|DAILY OCD 8/22/12|
|Written by Jen Vaughn | Filed under Significant Objects, Shimura Takako, Rob Walker, No Straight Lines, Mort Meskin, Justin Hall, Joshua Glenn, Joe Kubert, Jacques Boyreau, Gary Groth, Floyd Gottfredson, Flannery OConnor, Disney, Daniel Clowes, Daily OCD, Chris Wright, Carl Barks, Basil Wolverton||22 Aug 2012 5:08 PM|
The fully charged Online Commentaries & Diversions:
• Review: School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review: AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looks Sexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug: Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review: San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review: Chicago Tribune likes the premise of the Significant Objects edited by Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lung before it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."