are the best and most interesting ones; and there are plenty of them here in the 300-page brick of Problematic.
Problematic is a rollicking amalgam of reportage (i.e. the man who blew his arm off), speculative anatomy, fancy women, make-a-face games, picture-puzzles, gags, riffs and burlesques. Catalogue and exhibition simultaneously, Problematic is your best bet for a brief, energizing stroll in a distinctively enjoyable neighborhood.
"When most people try to employ dream logic in their work they fail miserably but Jim [Woodring] is great at it. The closest thing to a peer he might have is David Lynch but even that's a stretch. Jim Woodring is the only Jim Woodring and no one has done what he does except for him." – Nicholas Gazin, Vice
A guided video tour of the book with Jim Woodring:
In a cheeky cameo, cartoonist Rich Tommaso magically appears next to FOX news reporter Denise Dillon when she grabs a copy of The Cavalier Mr. Thompson off the bookshelf. Tommaso has a better chance "of writing a NY Times Best Seller than winning the Powerball," currently at $500,000,000. While we distribute Tommaso's lastest graphic novel and have published a few NY TimesBest Sellers, we cannot guarantee that a photogenic creator will appear next to you the next time you thumb through their work in a public space. But be warned: they might.
7 Miles a Second is the story of legendary artist David Wojnarowicz, written during the last years before his AIDS-related death in 1992. Artists James Romberger and Marguerite Van Cook unsentimentally depict Wojnarowicz's childhood of hustling on the streets of Manhattan, through his adulthood living with AIDS, and his anger at the indifference of government and health agencies. A primal scream of a graphic novel, 7 Miles a Second blends the stark reality of Lower East Side street life with a psychedelic delirium that artfully conveys Wojnarowicz's sense of rage, urgency, mortality and a refusal to be silent.
Originally published as a comic book in 1996 by DC's Vertigo Comics, 7 Miles a Second was an instant critical success and has become a cult classic amongst fans of literary and art comics, just as Wojnarowicz's influence and reputation have widened in the larger art world. This new edition finally presents the artwork as it was intended: oversized, and with Van Cook's elegant watercolors restored. It also includes several new pages created for this edition.
"Revolutionary.... a runaway, over-the-top circus... An excursion into areas few, if any, comics creators have tread." – Jim Steranko
"Seven Miles a Second veers between an almost unbearably gritty naturalism and the incendiary heat of surrealist hallucination." – The New Yorker
"A revelatory work of art." – Art in America
"A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations." – Jim Jarmusch
The setting: A boys' boarding school in Germany, sometime in the mid-20th Century. One winter day, fourteen year-old Thomas Werner falls from a lonely pedestrian overpass to his death, immediately after sending a single, brief letter to another boy at the school:
To Juli, one last time. This is my love. This is the sound of my heart. Surely you must understand.
Thus begins Moto Hagio's The Heart of Thomas — one of the most compelling and enigmatic manga graphic novels ever created, and a pioneer in the popular boys'-romance "shounen-ai" genre. Thomas's death (was it an accident? Suicide? Or even murder?) immediately throws the school into turmoil, while his letter sets off a chain of emotional upheaval both for the recipient and an ever-expanding circle of friends, family, and teachers, as secrets are revealed and shared. And then a new boy who looks exactly like Thomas shows up at school…
Unabashedly romantic and emotionally complex, The Heart of Thomas features an unusual, richly imagined setting and a cast of memorable characters. This timeless masterpiece is now finally available to American readers.
Joe Kubert sealed his reputation as one of the greatest American comicbook cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more.
For the first time, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime. The Kubert work in this book is that of a burgeoning talent attacking the work with tremendous panache, and in the process, developing a style that became one of the most distinctive in the medium.
Since these stories were written and drawn in the pre-Comics Code era, they are more thrilling, violent and sexy (by contemporary standards) than much of his later, Code-constrained work. And just the titles of the comic books from which these stories are taken are wonderfully evocative of a bygone era of four-color fun: Cowpuncher, Abbott and Costello Comics, Three Stooges, Eerie, Planet Comics, Meet Miss Pepper, Strange Terrors, Green Hornet Comics, Whack, Jesse James, Out of This World, Crime Does Not Pay, Weird Thrillers, Police Lineup, and Hollywood Confessions.
As with Fantagraphics’ acclaimed Steve Ditko and Bill Everett Archives series, Weird Horrors and Daring Adventures boasts state-of-the-art restoration and retouching, and an extensive set of historical notes and an essay by the book’s editor Bill Schelly, author of the Art of Joe Kubert art book and Man of Rock Kubert biography.
Uncle Jim takes you on a narrated tour through his upcoming book Problematic: Sketchbook Drawings 2004-2012 (due next month) and shows off a few of the original Moleskine notebooks from which the drawings in the book were taken, describing it all in his inimitable style. Hey, this means I don't have to shoot the usual preview video of the book — although in a bit of a switcheroo, Jim has loaned us 4 of his sketchbooks for us to shoot and upload video of those (they're just sitting around in my living room right now, no big deal, PLOTZ), so stay tuned for that!