• Review: "When most people try to employ dream logic in their work they fail miserably but Jim [Woodring] is great at it. The closest thing to a peer he might have is David Lynch but even that’s a stretch. Jim Woodring is the only Jim Woodring and no one has done what he does except for him. ... There’s not much point in trying to sum up the story of [Weathercraft]. There’s no text, the art is beautiful, and you’re totally consumed by the world he’s created and you exist inside it while you’re reading it." – Nick Gazin, Vice
• Review: "You know who is awesome and holds more water than anyone in comics? Basil Wolverton, that’s who. I might have gone overboard there but Basil Wolverton is so fucking funny that it’s no laughing matter. ... This little hardcover [of The Culture Corner] is sweet. The left page of each spread contains the pencil sketch of every comic that it’s available for and even the sketches for comics that never got finished. It is rad as hell." – Nick Gazin, Vice (same link as above)
• Review: "Holy crap, I love [Ganges]. Huizenga has this amazing way of writing and drawing comics that hit me in the soul, either directly reflecting an experience I can relate to (having trouble falling asleep in #3) or a feeling (like missing the good old days of a group of awesome work friends). Plus, his art style is this amazing mix of surreal and everyday imagery that mimics the daily weirdness of being a creative, introspective person and also takes on the look of a classic comic strip (Glenn’s nose reminded me of Popeye for some reason)." – T.J. Deitsch, United Monkee (via Sean T. Collins)
• Review: "Opulent; florid; intermittently bizarre: Red Barry,Will Gould’s gangling, glowering, undercover cop, countered Chester (no relation) Gould’s grimly taciturn Dick Tracy with a ripely atmospheric, robustly theatrical, unflinchingly lurid theater, replete with run-on dialogues, soliloquies and, not infrequently, faces that appeared to be 'made up' in the pointed, dagger-like beards, eye patches, and whiskers that would earn a chuckle of recognition from George Jean Nathan (once-and-forever dean of American drama critics)." – Donald Phelps, The Comics Journal
• Plug: On his News and Head Lice blog Paul Hornschemeier says "if you're not yet reading anything and everything Tim Lane and Tim Hensley produce, you're missing out. Hensley's comics and posts are always a welcome addition to any day over at Blog Flume and Lane's ongoing strip, Belligerent Piano reminds of me of the baby produced from the time Chester Gould had a three-way with Alex Raymond and Spain Rodriguez. Who's the one with the womb? I'm not telling."
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