• Review: "...The Extraordinary Adventures of Adele Blanc-Sec Vol. 1 is finally seeing a U.S. release, and it’s long overdue. [...] The stories are romping adventures that would appeal to a young-adult crowd, but have plenty of edge and playfulness for grown readers; they function both as an evocation and sly satire of classic adventure stories like Tintin. The clever stories, with hidden meaning always skirting around their simplicity, are perfectly complemented by Tardi’s art; readers familiar with one of the greatest names in French comics will need no introduction, but newcomers will be blown away by his mixture of clean lines and rough edges, and his absolute mastery of mood as he delivers some of the finest illustrations of Paris ever crafted. [Grade] A" – The A.V. Club
• Review: "Little Maakies on the Prairie is... glorious filth rendered in high style, with frequent nods to E.C. Segar and George Herriman. It’s beautiful, it’s disgusting, it boasts a sentient goiter running amok, and it features a handsome landscape layout courtesy of Chip Kidd. Ultimately, it occupies some hinterland between hyper-repetitive and constantly surprising — not bad for a cartoon that began life scrawled on a barroom napkin. [Grade] A-" – The A.V. Club
• Review: "If Michael Weldon’s Psychotronic Guide To Film (and its follow-up) still sits on your shelf being of use, or at least making you smile, then Carlson and Connolly’s Destroy All Movies is the book for you. If these words mean nothing to you, then listen up: A world of film and a way of looking at them is about to open up that will change everything for you. [...] What it all adds up to is a wonderful, personal bizarre alterna-history of cinema. [...] This is a great book that will live with you for a long, long time." – John Mitchell, North Adams Transcript
• Interview: At Interview, Hunter Stephenson writes of Destroy All Movies!!!, "Like an algorithm zapped across a smoggy landscape of wastoid cinema and blown-out amps — from the sleaze of 42nd Street to Malcom McLaren's London — no suspect VHS or DVD was left unturned in the hunt for liberty spikes, rebellious acts, and agape mouths of paled normies. ...[E]ach film is allotted a paragraph to several pages for reviews, supplemental interviews, and analysis that range from wittily divisive (Todd Phillips's Hated) to impassioned reconsideration (Valley Girl), all written in a fluid, knowledgeable manner and laid out in the clean and smart design expected of Fantagraphics, the book's publisher," and talks to editors Bryan Connolly & Zack Carlson, who says "Penelope Spheeris's Suburbia... is actually my favorite film of all time, and it inspired the entire book on the deepest levels. Spheeris wanted to tell a story about believable kids and a horrible struggle, so she cast real kids to play those parts. It's almost entirely non-actors, and that movie is the wildest for me. Punk or not, it's the best movie I ever saw."
• Plug:Maximum Rocknroll plugs the Destroy All Movies!!! tour: "If you live near SF or LA and love punxploitation movies like I do, you’re in for a treat this weekend. Brush your long hair into a mohawk, get some sushi and don’t pay, then head to the movie theater for some bad dialog and pointless violence…"
• Review: "The inescapable ripples of long-ago events over which the characters we love had no control, and the ripples their own shitty actions send out, ensnaring others: That’s what hit me so hard about Three Daughters. Luba, Fritz, and Petra can have all the wacky sex adventures they can stand — they’re still paying for someone else’s sins in a way that can just clear the decks of their lives at a moment’s notice." – Sean T. Collins, Attentiondeficitdisorderly
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