Just beginning to catch up on Online Commentary & Diversions:
• Profile: With his big new art book out and his museum retrospective on the way, Daniel Clowes gets the New York Times profile treatment from Carol Kino: "Mr. Clowes can create a striking face with a few deftly placed lines or brush strokes, often seizing on some specific characteristic that summons up an indelible personality. Think of Enid Coleslaw, the snarky teenage anti-heroine of Ghost World, and her big, black nerdy-hip glasses; they cover most of her face, but they can’t conceal the tiny shifts in expression that loudly telegraph her mood."
• List:Daniel Clowes may be headed for a museum retrospective, but he is neither dead nor retired — but that doesn't stop Flavorwire's Elona Jones from naming 10 candidates to carry the torch of "his storytelling skills, interest in surrealism, and eye for biting observations," including Jason, who "receives international acclaim for his brilliant storytelling."
• Review: "The John Benson-edited anthology The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics assembles largely forgotten work by the likes of Jack Davis, Will Elder, Ross Andru, and Jack Kirby, parodying everything from Mickey Spillane novels to Rex Morgan, M.D. Some of these pieces can stand up to the best of Mad (or at least match the magazine’s average), but even the stories that are clunky and unfunny are fascinating for the way they rip off Mad shamelessly, including all the asides and mini-gags that Will Elder once labeled Mad’s 'chicken fat.' It’s a testament to how quickly the innovative and subversive can become mainstream." – Noel Murray, The A.V. Club
• Review: "Next to Pogo, the newspaper comics collection that fans have been most anticipating would be Ernie Bushmiller’s Nancy, which over the past few decades has garnered a reputation as the purest distillation of the gag cartoon, a triumph of minimalism... Nancy Is Happy: Dailies 1943-1945 joins Bushmiller’s magnum opus in full swing ... Bushmiller’s genius [was] to make everything in his strip so basic that anyone, anywhere, at any time, could get the joke." – Noel Murray, The A.V. Club
• Review (Video): Video blogger Robert Crayola looks at Nancy Is Happy: "If you like comics or comic strips especially and you haven't read Nancy or if you have and you just want more, I think you'll enjoy this.... Hopefully we can get many more volumes of this. I hope you support it. It's a great book."
• Review: "One of the signature achievements of ’80s alt-comics, Drew and Josh Alan Freidman’s Any Similarity to Persons Living or Dead Is Purely Coincidental: An Anthology of Comic Art, 1979-1985 is now back in print in a spiffy new edition that doesn’t really add anything to the original, but is still a necessary addition to any library that doesn’t already have a copy.... Drew Friedman’s stipple-heavy photo-realism and his brother Josh’s gleefully cruel humor combine to craft an alternate history of American entertainment that’s preposterous and yet feels true. Even now, decades after other cartoonists and comedians have tapped this well, the Friedmans’ pioneering work in the field of 'brattily dicking around with icons' remains unparalleled." – Noel Murray, The A.V. Club
• Review: "Folly... serve[s] as a good introduction to Rickheit’s beautifully ugly visions, of a world where cute girls and humanoid stuffed animals commit atrocities against oozing flesh. With a drawing style that resembles Jason Lutes and Charles Burns, and a storytelling style similar to Jim Woodring and Al Columbia, Rickheit excels in making nightmares lucid. Some characters recur from story to story in Folly, but really this book is just page after page of beautiful images juxtaposed with wounds and excreta. The single-mindedness of Rickheit’s approach — and the level of detail he applies to it — is impressively horrifying." – Noel Murray, The A.V. Club
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