• List: YALSA's blog The Hub spotlights their previously-announced Great Graphic Novels for Teens Top Ten 2012: "Shimura Takako’s Wandering Son Volume 1 rounds out the Top Ten list for 2012 with a sensitive look at two fifth grade students struggling with gender identity: Shuichi Natori is a boy who wants to be a girl, and Yoshino Takatsuki is a girl who wants to be a boy. This is a complex and sensitive subject, but Takako handles it very gently, allowing the story to unfold in a way that is not only natural but sympathetic. Takako’s artwork is spare and evocative, supporting the story but never getting in the way of its telling. This one is for teens who like contemporary stories about real world problems."
• List: At LitReactor, Kelly Thompson runs down 10 Graphic Novels for the Literary Minded, with Castle Waiting Vol. 1 by Linda Medley recommended "for fans of fantasy": "Castle Waiting, a brutally funny book with a giant heart, has a new spin on fairy tales with a feminist bent that will draw you in and keep you reading from page one.... Medley’s world is expertly crafted and completely believable, while her black and white artwork is clean and highly detailed with an emphasis on character design and acting."
• Interview: At SF Weekly, J Poet talks to Pat Thomas about Listen, Whitey! The Sights and Sounds of Black Power 1965-1975: "As you can see from the scope of the book, there were hundreds of recordings connected to the Black Power movement. At Fred Hampton's funeral, they blasted The Supremes' 'Someday We'll Be Together' from loudspeakers. Huey Newton loved Bob Dylan's line, 'Something's happening and you don't know what it is, do you Mr. Jones?' The movement was inspired by music and the movement inspired many people, especially jazz musicians, to refocus their sound and energy."
• Review: "Buddy Does Seattle collects the first 15 issues of Hate, in which the protagonist has relocated to the Pacific Northwest and become the consummate slacker.... First published when Seattle was exploding in popularity due to the rise of Nirvana, Pearl Jam, and various grunge bands, Hate offered a decidedly un-romanticized take on a particular time and place. ...Bagge's artwork took the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos. As a work of cultural commentary it's brash and invigorating, and remains so years later." – Phil Guie, Critical Mob
• Interview:Nick Thorburn's tour with his band Islands brings him to Seattle next week and the Seattle Weekly's Dave Lake asks him about his connections to the city: "...I had a comic strip in the last couple issues of Mome, which is a Fantagraphics anthology, which is a Seattle-based comics publisher. I love Fantagraphics. I got a check from them recently for being in those comics and it would have made the 13-year-old me die with joy, seeing a check with my name on it from Fantagraphics. That's beyond my wildest teenage fantasy."
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