|Daily OCD: 10/19/10|
|Written by Mike Baehr | Filed under Zak Sally, reviews, Patrick Rosenkranz, Megan Kelso, Love and Rockets, Johnny Ryan, Jeremy Tinder, Jaime Hernandez, Jacques Tardi, Drew Weing, David B, Daily OCD, Coming Attractions, Boody Rogers, Blake Bell, Bill Everett||19 Oct 2010 11:54 PM|
Online Commentary & Diversions returns after a post-APE hiatus and subsequent sick day:
• Review: "Good Jaime Hernandez comics are always just about the most satisfying books that money can buy, and I was so impressed with how the pleasure of seeing contemporary Maggie again for the first time in far too long [in Love and Rockets: New Stories #3] gave way to the satisfaction of seeing another building block in her curious history, and then everything turned unpleasant in a way that was equally bleak and fascinating. Watching Jaime fit everything together the way he does is breathtaking. Recommended for adult readers." – Grant Goggans, The Hipster Dad's Bookshelf
• Review: It's still "Love and Rocktober" at Sean T. Collins's Attentiondeficitdisorderly: "If Ghost of Hoppers was Maggie's confrontation with adulthood, The Education of Hopey Glass serves up the equivalent for Hopey and Ray. It's fascinating to me to see where their lives have taken them versus where they were — and more importantly, what they represented to Maggie — when they were first juxtaposed. [...] What makes these two stories compelling and connects them to one another beyond the basic idea of the characters coming to terms with their age is how much the stories rely on the kinds of things only an artist of Jaime's caliber can pull off for their telling."
• Review: "Man’s oldest gynophobic horrors and most simplistic delight in sheer physical dominance are savagely delineated in this primitive, appalling, cathartic and blackly funny campaign of cartoon horror. Resplendent, triumphant juvenilia is adroitly shoved beyond all ethical limits into the darkest depths of absurdist comedy. Not for children, the faint-hearted or weak-stomached, [Prison Pit Book 2] is another non-stop rollercoaster of extreme violence, profanity and cartoon shock and awe at its most visceral and compelling. ...[T]his book is all-out over the top and flat out hilarious. Buy and see if you’re broad-minded, fundamentally honest and purely in need of ultra-adult silliness." – Win Wiacek, Now Read This!
• Review: "Bitter, haunting stories [by Zak Sally] like 'The Man Who Killed Wally Wood' and 'The War Back Home' show a striking willingness to ask uncomfortable questions about himself and the world around him. His account of Dostoyevsky’s time in prison is a real highlight and I think marks a turning point in his storytelling ability. And the fearless, self-lacerating essay he provides at the end brings the book to a near-perfect close. Really, [Like a Dog] is a tight little collection." – Chris Mautner, Robot 6
• Review: "There’s fourteen stories in all in this anthology, beautifully scanned, restored, and reproduced in all their four-color glory. [...] There’s a lot of fun to be had in these pages. [...] Boody properly showcases a sizeable enough collection of complete comics stories by the wildman inkslinger from Texas, finally elevating Rogers into the pantheon he’s always been part of — if only enough folks had been able to access his work. At last, they can!" – Steve Bissette, The Schulz Library Blog
• Review: "The publication of Rebel Visions was a vital riposte to [a] tide of apathy, a vast and authoritative work built for the clear purpose of documenting the entire history of the US underground revolution in a definitive fashion: a not inconsiderable task given the various tributaries that have spewed forth since the early 1960s. [...] Rosenkranz diligently weaves a number of divergent themes using the oral histories of most of the major participants." – Kevin McCaighy, Exquisite Things (via ¡Journalista!)
• Interview: Kat Engh of Geek Girl on the Street chatted with Megan Kelso at APE over the weekend: "I like writing and movies and music and art forms that are about more than one thing. I’m really fascinated by that, and I think that comics really lend themselves to that kind of layering and layers in conflict, because you’ve literally got two tracks of information with pictures and words, and because they’re so separate from each other, they lend themselves to doing different things at the same time. I’ve always thought that if a comic’s not doing more than one thing, it’s not taking advantage of what is, so yeah, I’d say I actively strive for that."
• Interview: At Comic Book Resources, Chris Mautner talks to Fire & Water author Blake Bell at length about Bill Everett — "I think Everett is as unique a stylist as Ditko is. When you see Everett's work, you automatically know who it is if you have any inkling about any of the Silver or Golden Age artists. Secondly, in his own way he's as influential as Ditko. Without question, Everett created the antihero in superhero comics back in 1939 when he introduced the Sub-Mariner. There was no other comic book character like him." — and upcoming volumes of The Steve Ditko Archives.
• Interview: It's the second part of Brian Heater's conversation with Drew Weing at The Daily Cross Hatch: "It’s such a weird time where so much stuff is available online, though I went out of my way to make the book a nice little object. And I feel like it does read better in book form, because it’s a format that you can more lovingly pore over the detail."
• Interview: At Gapers Block, Rose Lannin talks to Jeremy Tinder, who makes his Fantagraphics debut in Mome Vol. 20. This quote is relevant to the Mome story: "I grew up reading newspaper strips, like Garfield. I think it was around age 5 when I really started getting into Garfield and tracing it out of the paper every day. [...] Garfield was my focus in life for six years, I was so into it."
• Coming Attractions: Bleeding Cool's Rich Johnston reports here that "...[I]t seems that Fantagraphics, as part of their current attemp to to translate every French comic book in existence, has seized upon [David B.'s] book, Le Jardin armé et autres histoires or The Armed Garden and are to publish it in August next year," and here about our translation of Tardi & Manchette's Like a Sniper Lining Up His Shot, "...planned for August next year. Which, in terms of European-to-American translation is light speed."