|Daily OCD: 4/28/11|
|Written by Mike Baehr | Filed under Taking Punk to the Masses, reviews, Mome, Mickey Mouse, Linda Medley, Jim Woodring, Floyd Gottfredson, Disney, Daily OCD||28 Apr 2011 6:41 PM|
Today's Online Commentary & Diversions:
• Interview: The L.A. Times Hero Complex blog's Noelene Clark talks to Jim Woodring about his L.A. Times Book Prize-nominated Weathercraft: "Art is always so reductive, and what I have going on in my comics is so simple and relatively easy to understand compared to real life, which is infinitely complex. So it might relate to real life in the same way that a chessboard would relate to a chessboard with an infinite number of squares on it. It’s sort of similar in some ways, but it’s much, much, much, much, much simpler and reductive and easier to understand."
• Review: "The strips themselves are great. In fact, it’s a crime these aren’t more well known. These daily strips are part of why Mickey Mouse became a popular character and world famous icon. The serialized adventures are exciting and fun, establishing a real personality for Mickey beyond what was possible in the animated shorts. The book has lovingly restored these strips from the original negatives and proof sheets – each one crystal clear and absolutely beautiful. If that were all there was to this book, I’d recommend it highly. But that’s not all. Co-Editor David Gerstein has... loaded this book with over 60 pages of supplementary articles and features that are a MUST for all Disney history buffs. [...] I cannot praise this volume highly enough." – Jerry Beck, Cartoon Brew
• Review: "I had high expectations for Castle Waiting, given that the first volume was outstanding, and I wasn’t disappointed. I found Volume 2 so strong, in fact, that it was my best graphic novel of 2010. [...] I normally am not a big fan of fantasy, but here, the characters are so strong in personality, so interesting and likable, that I want to spend more time with them. [...] The true strength of Castle Waiting, though, is Medley’s gorgeous art. The characters are perfect, distinctive and expressive, and the storytelling so strong you don’t even notice it. Instead, you’re visiting with this self-created family for a while — and it’s never long enough. When I close the cover, it’s always a melancholy action, because I want more time with these people, more adventures, more humor and good-heartedness." – Johanna Draper Carlson, Comics Worth Reading
• Review: "Mome 21 bats a good average, with many stories hitting their mark and a few clearing the fences. [...] Mome plays a unique role in the world of North American alternative comics. It’s one of the only long-form, regularly published comics anthologies out there, providing a vision of novelty and variety for the future of literary comics. When the series concludes later this year, a chapter in comics history will have closed." – Ao Meng, The Daily Texan
• Plug: Gillian G. Gaar works a nice mention of Taking Punk to the Masses: From Nowhere to Nevermind into her article on Nirvana history and mythology for Blurt