|Daily OCD: 12/27/11|
|Written by Mike Baehr | Filed under Wilfred Santiago, Steve Duin, Shimura Takako, Richard Sala, reviews, Oil and Water, Michael Kupperman, manga, Love and Rockets, Los Bros Hernandez, Lorenzo Mattotti, Leslie Stein, Kevin Huizenga, Johnny Ryan, Jim Woodring, Jason, interviews, Gilbert Hernandez, Edward Gorey, Disney, Dave McKean, Daily OCD, Carl Barks, Best of 2011, Alexander Theroux, 21||27 Dec 2011 11:07 PM|
Today's Online Commentary & Diversions:
"It takes a bit of daring to be willing to alter the status quo in a respected body of work and considerable talent to be able to do so in as assured manner as Woodring does here." – Chris Mautner
...Mark Twain's Autobiography 1910-2010 by Michael Kupperman at #87...
"Through war, animal make-out sessions and film writing, Kupperman takes Twain through the ringer in a hilariously catastrophic epic that the real-life 'Adventures of Huckleberry Finn' author would surely have appreciated. Although reading it won't score you any points on a history-class term paper, the book will certainly open your eyes to one of the funniest writers working in comics right now." – Brian Warmoth
...and Johnny Ryan's Prison Pit Book 3 at #86...
"The excessive violence is still here, more refined, more imaginative, more disturbing. Ryan pushes himself artistically in the second half of the book, delivering a stunning sequence that still haunts me." – Chad Nevett
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'" – Sean T. Collins
...and Leslie Stein's Eye of the Majestic Creature at #61:
"Leslie Stein burst onto the comics scene this year when Fantagraphics published the collection of four of her self-published comics... The comic is both surreal and mundane, the story of a young woman who moves to a New York complete with humanoid animals and talking musical instruments. ...Stein [is] one of the best independent creators to emerge in recent years." – Alex Dueben
"Way back at the end of last year, I called this the best graphic novel of 2011, and if I’m now a little more reticent to make that claim, it has more to do with the high quality of a lot of other releases this year than anything else because this is still a masterpiece that, were I some kind of unlikely comics czar, I’d make compulsory reading for everyone interested in the medium. Just a breathtaking book."
...Ganges #4 by Kevin Huizenga...
"Another book that I raved about earlier this year, and another one that I’m still raving about as strongly months later. A tour-de-force of cartooning from a creator who just continually improves, and pushes at the medium in almost everything he does."
...and Celluloid by Dave McKean:
"It’s a disturbing book in many ways – questions about exploitation and power are very present in the text – but also a beautiful, seductive one. It’s a book that sticks with you for a long time afterwards, and for that alone, it’s one I’ve returned to many times since first reading it."
• List: Panel Patter's Rob McMonigal names his Best of 2011: Manga Edition, with Wandering Son Vol. 1 by Shimura Takako in the #5 spot: "This is one of the most serious manga series I've ever read, and I finished it unable to come to grips with the best way to review it. Dealing with two children who come to realize they are trapped in the wrong gender, it's a story of secrets, revelations, understandings, and occasional cruelty. The book handles the topic with care and respect, however, which is part of why it is so good."
"Isle of 100,000 Graves has Jason's trademark deadpan humor, resolute protagonist, and ending that leaves the reader thinking."
...The Hidden by Richard Sala...
"At first, The Hidden feels like a typical apocalyptic story, albeit one painted amazingly well by Sala. But as things progress, the tale morphs and twists into one of the best horror comics I've read, with a twist towards the end that I never saw coming. That's what makes a comic stand out, and puts it near the top of my best of list."
...and Mark Twain's Autobiography 1910-2010 by Michael Kupperman at #1:
"I laughed out loud so many times over this mixture of text and illustration. It's a pitch-perfect book with almost no mis-steps, and I hereby call it my Best Indie Comic of 2011."
• List: At the Forbidden Planet International blog, comics creator John Riordan names Love and Rockets: New Stories #4 as one of his 3 favorite comics of the year, commenting only "My… aching… heart…"
• Review: "I found myself turning back and re-examining the pages often, digging through the many details that the words and images delivered. The story unfolds in earth tone – sepia illustrations, not gaudy, in keeping with the artist’s respect for the story and the subject. Clemente’s early life is here and one gets a real feel for his family and friends, and not without humor.... [21: The Story of Roberto Clemente] should appeal to graphic novel fans, baseball fans, anyone who likes a great 'bigger then fiction' story, and many others." – Mark Hodgens, Skyscraper Magazine
• Review: "Fantagraphics is now giving Barks’ Duck comics a whirl, and based off this first volume alone if there’s any justice in the comics world, fame should finally (belatedly) be coming for the late, great Barks.... The reproduction on these strips are beautiful; Fantagraphics hired cartoonist Rich Tommaso to re-color the works, and Tommaso wisely uses gentle flat tones to keep with the overall feel of Barks’ crisp, classic art. I also appreciated the essays about the different stories in the back of the book.... Donald Duck: Lost in the Andes is a handsome looking book, and trust me when I say it’s just the first of many I plan on reading by Barks." – Greg McElhatton, Read About Comics
• Review: "So cue the squeals, and scan the racks at your friendly neighborhood comics retailer for writer/artist Michael Kupperman’s Tales Designed to Thrizzle #7. Beyond a cover whose hilarity strangely if successfully depends on its all-day-sucker coloring — tangerine, lemon, lime — this dadaistic offering opens with a six-page excerpt from Scary Bathtub Stories, a faux-Golden Age comic, and thereafter spirals further and further into neo-psychedelic weirdness." – Bryan Hollerbach, PLAYBACK:stl
• Review: "I like to imagine [Michael Kupperman] sitting in some tiny hellhole of a studio apartment packed deep into the bowels of New York -- these noble creatures lose their mystique when they own homes -- doing mutant Thrizzle pages until they stop paying him or until he gets a gig in the back pages of Vice. Some feminine if not female voice of reason hovers next to his desk, thumbing through the newest set as he leans back in his chair, wondering if Fantagraphics paid him enough to afford blowing the budget on a beer, wiping entirely imaginary sweat from his brow." – Patrick Tobin, Multiversity Comics
• Interview: The Comics Reporter's Tom Spurgeon talks to Oil and Water writer Steve Duin: "I'm too new to all of this to fully grasp how the perfect union of writer and artist is formed... and there were times when Shannon [Wheeler] and I struggled to find common ground. But a great deal of my understanding of what we were dealing with in the Gulf owes to Shannon's perceptions and his sketchbook. He was refreshingly aggressive in dealing with the BP clean-up teams disinclined to give us access. His original poster for the group -- a naked woman starring incredulously at the oil derrick in her bed, and saying 'What do you mean, it broke?' -- is brilliant."
• Interview: Bookforum's John Madeira, who says "...Alexander Theroux’s writing... is grandiloquently lyrical, dizzyingly erudite, and often acerbic," talks with Theroux about The Strange Case of Edward Gorey ("a smart, engaging, and insightful monograph asking as many questions about the quirky artist as attempts at answers") and other topics: "Edward Gorey was very ornate — Corinthian! — in his love of language, and when he was in a chatty mood his conversation, crackling with allusions, was rich and often rare, exaggerated, campy to a degree, invariably tinctured with lots of movie-love, sarcasm, irony. Mind you, it was not that the man was trying to be something, contriving, say, to appear a cavalcade of wit, merely that, rather like Dr. Samuel Johnson, he happened to have sharp, remarkable 'views' on all sorts of subjects, almost all worthy of note."