Working in comic books for just over a decade in the 1940s and '50s, Bernard Krigstein applied all the craft, intelligence, and ambition of a burgeoning "serious" artist, achieving results that remain stunning to this day. While his legend rests mostly on his landmark narratives created for EC Comics, dozens of stories for lesser publishers equally showcase his singular draftsmanship and radical reinterpretation of the comics page.
Harvey and Eisner Award-winning Krigstein biographer Greg Sadowski has assembled the very best of the artist’s work, starting with his earliest creative rumblings, through his glory days at EC, to his final daring experiments for Stan Lee’s Atlas Comics — running through nearly every genre popular at the time, be it horror, science fiction, war, western, or romance.
This edition reprints the out-of-print 2004 hardcover B. Krigstein Comics, with a number of stories re-tooled and improved in terms of reproduction, and several new stories added. Legendary EC colorist Marie Severin, in her last major assignment before her retirement, recolored 20 stories for this edition. The remainder has been taken from printed comics, digitally restored with subtlety and restraint. Original art pages, photostats from Krigstein's personal archives, and an extensive set of historical and editorial notes by Sadowski round out this compelling volume.
We missed this in the holiday rush of making sure you got those beautiful Peanuts books but Saturday Night Live created a laugh-and-fart-out-loud parody of the beloved characters created by Charles M. Schulz. Hats off to Bill Hader's Al Pacino as Charlie Brown and Martin Short's Larry David as Linus.
Also, a friend sent us this odd text-based adventure of a future society that learned how to be through a Peanuts filter. Walk around the world in your mind (live an hut made of baseball gloves)! Read a little bit of Charlie Brown, Snoopy and the gang before immersing yourself.
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killah), but he considers stupid rhymes, as well — nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more.
In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language — the power of words and the nature of syntax — in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.
Hot on the heels of his acclaimed Mark Twain’s Autobiography 1910-2010 comes Michael Kupperman’s second all-comics collection of surreal slapstick and crazy non-sequitur goofiness, all from the pages of his beloved comic book series Tales Designed to Thrizzle.
Tales Designed to Thrizzle Volume Two features two of Kupperman’s recurring duos: America’s favorite mustachioed physicist/writer double team of Twain and Einstein (solving new crimes and barreling through exciting new adventures), and the crime-fighting team of Snake and Bacon ("Sssssssssssss!") who make a special return just to star in Reservoir Dogs 2.
Elsewhere in this volume the crusty Quincy, M.E. makes his comic book debut, struggling through the fantastic landscapes of his own dreams in "Quinception" (in which St. Peter also gets his own comic book). And learn the true story of the first lunar landing, guest starring Woodward & Bernstein, Lt. Columbo and... Quincy again??... in "Moon 69."
Also: The Jungle Princess battles rhino traders... A story of Broadway theatrics in "All About Drainage"... Slightly cursed merchandise and other dubious products... Cockney grave robbers... Cowboy Oscar Wilde... McArf the Crime Dog takes a bite out of scum... The origin of The Hamanimal... A photocomic starring comedian Julie Klausner, "Voyage To Narnia"... Break out your crayons for the highly educational "Train & Bus Coloring Book"... The story of French national hero "The Scythe"... and "Murder, She Goat."
Plus! This volume contains a full issue's worth of never-before-published, brand new Thrizzle material featuring "Mandate the Magician," "Fart Boobs," "The Odd Couple of Draculas," "Skull Groin," "Gladiator & Snivolus," "Mr. Flopears," "Gordon Ramsay's Fairy Tale Toilet Kitchen Nightmares," "McGritte the Surrealist Crime Dog," a new Twain & Einstein adventure and ever so much more!
Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World," a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King," during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.
This volume is rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies including our most spectacular bonus feature yet — a double-sized fold-out page reproducing a strip hand-colored by Foster — plus a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art.
As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.
Another fascinating collection of early work from one of America's most original, trenchant, and uncompromising artists. "Some More Early Years of Bitter Struggle" features several key stories from Crumb’s pre-underground, homemade comics of the early 1960s (such as Farb and Arcade), with stories featuring early Crumb characters Fritz the Cat, Jim, Mabel, and Little Billy Bean. It also includes "Roberta Smith, Office Girl," Crumb's charming 4-panel strip for the American Greetings employee newsletter; a full-color section of cover illustrations; copious reproductions from Crumb's sketchbooks; and more of the biographical introduction by Crumb confidant Marty Pahls.
1989 Harvey Award Winner, Best Domestic Reprint Project
Starring Fritz the Cat includes Crumb's classic original Fritz stories from 1965, including "Fritz Bugs Out" and "Fritz the Cat, Special Agent for the CIA," the first two "real" stories in the Fritz canon, as well as "Fritz the Cat, Ace Statesman," four pages of a previously unpublished Fritz story, and several Fritz illos never before printed in color. Plus: Crumb's first published work from Help! and Yell, including the "Harlem Sketchbook" and the "Bulgarian Sketchbook," most never before reprinted; two dozen of his Topps trading cards, plus extremely rare promotional items, as well as many creeting cards done for American Greetings, several in full color; and many pages of strips from Crumb's 20-year-old sketchbooks. Plus more of Marty Pahls's ongoing Crumb biography, including the story of Crumb's first acid trip, with more rare photos of the young Crumb!
1989 Harvey Award Winner, Best Domestic Reprint Project
Buy Two, Get One Half Off! When ordering either of these volumes, add any two other available volumes from The Complete Crumb Comicsseries and the third volume will be half price! (Note that you will receive all 3 books in one shipment when they are all available in our warehouse.) See product pages for more details.
Cartoonist, animator and story teller Dash Shaw's animated music video for band Sigur Ros entitled "Seraph" will be shown at next year's Sundance Film Festival. This six and half minute film will appear in the animated short section of the festival. For those of you not attending, feel free to watch it here from home in your jam-jams.
If you are one of the fortunate thousands who enjoy untangling the enigmatic images that fill Jim Woodring's comics and drawings, Problematic is just the book for you to put under your pillow and dream on.
Woodring is a devotee of the pocket-sized Moleskine sketchbook and has filled at least one per month since 2004. Quick concept sketches, figure studies, self-challenges, finished drawings, revenge portraits and caricatures, scene tryouts... everything goes into these idea batteries.
Problematic provides the adventurous viewer with a bounty of unfiltered, hand-captured glimpses of life by an artist that Publishers Weekly called "a modern master of hallucinatory cartoon fables." Lots of this material re-emerges in the form of pictures and storylines but much of it is just too baffling to be harnessed for any practical use. Of course, these untamable notions are the best and most interesting ones; and there are plenty of them here in the 300-page brick of Problematic.
Problematic is a rollicking amalgam of reportage (i.e. the man who blew his arm off), speculative anatomy, fancy women, make-a-face games, picture-puzzles, gags, riffs and burlesques. Catalogue and exhibition simultaneously, Problematic is your best bet for a brief, energizing stroll in a distinctively enjoyable neighborhood.
"When most people try to employ dream logic in their work they fail miserably but Jim [Woodring] is great at it. The closest thing to a peer he might have is David Lynch but even that's a stretch. Jim Woodring is the only Jim Woodring and no one has done what he does except for him." – Nicholas Gazin, Vice
A guided video tour of the book with Jim Woodring: