As the designer of Paul Karasik's "I Shall Destroy All the Civilized Planets" I can tell you that there were dozens of directions considered for this cover design. I share Karasik's reverence for Fletcher Hanks and this final, spare white cover design [above, left] resulted from our joint response to how Hanks' work is most succinctly communicated. At the core his style is awkward but unmistakable and carries with it a baron, iconic force. His superheroes are omnipotent and dramatically unpredictable/unknowable.
After nearly a dozen years of selling comic books for the Publisher of the World's Greatest Cartoonists, I must sadly announce that I am (voluntarily) moving on to other -- non-comics -- pastures.
When I started at Fantagraphics back in 1996, I had no idea what to expect from the comic book world. I was a naïve young pup just looking for a publishing job. Over the years I've learned a lot from the job (mostly by trial and error) and made a lot of good friends (and a few enemies). I have spent half of my 20's and 30's working for a company that stubbornly and stringently holds the integrity of their favored art form high above all else*. Working in comics and working for this company has given me extraordinary experiences that will influence everything that I do in the future.
Thank you for helping to create those experiences.
Our second volume (of six) of the acclaimed hit series collecting the entirety of E.C. Segar's original Popeye (a.k.a. Thimble Theatre) comic strips begins with a foreword by Beetle Bailey creator Mort Walker and continues with an introduction by noted film and cartooning critic Donald Phelps. This second volume features work from 1930 to 1932, and most notably includes the debut of Segar's second greatest character: J. Wellington Wimpy. Wimpy stands as a one-of-a-kind icon some 70 years after his creation, the most likeable lowdown cad ever to grace the comics page. Popeye Vol. 2 includes the stories: "Clint Gore" (continued from the cliffhanger last volume); "A One-Way Bank," in which Popeye opens a bank that allows withdrawals but no deposits; a long war story featuring King Blozo that begins with "The Great Rough-House War"; and "Skullyville," which wraps up the daily strips for this volume.
168-page 11" x 17" B&W/color hardcover with die-cut cover $29.95 Order Now!
Via The Beat: Spanish artist Max has been awarded the first-ever Premio Nacional del Cómic 2007 (National Comics Award) by the Spanish Ministry of Culture for his book Bardín the Superrealist. This is the second major European comics award received by Bardín, and this one comes with a nice fat €15,000 prize. According to the Spanish Reuters article (as translated by Babelfish), "'the jury considers' Bardín the Superrealist 'a graphically overwhelming work, with an original script and filled with literary, philosophical and cinematographic references,' the ministry in an official notice said." Congratulations, Max!
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