|Daily OCD: 2/16/10|
|Written by Mike Baehr | Filed under reviews, Ho Che Anderson, Daily OCD, audio, Aline Kominsky-Crumb, Al Columbia||16 Feb 2010 4:42 PM|
Meaty Online Commentary & Diversions today:
• List: The Browser's Roland Chambers talks to comics scholar and junior fellow at the Harvard Society of Fellows Hillary Chute about her top five graphic narratives, including Aline Kominsky-Crumb's Love That Bunch: "To me, Aline is one of the most important figures in comics, which isn’t to say that she’s one of the most well-known. She’s not. But her comics have inspired a legion of cartoonists working in comics autobiography: specifically women cartoonists, because Aline published the first ever autobiographical comic from a woman’s point of view."
• Review: "King has long been a figure so ubiquitous in American culture that little of his true self remains in his frequently invoked image and words. Anderson does the man a favor by taking a spiky, fractured approach to his subject and refusing to plant a halo on his troubled head. ... Though all the great moments of his civil rights battle are here (from the March on Washington to his less-successful housing campaign in Chicago), Anderson doesn't resort to the cheap cinematic trick of success and fadeout. There is more disappointment here than celebration, suffused with the sorrowful sense of a long, long battle just barely begun. A crowning achievement, like the man it portrays." – Publishers Weekly (Starred Review)
• Review: "...Columbia's most disturbing material yet. ... he remains one of the finest horrorists (if such a word exists and I may be allowed to use it) working in comics today, far exceeding what is generally held to be the standard of excellence in the genre, via his ability to convey a terrible sense of dread and foreboding. ... As disjointed and narratively frustrating as Pim and Francie can be at times, it remains a stunning and haunting work that preys on your mind long after you've finished it. The successive wave upon wave of unsettling imagery builds upon subsequent page to suggest a world of constant pain and surreal terror, where hiding places are few and far between. ... The sheer level of craftsmanship and imagination on display makes this a book well worth reading for those who can bear its mordant message." – Chris Mautner, Robot 6