|Daily OCD: 3/15/12|
|Written by Mike Baehr | Filed under reviews, Pat Thomas, Love and Rockets, Jaime Hernandez, interviews, Fantagraphics Bookstore, Daily OCD, Bill Griffith||15 Mar 2012 6:47 PM|
Today's Online Commentary & Diversions:
• Interview: AlterNet's Emily Wilson talks to Pat Thomas about writing Listen, Whitey! The Sights and Sounds of Black Power 1965-1975: "I was trying to write a book that was pro-Panthers, but not with an agenda as to what I wanted to say other than to sort of humanize these people. To me they were more than just statues frozen in time; they were people I was hanging out with in current day. I just wanted to capture their humanity in some way. Militancy or their strident side was just one part of it. I wanted to focus on how their legacy crossed paths with pop culture. You know, I talk about this wacky 'Partridge Family' episode where they meet the Black Panthers. It’s not a dogmatic book.... It’s meant to be, for lack of a better word, fun."
• Interview: On the Penny Ante Editions blog author James Tracy also talks with Pat Thomas: "I don’t know if it’s a danger [when white people take an interest in Black culture], unless it’s KKK member or some twisted 'White Power' kook… otherwise, there will always be a reason (good or bad or misguided) for Whites to explore Black culture. Frankly, America needs to have more dialogue between races, embracing their differences as well as what they have in common. I didn’t try to pretend to be Black - and that was something that Elaine Brown liked about me. I didn’t put on a 'mask' and start to talk Black or pull that kind of shit."
• Review (Audio): The March 11 episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features Bill Griffith: Lost and Found: Comics 1969-2003 among their Comics of the Week
• Analysis: In the new entry in The Hooded Ultilitarian's critical roundtable on Jaime Hernandez, Noah Berlatsky examines nostalgia in the Locas stories, especially "Browntown" and "The Love Bunglers," from his trademark contrarian standpoint