• Review: "...The Arctic Marauder [is] a gorgeous, sprawling tale that — thanks to translator Kim Thompson's finely tuned ear for tone — boasts chewy Vernian narration... Call it ur-steampunk — one of the works that laid the groundwork for a genre that would, just a few years later, fill bookstore shelves with soot, goggles and gutta percha. [...] Tardi's arctic seascapes and undersea trenches are things to marvel over, as is his ability to evoke the eerie undulations of the Aurora borealis with just a few finely scratched lines. The Arctic Marauder is at once a loving homage and a smart satire; it's also, not for nothing, a rollicking adventure. Pick it up, and get rollicked." – Glen Weldon, NPR's Monkey See
• Review: "Tardi is one of France's most famous creators, and Adele Blanc-Sec, the cynical author turned adventurer, is his most famous creation. [...] I am very happy to see that Fantagraphics has decided to republish the first two stories in a beautiful hardcover book, with another book to follow next year. [...] The adventures are by turns funny, weird, and surprising. They are reminiscent of Tintin, if Tintin was a cynical Frenchwoman instead of an idealistic boy." – John Anderson, The Beguiling
• Review: "...[T]he colorful (in many senses of the word) collection The Artist Himself... is a smorgasbord of senses working overtime, the coffee table book of the year for raunch-loving pop art fans and literary hedonists alike. [...] One of Canada’s best pop cult artists, Holmes lived far too hard and died way too young. I can’t imagine a better book being put together about him, though. The Portland-based [Patrick] Rosenkranz (whose earlier underground comics compilation Rebel Visionsis a tidy and sweet sweep of the entire field) has written a beautiful biography of the 60s-born underground cartoonist..." – Chris Estey, The KEXP Blog
• Review: "You can tell by the cover [of R.I.P.: Best of 1985-2004] that it bodes pretty badly for all those involved, from have-a-go-heroes, souped up for the occasion Charles Atlas-stylee, to those covering their murderous tracks, now newly addicted to cleanliness. Indeed both virtue and godliness play their part here, though neither is rewarded. These very short stories are like ten-second episodes of Roald Dahl’s Tales of the Unexpected and really challenge you to think, but they’re so concise and precise that it makes that a joy rather than a chore. [...] The medium employed... is scratchboard: that blank-slate of black upon which you work in reverse, scratching out shivers of white with a needle, sharp compass or random sterilised murder weapon. It works enormously well for stories so penumbral, yet on occasions the panels break out as blindingly as the light which fills them." – Stephen L. Holland, Page 45
• Analysis: At Robot 6, Matt Seneca takes a close look at a 2-panel sequence from Prince Valiant Vol. 3: 1941-1942: "Foster’s composition is wonderfully harmonic: two chords, beautifully struck in a rich and assured ink line, that complement each other perfectly. Though the panels use different camera angles and depict different subjects at different distances from the action, they share a remarkable symmetry."
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!