• Review: "I know what you're all thinking. Does [Destroy All Movies!!! The Complete Guide to Punks on Film] adequately up the punx? The answer is a resounding, 'Yep!' [...] There's a little more attention paid to Nick Zedd and Lydia Lunch than I think is deserved, but otherwise the book is perfect. [...] This one will live above your toilet tank for years and make shitting so much fun." – Nick Gazin, Vice
• Review: "Dave Cooper's produced [Bent,] another book's worth of sketches and oil paintings of weird looking women. Some of Cooper's gals are cute and cartoony, most seem to be a compilation of everything that women fear they look like. His paintings mix cartoonish proportions and ways of thinking with an amazing sense of light and forms. Dave Cooper has big ideas which are mostly scary and gross ideas rendered beautifully." – Nick Gazin, Vice
• Review: "Jason... makes comics that are quiet and lonely and often show how quickly life passes. [What I Did] contains the first comics that Jason had published in English... Each one makes it seem like life is just absolutely meaningless. [...] You like smart animals? With hats? And ennui? And muuuuurderrrrrrr? You do? What else do you like? Because I like you." – Nick Gazin, Vice
• Review: "Werewolves [of Montpellier] has an artsy feel, but also plenty of humor, even in (or especially in) its more dramatic moments. [...] But it’s mostly the subtle characterizations that still bring the greatest amount of personality out of his creatures that look like animals, but act so much like humans. [...] Overall, it’s another great book from Fantagraphics in the Jason catalog. It doesn’t shake the foundation of his style, but it does try a few new ideas and tells another fun story." – William Jones, Graphic Novel Reporter
• Review: "Because of the wide variety of ways these artists see the world and approach art, it’s understood that some pieces delighted me while others left me scratching my head. But even the head-scratchers — especially the head-scratchers — left me pondering various aspects of the mythical and legendary creatures in ways I’d never considered before. [...] Once I was done [with Beasts! Book 1], I realized that I’d held onto that feeling of going through a real, marvelous exhibit of strange and wonderful creatures. Like I’d been told a story in which I was the main character, visiting this museum, learning about these beasts, wondering about them, and in turn creating stories of my own." – Michael May, Robot 6
• Review: "Reading Drew Friedman's 2010 book Too Soon? reminded me that I'd missed his 2007 comics collection, The Fun Never Stops!, so I had to remedy that situation as quickly as possible. [...] Drew Friedman comics have to be experienced rather than described; he has a distinctive, warped sensibility, intensely steeped in old pop culture but with an almost literary detachment and a relentless tropism towards ugliness, unlikely connections, and random cultural detritus. What sells it is that unflinchingly realistic drawing style — when you look at a Drew Friedman picture, you know it must be true in some way, because a fake could never look that good." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
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