Win big in today's Online Commentary & Diversions:
• List:Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 1 includes Michael Kupperman's Tales Designed to Thrizzle at #52 ("...absurd scenarios proliferate throughout each issue of Kupperman's series, as he follows each loony premise through to its (il)logical end result. He's a versatile stylist as well..."), Eleanor Davis's Mome stories at #51 ("The short stories of Eleanor Davis draw on myth and horror to craft succinct, mysteriously moving little parables, like Grimm fairy tales where the "monsters" are almost always infused with pathos and feeling"), Eightball #23 by Daniel Clowes at #47 ("a self-contained epic in miniature, poking at superhero archetypes, with their ideas about 'responsibility' and 'right,' in order to tell a quiet, maudlin story of loneliness and self-isolation"), and Abstract Comics: The Anthology at #42 ("What's best about the book is how open its territory ultimately is, how much room it leaves for artists to come up with their own ideas about abstraction and sequence. It is a truly groundbreaking book that points the way towards a whole new conception of comics and challenges readers and artists alike to explore this new area.")
• Reviews: "Manchette’s brand of punk noir bears an existential, leftist tinge, with traces of Ballardian anomie. ... Opening Tardi’s adaptation [of West Coast Blues], one is quickly reassured by the faithfulness to the original novel. ... Tardi seems to have read Manchette’s mind when it came to visualizing the characters, scenery and action of the novel.... [and] his superior drafting skills are always in service to a tight rendering of the real world, from trains to forests to city streets. ... Turning to Tardi ‘s earlier work, You Are There, scripted by Forest..., we encounter a looser, sketchier style, admirably suited to the baggy-pants, fabulistic story and exhibiting similarities to the work of such artists as Moebius, Rick Geary, Aubrey Beardsley and Edward Gorey. Outbursts of calculated surrealism complement his unswerving attention to the quotidian. The beautiful and sensitive architectural renderings, as well as shots of nature — fields, a lake, birds, trees — contrast with the goofiness of our protagonist to good effect. ... Forest’s 1979 tale exudes a fin de Sixties, fey whimsicality. Think The Mouse That Roared crossed with Gormenghast and The Prisoner. Beckett-like soliloquies and Pinteresque dialogue round out the ambiance." – Paul Di Filippo, The Barnes & Noble Review
• Review: "This generous volume reprints Maakies strips beginning early in this decade. ... As such, [Drinky Crow's Maakies] Treasury really does represent an overflowing bounty of absolutely primo Millionaire and stands as an invaluable, one–stop companion to Pre-Millennial Maakies for devotees. Newcomers, however, should understand that their sense of humor will be expanded, pulled… actually, think of a medieval rack where subjects were strapped in and stretched to shocking, heretofore inconceivable lengths." – Rich Kreiner, The Comics Journal
• Review: "Jason is a painfully good comic creator – the man has a phenomenal knowledge of pacing, a sense of humour that’s darker than Darth Vader in a mine at midnight and deceptively simple figurework that says a shitload with very little. The stories collected in Low Moon are mostly full of that black, black humour. ... If you’re not reading Jason’s stuff, then you don’t really like comics, because this shit is as pure as it gets." – Bob Temuka, The Tearoom of Despair
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!