• Review: "...[From Shadow to Light: The Life and Art of Mort Meskin] is extremely informative and truly wonderful... Evocatively written by creative/art director, designer, educator and biographical author Steven Brower, with dozens of first hand accounts from family, friends and contemporaries; the sad, unjust life of this major figure of popular art is fully explored and gloriously justified by every miraculous page of his work reproduced herein. [...] Brilliant, captivating, utterly unforgettable and unknown, Meskin’s enforced anonymity is finally coming to an end and this magical chronicle is hopefully only the first step in rediscovering this major talent." – Win Wiacek, Now Read This!
• Review: "[Mort] Meskin... deserves to be treasured by all comic fans and studied by all artists of the medium. Now, at last, he gets some of the attention he is due in From Shadow to Light: The Life & Art of Mort Meskin by Steven Brower. [...] On display in this book are amazing examples of comic art. [...] The biographical portion of the book is enlivened by vivid detail from many personal recounts by artists and friends Meskin worked with and his own sons... Overall... this book is an incredible testament to an incredible talent and hopefully it will encourage more comic fans to learn about Meskin and seek out some of his work." – Rich Clabaugh, The Christian Science Monitor
• Review: "Four Color Fear is a lovingly accumulated and organized collection of... stories starring ghosts, ghouls, zombies, demons, and monsters of all stripes. [...] Four Color Fear offers some nice bonus features too, which elevate it from being a simple compilation of reprinted stories. [...] In case I haven’t made this clear yet: this book is tremendous. [...] For fans of the genre, [editor Greg] Sadowski has performed a valuable service — rescuing these stories from obscurity and reminding us that, yes, EC was one of the important publishers of its era — only one of many. [Rating] 9/10" – David Maine, PopMatters
• Review: "One of the consolations of being obscure is the knowledge that you'll never have to wake up in a world where Drew Friedman has caricatured you. Friedman's pen is relentless and his eye is merciless: every foible, every wrinkle or blush or spot is seen clearly and depicted precisely. ...[T]here hasn't been a book like Too Soon? before, and it's been needed. So the answer to the question's title is: no, not at all. If anything, it's long overdue." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Reviews: The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features Lucky in Love Book 1 by George Chieffet & Stephen DeStefano, Locas by Jaime Hernandez, and Everybody Is Stupid Except for Me by Peter Bagge among their Comics of the Week
• Review: "Love and Rocktober" continues at Attentiondeficitdisorderly as Sean T. Collins looks at Jaime's Perla La Loca: "So what conclusions are we to draw from all this? It's taken me a while, but I've come to the conclusion that drawing a conclusion is the wrong thing to do. There's not some message being sent here about, I dunno, punk or fluid sexuality or sex work, which are sort of the common threads of the two big stories here... The message, I think, is simply to be found in the fact that there are two big, separate Maggie and Hopey stories here. They're not symbols, they're people."
• Interview: Jesse Tangen-Mills conducts the first of two interviews with Johnny Ryan at The Comics Journal: "At first my Mom thought this would be a nice hobby for me. She never liked the idea or thought I could make a living out of it. Now, she seems to appreciate it a bit more. I do send her my books because she asks for them. I don’t think I would otherwise."
• Interview: The second interview with Johnny Ryan at The Comics Journal, conducted by Ian Burns, was originally meant for this blog, but deemed Too Good for Flog: "...I felt, by doing research, I’m completely undermining the work. It goes back to my whole thing about seeing like a teenager’s action comic. Teenagers don’t think about, 'Well, I need to take an anatomy course,' [Burns laughs] 'before I draw my mutant planet war.' They just fuckin’ just go and just jump into it. So I had that same vibe."
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