|Daily OCD: 11/23/11|
|Written by Mike Baehr | Filed under Walt Kelly, Victor Moscoso, Steve Duin, Shannon Wheeler, reviews, Paul Hornschemeier, Oil and Water, Mome, Michael Kupperman, Love and Rockets, Los Bros Hernandez, Jaime Hernandez, interviews, Gilbert Hernandez, FBI MINIs, Daily OCD, Best of 2011, Alexander Theroux||23 Nov 2011 9:56 PM|
Today's Online Commentary & Diversions:
• List: After appearing on Amazon.com's Best Books of 2011 — Comics and Graphic Novels top 10, Love and Rockets: New Stories #4 and Pogo Vol. 1 show up on Amazon.ca's list of the same name, in the #5 and #4 positions respectively
• Plug: At NPR's Monkey See, Glen Weldon recommends Pogo Vol. 1 as a "tryptophan-tastic tome" for your turkey-coma reading enjoyment: "Walt Kelly's seminal, satirical, exquisitely rendered, hugely influential (and, not for nothing, actually funny) comic strip is getting a deluxe treatment by Fantagraphics. Crisply reproduced at a generous size that makes it easier than ever to marvel over Kelly's marvelous linework, this book is everything fans and comics historians were hoping for."
• Review: "...[Tales Designed to] Thrizzle returns to form with lucky number seven — and of all things, it seems like Christopher Nolan’s Inception provided the catalyst.... I’ve described director Christopher Nolan’s movies as what stupid people think smart movies look like; Michael Kupperman’s comics are the opposite, stupid comics made by a smart person for smart people, so perhaps there’s some yin-yang resonance there. Regardless, Kupperman recognized Inception‘s Russian-nesting-doll structure of dreams within dreams within dreams as natural connective tissue for his stream-of-consciousness comedy... It’s nice to hold documentary evidence of Kupperman’s comic genius in my hands again." – Sean T. Collins, The Comics Journal
• Review: "The authors [of Oil and Water] show admirable self-awareness in portraying their semifictional companions (and by implication, themselves) as naive voyeurs whose presence mostly irritates their subjects. 'Lemme get this straight,' says one character. 'They white. We black. They blue. We red. They rich…and I got $53 to buy a week’s worth of groceries. And they gonna tell our stories?' Actually, they do a fine job." – Ruth Brown, Willamette Week
• Review: "Full of endnotes, translating many phrases he quotes in their original languages, and graced by a few of the couple’s photos and Sarah’s plein air oil paintings, [Estonia: A Ramble Through the Periphery] provides a suitably quirky introduction to Theroux as an essayist and critic.... As the author of two Fantagraphics short studies on Al Capp and Edward Gorey, Theroux’s elliptical style and elongated perspective delineates an American tradition of satire that connects him to Thomas Nast’s political and cultural caricatures of a century and a half ago.... Catch the wit and the venom, the depth and the breadth, of this honest account of 'a strange, unlooked-for place at the back of beyond' where 'the fascination of its strangeness' renders it a fitting subject for a curious report by a memorably talented, ever off-kilter, chronicler of oddity. [Rating] 8/10" – John L. Murphy, PopMatters
• Plugs: Our FBI•MINIs have garnered attention from Tom Spurgeon at The Comics Reporter ("I want as many as I can get my hands on"), J.K. Parkin at Robot 6 ("The big chain stores might have cheap TVs this weekend, but how many of them come with a Tony Millionaire mini-comic? Not nearly enough, I tell ya"), Alan Gardner at The Daily Cartoonist ("If you're already planning on picking out some titles for the holidays, might as well get the rare or unpublished work as well"), Paul Constant at The Stranger ("These books are a great idea; a special gift for your special comics fan")
• Interview: "I talked on the phone with Adam Witt of Comics Will Break Your Heart about the early days of the Mome anthology, serializing work, collaboration with other artists, film, and my inability to remember the dates of anything. I apologize in advance for the mumbling bits," says Paul Hornschemeier on his blog
• Analysis: At Robot 6, Matt Seneca examines the sequential imagery in a poster by Victor Moscoso: "The poster Moscoso created for SF-based motion picture company Pablo Ferro Films... is a watershed moment in the artist’s oeuvre, the place where his works in comics and posters unify with perfect elegance. It’s also a fascinating, formally audacious piece of comics, one that breaks rules and innovates furiously without giving up an iota of visual beauty."