• Review: "Tardi's art [in The Extraordinary Adventures of Adèle Blanc-Sec Vol. 1] well deserves the praise that he's a grandmaster of comics. It's detailed, expressive, authentic, and distinctive. His world-building is thorough, the setting established through both background art and scene selection. Frequent recaps keep the reader up to speed, while emphasizing how amusingly convoluted everything quickly becomes. Tardi knows the conventions of this kind of rollicking, complicated adventure, and the story points out how ridiculous they are at the same time it's engaging in them." – Publishers Weekly (Starred Review)
• Review: "Jason is a Norwegian living in France; the Montpellier of the title [Werewolves of Montpellier] is his adopted home. This biographical trivia might suggest that this is his most personal work yet, but if it is, it’s only in the sense that his personal vision of comics is running on all cylinders here; while nothing he’s put out (in English, anyway) has been bad, he’s continually refining his sensibility, and this is Jason at his most Jason." – Jonathan Bogart, FA
• Review: "Fantagraphics has always been the industry leader in getting old comic strips back into print..., and while their Prince Valiant reprints from the 1990s were wonderful at the time, this new edition is the best the strip has looked since it was originally printed on Sunday broadsheets in the 1930s and 40s. With Foster’s original colors — and he was as brilliant and forward-thinking in his use of color as he was brilliant and medium-changing in his black-and-white drawing — and a strong, heavy binding, these are archival editions, the sort of books that should be passed down to the next generation." – Jonathan Bogart, FA
• Interview: At The Daily Cross Hatch, it's the penultimate installment of Brian Heater's chat with Jaime Hernandez: "It’s very difficult for me when people ask me to do a talk or an example of a page—how I break down a page and stuff like that. It’s not that easy for me. There are teachers and there are doers—I’m a doer. I don’t know how this stuff happens, it just spills out of me, it’s that kind of thing. [...] I don’t want to fight that, because I’m afraid it will ruin it and it will change it, or my art won’t be that distinctive. I’d rather just leave that to the gods."
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