|Daily OCD: 4/20/11|
|Written by Mike Baehr | Filed under Taking Punk to the Masses, Roy Crane, reviews, Prince Valiant, Popeye, Love and Rockets, Hal Foster, Gilbert Hernandez, EC Segar, Daily OCD||20 Apr 2011 5:06 PM|
Today's Online Commentary & Diversions:
• Review: "Erotic, harrowing, graphically violent, and astonishingly grim, Love from the Shadows sees Hernandez plunging ever further into his own heart of darkness. [...] Every line is heavy with sadness, with the desire of the character, and the character within the character, and the artist, and the audience, to escape. But if there’s one message you can draw from Gilbert Hernandez’s comics, it’s that once you enter that cave, there’s no going back. Christ, what a fucking book." – Sean T. Collins, The Comics Journal
• Review: "Clearly Taking Punk to the Masses will appeal first and foremost to fans of Kurt Cobain, Nevermind, and everything Nirvana — but by placing this groundbreaking band within a cultural and historical context it becomes more than just another Nirvana book. In fact, you’ll be surprised at how much more there is between its covers, and the Nirvana artifacts are kept to a minimum. Instead, it tells the tale of underground American punk, the Seattle scene, and the grunge phenomenon. [...] Even if you haven’t had the chance to check out the EMP’s exhibit, ...Taking Punk to the Masses provides an intriguing visual and oral history of the generation that changed music — and the Northwest — for good." – Dan Coxon, CultureMob
• Review: "The undisputed king of the adventure comic strip was Roy Crane. [...] Suddenly faced with a whole new audience and a world newly at war, Crane created a new strip for Hearst, the exploits of a daring Navy pilot named Buz Sawyer, beginning in 1943. The result was one of the greatest adventure strips ever, the first two years of which have been collected in Buz Sawyer: The War in the Pacific. [...] The bright-eyed, steely resolve of Crane's generation shines in every panel, making it a refreshing bit of nostalgia as well as an exemplar of sequential art. [...] For history buffs and comic fans alike, Roy Crane's flyboy provides a great escape from 21st-century cynicism." – John G. Nettles, Flagpole Magazine
• Review: "It's called Popeye, Vol. 4: "Plunder Island"... and it's just as good and thrilling a mixture of low humor, high adventure, running gags, populist sentiment, brawling action, expressive drawing, and unforgettable characters as ever. [...] This is great stuff, and it's just as funny and enthralling as it was in the mid-30s when Segar was spinning it out, day by day, in the funny papers. Someone who can read Popeye and doesn't has no advantages to speak of over the mule, who cannot read Popeye." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.