|Daily OCD: 12/31/09|
|Written by Mike Baehr | Filed under Tony Millionaire, Steve Brodner, Prince Valiant, Peanuts, Paul Karasik, Michael Kupperman, Kevin Huizenga, Jordan Crane, Johnny Ryan, Joe Sacco, Jacques Tardi, Ivan Brunetti, Humbug, Hans Rickheit, Hal Foster, Gahan Wilson, Fletcher Hanks, David Levine, Dash Shaw, Charles M Schulz, Blazing Combat, Best of 2009, Al Columbia||31 Dec 2009 11:38 AM|
Whew, what a year! Online Commentary & Diversions returns next week.
• List: Comic Book Resources continues listing their Top 100 Comics of 2009, with Johnny Ryan's Prison Pit: Book 1 at #75 ("A huge kick to the solar plexus, not just in terms of the way-beyond-NC-17 level of gore and bodily fluids on display, but also the sheer wealth of no-holds barred imagination and utter sense of play that's on every page. The craftsmanship on display is just as striking as the violence." – Chris Mautner) and The Squirrel Machine by Hans Rickheit at #56 ("Few artists in comics can tell surreal stories with the level of clarity and precision that Hans Rickheit achieves... In the same way that David Lynch squeezes compelling characters and memorable scenes onto film amid dark and obscured circumstances, Rickheit renders a feeling portrait of a young mad scientist named Edmund in one of the 2009's most inimitable reads." – Brian Warmoth)
• List: Jeff Smith names his favorite comics of the decade, including The Complete Peanuts ("Revolutionary.") and Bottomless Belly Button by Dash Shaw ("I was also impressed by the mysteries in the story — and really impressed by Shaw’s restraint in revealing only what he had to — leaving much for the imagination, and keeping my thoughts on the book and its meaning for days afterward.")
• List: The writers at Robot 6 name their favorite comics of 2009: Tim O'Shea lists Blazing Combat in his top 10; Chris Mautner lists his 10 favorite reprints, including Humbug ("excellent... packaged with loving care and an eye towards history"), Gahan Wilson: Fifty Years of Playboy Cartoons ("an excellent package of A+ material from a great cartoonist"), Prince Valiant Vol. 1 ("a lively, vibrant strip full of thrilling action and humor"), and You Shall Die by Your Own Evil Creation! ("More Fletcher Hanks? Yes please."); Sean T. Collins's top 25 includes Pim & Francie by Al Columbia at #1, West Coast Blues by Tardi & Manchette at #11, Ganges by Kevin Huizenga at #13, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #14, You Are There by Tardi & Forest at #16, The Squirrel Machine by Hans Rickheit at #17, and Johnny Ryan's Prison Pit: Book 1 at #23; and J.K. Parkin lists Ganges #3 ("a brilliant, insightful comic")
• List: Comics Alliance's thematic Best of 2009 list names You Shall Die by Your Own Evil Creation! "Best Indie Reprint Volume" ("The utterly insane adventures of the space wizard Stardust continue to be some of the most brilliantly surrealist comics around."), Pim & Francie by Al Columbia "Best Glimpse into a Terrifying Universe that will Haunt my Dreams for Years to Come," and Ganges #3 by Kevin Huizenga "Best comic to read when you can't sleep"
• List: Brian Gibson of Edmonton's Vue Weekly lists Safe Area Gorazde by Joe Sacco as one of the Best Graphic Novels of the 2000s: "Sacco’s made comics a serious and messily truthful place for journalism."
• List: Living Between Wednesdays lists The Best of 2009: Original Graphic Novels and Collections, including Blazing Combat ("Each panel of Blazing Combat is a stunning work of art, and they are beautifully preserved on heavy paper in this hardcover book. Just as relevant now as when they were first published, these stories should still draw an emotional reaction from anyone who reads them.") and Tales Designed to Thrizzle Vol. 1 by Michael Kupperman ("It’s just something that you have to sit down and read, and when you do you’ll laugh your ass off.")
• Review: "In ambition, breadth and heft, this far-ranging compilation is the worthy companion to Gilbert’s formidable Palomar volume. While capable of standing on its own, Luba is very much the continuing story of several characters now fully transplanted, unfettered and haunted, from their celebrated Mexican town to the Greater Metropolitan Land of Opportunity. Their histories grow longer, broader, more complex and richer as Hernandez’s rollicking, remorseless social comedy rolls on." – Rich Kreiner, The Comics Journal