|Daily OCD: 1/11/10|
|Written by Mike Baehr | Filed under The Comics Journal, Steven Weissman, reviews, Portable Grindhouse, Peter Bagge, Peanuts, Marco Corona, Kevin Huizenga, Joe Sacco, Jacques Tardi, Jacques Boyreau, Humbug, Hans Rickheit, Gilbert Hernandez, Gabrielle Bell, Coming Attractions, Charles M Schulz, Carol Tyler, Al Columbia||11 Jan 2010 3:41 PM|
Looky here, Online Commentary & Diversions:
• List: On Random House's Suvudu blog, Dallas Middaugh selects 2008's Bottomless Belly Button by Dash Shaw as #3 on the Top 10 Graphic Novels of 2009: "This book came from out of nowhere to great critical acclaim, and it pushed young Mr. Shaw in the spotlight as one of the most exciting new cartoonists in the field. ... This haunting story of a dysfunctional family twists and turns and stuck with me long after I read it."
• List: At Comic Book Galaxy, Marc Sobel counts down "The 15 Best Back Issues I Read Last Year," including Birdland by Gilbert Hernandez ("vastly underappreciated") and the entire run of Hate by Peter Bagge ("This series gets better with age")
• Review: "Dreams are probably the second most popular subject for autobiographical comics, however distantly they lag behind the events of waking life. But no one, to my knowledge, has attempted to create comics arising from the hypnagogic netherworld that lies between the sleeping and the wakeful states. Until now. Or maybe not. It’s hard to say precisely, which is what gives Kevin Huizenga’s Ganges #3 so much of its unique charm." – Rich Kreiner, The Comics Journal
• Review: "What the hell is going on here? What is this book, anyway? ...[Pim and Francie] is like the inexplicable artifact of a deranged mind... Columbia has a flair for the grotesque, which, when mixed with such cute cartooniness reminiscent of old-school Disney, makes for an especially creepy juxtaposition. ... It's a cascade of horror, page after page of mostly-unfinished nastiness, enough to stick in the mind and cause nightmares for weeks." – Matthew J. Brady
• Review: "At long last, a handsome, two-volume, slipcased set [of Humbug] brings back into print a pivotal, neglected portion of the oeuvre of Harvey Kurtzman and that of a cadre of gifted pranksters bent on smart satire." – Rich Kreiner, The Comics Journal
• Review: "With a new exhibition currently on view at Tony Shafrazi Gallery in Chelsea and his remarkable inclusion in the 2010 Whitney Biennial, Robert Williams seems more than ever the most likely candidate to represent the ways that late decadent American culture will be remembered by history. ... This is a late career artist at the top of his game, a shamefully overdue entry into still meaningful discourse of what art can be when it refuses to play by the rules, a monster of the imagination whose time has finally come." – Carlo McCormick, artnet
• Review: "Portable Grindhouse celebrates the sleazy kick of killing time in a slightly crappy video rental store, minus the inevitable arguments about what to rent or the possibility of your VCR eating the tape." – Dave Howlett, Living Between Wednesdays
• Plug: Robot 6's Chris Mautner is reading his stack of Comics Journal back issues "starting with #291, which features interviews with Tim Sale and Josh Simmons, as well as a great critical thinkpiece by Gary Groth on Ralph Steadman and Hunter S. Thompson. That alone was worth the cover price."
• Plugs: Some fun and appreciated name-drops from Tom Neely and Charles Bernstein in the 5th part of The Beat's year-end survey of comics pros
• Plug: The AAUGH Blog helpfully reminds its readers that you can get slipcases for your loose volumes of The Complete Peanuts direct from us
• Plug/Coming Attractions: Comic Book Resources' Greg Burgas comments on the January issue of Previews (our listings from which can be seen here): "Jacques Tardi's It Was the War of the Trenches, from Fantagraphics on page 256, sounds keen. It's a World War I book, so I'm sure it will be utterly depressing, but it still sounds worthwhile!"
• Interview: The final part of Brian Heater's interview with C. Tyler at The Daily Cross Hatch: "To me, it’s underground, and there’s other people who think, 'no way, it’s Mad Magazine.' Everyone has their place where it starts. There’s people now who say, 'Kramer’s Ergot is when it started for me.' Everyone has their place when they jumped off the diving board, into the pool of comics. The fact is, it’s continual."
• Profile: Gurldoggie takes a quick look at Joe Sacco in advance of his appearance in Seattle this week
• Events: The Covered blog celebrates its 1st anniversary and announces an art show at Secret Headquarters in L.A. in March