Good Dog marks the welcome return of alternative cartoonist Graham Chaffee, who, after his successful 2003 collection of short stories, The Most Important Thing and Other Stories, took a detour to devote himself to the art of tattooing, before charging back with his new, beautifully conceived graphic novel.
Ivan, who is plagued by terrible nightmares about chickens and rabbits, is a good dog — if only someone would notice. Readers accompany the stray as he navigates dog society, weathers pack politics, and surveys canine-human interactions.
Good Dog's story and pen-and-ink art are deceptively simple, but Chaffee uses the approachability of the subject matter as a device to explore topics such as independence, security, assimilation, loyalty, and violence. Preteen-and-up dog fanciers, especially, will warm to the well-meaning Ivan and his exploits with a motley assortment of Scotties, Bulldogs, and mutts. Chaffee combines illustrative gravitas with cartooning verve and creates a richly textured, dog’s-eye view of the world. The story is a rousing Jack London-esque adventure as well as a moral parable.
"Graham Chaffee has been one of my favorite cartoonists since I fell in love with his 1997 debut graphic novel, Big Wheels. Combining tremendous empathy towards his characters, concise storytelling and exquisite detail, Chaffee's comics are sublime. I am eagerly awaiting Good Dog. I'll plan my week around reading it." – James Sturm (Market Day)
"Good Dog is a book as seemingly lost in time as its canine hero Ivan. Graham Chaffee has a real talent for charming anthropomorphic cartooning and his clean, appealing storytelling and expressive brushwork evoke the work of an alternative golden age of comics; an age perhaps in which superheroes never existed and the medium told more straightforward, poignant stories." – James Romberger
"Getting into the mind of a dog — that's a real trick. I know, I've tried. Getting into the whole heart and soul of a dog is another whole feat. Graham Chaffee not only does it with aplomb (he draws GREAT dogs), he gets into the whole dog's life — and so should you." – Nick Abadzis (Laika)
"I got choked up a couple of times which is the one of the best things a comic can do to me. Compliments to Mr. Graham Chaffee. Really solid storytelling and excellent art. Reminiscent the best way of Jack London's The Call of the Wild." – Farel Dalrymple (Pop Gun War)
"The world does not have nearly enough graphic novels told from the perspective of adorable dogs. Let alone graphic novels that have a good chance of making you feel delighted on one page, then maybe like you might cry a little bit on the next page. Good Dog does those things, and also, did I mention it’s told from the perspective of an adorable dog? Seriously, the dog is so great! I would adopt him in a second and we would do everything together." – Erik Henriksen, Wired, "The Best Comic Books of 2013"
From the creator of the 2005 hit graphic novel Black Hole and the recent trilogy X'ed Out, The Hive and Sugar Skull comes this new softcover edition of his other masterpiece of modern horror. Big Baby is a particularly impressionable young boy named Tony Delmonte, who lives in a seemingly typical American suburb until he sneaks out of his room one night and becomes entangled in a horrific plot involving summer camp murders and backyard burials. Burns' clinical precision as an artist adds a sinister chill to his droll sense of humor, and his affection for 20th-century pulp fiction permeates throughout, creating a brilliant narrative that perfectly captures the unease and fear of adolescence.
"At once alluring and grotesque, Burns' imagery has been eagerly embraced by the counterculture, mainstream media, and a recalcitrant art world without ever compromising his strikingly singular aesthetic." – Juxtapoz
"The work of Charles Burns is a vision that's both horrifying and hilariously funny, and which he executes with cold, ruthless clarity... It's almost as if the artist... as if her weren't quite... human!" – R. Crumb
"These comics are brilliant, loaded with humor and a love of B-movies, pulps, and old comic books. 'Curse of the Molemen' is a classic of modern cartooning, and alone would make this book worth buying." – John Porcellino
Wandering Son has garnered extensive praise (from the GLBT community, from manga fans, and from comics fans in general) for its uniquely funny, warm, and sensitive treatment of the travails of two Japanese tweens who find themselves coping with the knotty issue of gender identification as they slowly realize that maybe they aren't who they were meant to be.
In this latest volume, love is in the air. It's in the trees and on the streets. It's hanging on the walls and piled in great heaps on the floor. Or is it really love? These sixth and seventh graders don't really know. But something is definitely amiss. They can't sleep, and when they do sleep they have strange dreams. They get angry and cry for no reason. They blush and grin like idiots for no reason. And it isn't even spring. But the standard rules apply: If A is in love with B, B is certain to be in love with C, and C is likely to be in love with D, or possibly A.
And now it seems a good third of the alphabet is in love with our shy protagonist, Nitori-kun. But the flip-side of love is jealousy, and hate. The simple friendships of childhood develop into the complex, tense relationships of adolescence. Friends become strangers, or worse. But while everyone seems to have caught the bug — even characters whose names you can't remember — Volume 4 revolves solidly around the triangle of Nitori-kun, Takatsuki-san, and Chiba-san. Yet centrifugal force seems to push the three away from each other, and there is a certain grimness as they say goodbye to elementary school, and put on the (highly gendered) uniforms of junior high school…
Available with a limited-edition bookplate signed by R. Crumb for an additional $30. The bookplate has been uniquely designed for this book, and each bookplate is printed on acid-free cardstock and hand-signed by the author. Please indicate your preference when adding the item to your shopping cart.
Another year's worth of prize Crumb here, folks — including the second issue of Zap!, the introduction of Angelfood McSpade, lots and lots of Mr. Natural, the long Fritz story "Fritz the No-Good," and plenty of little-seen and rare art, plus all of Crumb's contributions to the legendary Snatch comics, possibly the raunchiest book in the raunchy history of the undergrounds. There's also a jam or two with some of the other Zap! artists, the little-seen alternate version of the famous Janis Joplin Cheap Thrills album cover, the alternate version of the cover to Zap #3... all wrapped up with Crumb's hilarious new cover and an extensive set of photographically illustrated biographical notes from Crumb himself.
"Fantagraphics' Crumb project advances into wilder, woolier, scarier, more fantastic, and lewder and still lewder territory in [Volume 5]... This is definitely X-rated material — make that triple-X! — but it's brilliant, scabrously hilarious, absolutely basic to understanding the 1960s American counterculture, and authentically mind-blowing." – Booklist
1991 Harvey Award Winner, Best Domestic Reprint Project
BAM, BeerAndMovie Fest, returns for its 4th year in the Portland market. Sponsored exclusively by Ninkasi Brewing and Fantagraphics Books, BAM takes place April 5-11 at the Academy Theater, and April 5-May 2 at the Laurelhurst Theater. Sexy Time editor Jacques Boyreau tells you why you need to be there:
With BAM (BeerAndMovie) in its 4th year, can BAB (BeerAndBook) be far off? Let's hope it ain't! If the alignment design (by Olga Lopata) between Fantagraphics Books and Ninkasi Brewing that adorns our marquee is any omen, expect BAB soon.
Back to BAM...as the info posits, we got some cool movies ready to go. Speaking to the mosh of BAM, what fest has ever existed that so neatly connected ANNIE HALL with THE DUELLISTS (portraits of obsession); or HARD BOILED with PATHS OF GLORY (studies of body counts); or WHERE EAGLES DARE with STARSHIP TROOPERS (paragons of WW2 fetish); or ROAD HOUSE with KELLY'S HEROES (macho magical realism meets feminine absurdity). Yes it is so---BAM occupies the most potentially integrated, schizoidal zone of Pop Rep Cinema known to man or venue...Zoinx! All you need do is recall that in our first year we paired BRING ME THE HEAD OF ALFREDO GARCIA with ADVENTURES IN BABYSITTING.
The Academy series comprises 4 titles showing every day, April 5-11: ANNIE HALL (1977), STARSHIP TROOPERS (1997), ROAD HOUSE (1989), and HARD BOILED (1992). All Academy titles are on 35mm film.
The Laurelhurst series runs 4 consecutive weeks, with each title playing for the whole week: April 5-11 WHERE EAGLES DARE (1968), April 12-18 PATHS OF GLORY (1957), April 19-25 KELLY'S HEROES(1970), April 26-May 2 THE DUELLISTS (1977). All Laurelhurst titles are digital prints.
So sit your butts in some seats for sweet films and win some Fantagraphics books while you're there! Brew Views says "it’s still a great excuse to gather with a group of friends, the Swayze and some giant bugs for a beer—or six." There's even an art contest called "Interpreting Patrick Swayze" going on during the fest. Wanna draw the Swaze? You can turn in your art in the theater during any show or email it directly to
. Here are some of early entries:
Tim Colley captures the Road House homoeroticism between Swayze's "Dalton" character and the mysteriously named "Jimmy" (played by Marshall R. Teague).
Tim Colley channels The Swayze in sensitive black and white.
Colley goes "meta" with this Swayze-as-tat piece.
Academy Theater 7818 SE Stark Street Portland, OR 97215 503.252.0500
Laurelhurst Theater 2735 East Burnside Street Portland, OR 97214 503.232.5511
With this volume, "The Complete Carl Barks Disney Library" loops back to Barks's earlier days, collecting the entirety of Barks's (astounding) 1948 output.
The title story, "The Old Castle's Secret," is notable not just for being the first full-length 32-page adventure instigated by Scrooge McDuck (in his second-ever appearance), but for featuring some of Barks's spookiest, lushest settings in old Clan McDuck castle of Dismal Downs. The other long story, "The Sheriff of Bullet Valley," plunks Donald and the nephews in the Wild West, with Donald as an overconfident deputy having to deal with some high-tech rustlers. The book also includes the less-known "In Darkest Africa," originally published in a giveaway and unreleased for decades.
This volume also features an even 10 of Barks's dynamic "Walt Disney’s Comics and Stories" 10-pagers, including "Wintertime Wager" (the first appearance of a not-yet-lucky-but-still-obnoxious Gladstone Gander); "Spoil the Rod" (in which the exquisitely named educational professor Pulpheart Clabberhead is brought in to help tame the nephews); "Rocket Race to the Moon" (a rare full-on adventure — interplanetary, no less — in the short form); "Gladstone Returns" and "Links Highjinks" (two more Gladstone yarns); and five more stories... plus a half-dozen hilarious one-page gags.
Of course, once again all the stories have been shot from crisp originals, then re-colored (and printed) to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals — and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world.
Just a cool note that some of our artists' work has been appearing onThe Colbert Report and The Daily Show. It's friggin' awesome because you (dear reader) have been with us for a long time, supporting the likes of Tony Millionaire or our political comics, this is Janet Hamlin's first book with us, and now they are showing up on your computer monitors or TVs or Google glass. Above, Steve Colbert ran a picture of Tony Millionaire's cover to the classic Moby Dick. Below is a clip of Jon Stewart on The Daily Show discussing Guantanamo Bay detainee, Khalid Sheikh Mohammed, and his reaction to courtroom sketch of himself by Hamlin. Hamlin was the only media allowed to visually document the trials from 2006-early 2013.
Janet Hamlin's work also appeared on The Colbert Report last month in a piece on censorship of the Guantanamo Bay courtroom trials with Stephen Colbert. You can pre-order her book Sketching Guantanamo from us today. Enjoy the twisted system that is American justice in action.
The creator of the acclaimed graphic novels Bottomless Belly Button and Bodyworld hits the road in support of his new graphic novel, New School, as well as the one-shot comic book, 3 New Stories. At each location, Dash Shaw will be signing copies of his new books before their wide release, often with a gallery full of original artwork and presentations of his animation works (including the Sigur Rós video, "Seraph"). New School is a full-color, classic coming-of-age story that encapsulates the current generation, both trapped and enthralled by pop culture. Shaw dramatizes the story two brothers, one moving to an exotic country where an ambitious new amusement park recreates historical events and the younger one who goes to find his brother after years of little contact. New School is unlike anything in the history of the comics medium: at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.
On the long road to becoming an Oscar-winning animation director, Gene Deitch became an intense jazz fan. At the age of 21, he discovered The Record Changer magazine, a jazz collector's magazine filled with fanatical, scholarly, and purist essays about jazz as well as listings of hard-to-find jazz albums. Every jazz swinger in the '40s was called a cat (as in "cool cat"), so Gene Deitch created a cartoon feature for Record Changer titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951 along with "The Cat." Deitch's stylistically virtuoso images exquisitely embodied the essence of jazz and became a visual paean to the joy of collecting and appreciating jazz.
Fantagraphics Books is proud to collect all of Deitch's Record Changer covers and "Cat" cartoons in one coffee-table, landscape-format art book, reproducing his covers in the same gorgeous colors in which they first appeared as well as the black-and-white Cat cartoons, with commentary and reminiscences by Deitch himself. Originally published in 2003 in hardcover and out of print for years, this redesigned, first-ever paperback edition will delight a new generation of fans.
"This oversized volume... is a hipster's delight nonpareil." – Booklist
"Anyone hoping for a contact high from the manic crazy-man pulse of the '40s hipster should look no further than here. To momentarily slip into the vernacular, this really is a bitch. Five stars." – MOJO
"Deitch achieves what only the greatest cartoonist can — a deep spiritual resonance with minimal representation. The Deitch covers are thrilling for their quiet beauty. [...] This is a terrific rediscovery of a forgotten giant of a small world." – New York Press
"This book is a must for any collector of vinyl, shellac and even wax. Four stars (and a thousand laughs) for this volume." – Anything Phonographic
"Excellently reproduced volume. [...] Hard to think of a better present." – Jazzwise
With its long-awaited second volume, Linda Medley's witty and sublimely drawn fantasy eases into a relaxed comedy of manners as Lady Jain settles into her new life in Castle Waiting.
Unexpected visitors result in the discovery and exploration of a secret passageway, not to mention an epic bowling tournament. A quest for ladies' underpants, the identity of Pindar's father, the education of Simon, Rackham and Chess arguing about the "manly arts," and an escape-prone goat are just a few of the elements in this delightful new volume.
The book also includes many flashbacks that deepen the stories behind the characters, including Jain's earliest romantic entanglements and conflicts with her bratty older sisters, the horrific past of the enigmatic Dr. Fell, and more.
Originally released in a slightly shorter version when the series ceased publication, this new edition includes over 60 pages' worth of brand new additional story and epilogue, and the entire book has been re-lettered in a livelier, more inviting style for an even more engaging reading experience.