|Daily OCD: 2/15/12|
|Written by Mike Baehr | Filed under staff, Shimura Takako, Robert Crumb, reviews, Moto Hagio, manga, interviews, Daily OCD, Bill Griffith||15 Feb 2012 10:39 PM|
Today's Online Commentary & Diversions:
• Review: "...[C]urrent fans of the [Zippy] strip are in for a surprise, a shock, and, ultimately, a major treat, when they pick up Griffith's new career retrospective, Lost and Found: Comics 1969-2003... The journey from these energy-packed, overstuffed, unpolished early comics to the elegant masterwork of the present is a journey greater than that of Gary Trudeau with Doonesbury or Charles Schultz with Peanuts.... His early reign as an oversexed adolescent-minded wiseacre gives way to a long golden afternoon of wry and wistful philosophizing, with frequent salient eruptions of deserved ire and malice toward all!" – Paul Di Filippo, The Barnes & Noble Review
• Interview: At Literary Kicks, Alan Bisbort talks to Bill Griffith about his career-spanning collection Lost and Found: "When I put this new collection together, Fantagraphics had been trying to get me to do this book for about ten years. When they first suggested it, they wanted some of the early, pre-Zippy work, along with the other non-Zippy work of more recent years. But I told them at first that 'that stuff has got to be hidden. Maybe when I’m dead someone can bring it out' but then over a period of time I grew to accept my arc, so to speak, whatever my arc is."
• Review: "Wandering Son... is a measured, sensible and sensitive series... Part of Wandering Son's hook is a distanced view at discomfort with one's own body. The manga is written to evoke the feeling of being ill at ease in one's own skin, such that everyone who has went through puberty can sympathize with these characters, regardless of their own relationship with sexual identity issues. I'm not so sure how particularly, generally appealing the prospect of reliving those feeling may be, but that sort of identification is a crucial part of what makes Wandering Son a superlatively fascinating manga.... Though it may or may not be an effective mirror to our own lives, it has its reader thinking about everything, both small and significant, [that] shape[s] us. As a result, Wandering Son proves to be deeply involving in an unconventional way." – Scott Green, Ain't It Cool News
• Review: "[The Life and Death of Fritz the Cat]'s beautifully drawn, even the earliest material. Fritz’s face is as expressive as all get-out, though you may be surprised at how dainty Crumb’s line is mid-period. One thing, however, remains consistent throughout and once more it’s Winston who hits the juvenile nail on its dream-addled, sex-obsessed head. 'Oh you’re such a child! Such a self-centred, egotistical child!'" – Stephen L. Holland, Page 45
• Review: "I believe that the Drunken Dream collection of stories lays the groundwork for measuring all of the wonderful components of girls’ comics. It’s a heck of a yardstick, I’ll tell you that.... It’s impossible to read through these panels and not feel your own life in them — and that’s why Hagio is such a brilliant writer. Shoujo manga is all about feelings, and Hagio is the master of feelings. The Queen of Feelings. THE EMPRESS OF FEELINGS.... I had never heard of the 24 Year Group before reading this anthology, but I feel like my life has been dramatically enriched by this collection. I want to buy three copies of it so that I can loan 2 to new people and have a back up loan copy for the eventual time when one of them gets stolen." – NOVI Magazine
• Commentary: At The Creators Project, Emerson Rosenthal talks to our own Larry Reid for an article on "the rise of DIY publishing and the revival of the printed word": "'The "Great Recession" forced us to get better with design if anything […] what you’re getting is a better looking book, more sustainable, and cheaper on the shelf. If anything, it’s a better product,' says Reid. 'At the same time, the self-bound ‘zine is definitely on the rebound.'"