• Review: "The white rabbit who serves as our guide suggests Alice in Wonderland, but despite fantastical touches, Interiorae is much more concerned with the world as it presents itself. Intertwining the lives of the people who live in an apartment complex, it’s in some sense a book-length meditation on a rather beautiful idea, that the day-to-day lives of all the little people aren’t just worth paying attention to, but are essential to the very fabric of the spaces we inhabit. Giandelli doesn’t entirely avoid mushy sentimentality nor the excesses of an open heart — absolutely no one is deserving of even so much as mild criticism here, which feels more naive than accepting — but her feel for our inner lives, as well as a visual style that evokes the richness of life as she sees it, win out in the end." – David Berry, National Post
• Review: "Nicolas Mahler’s childishly cute drawings put an adorable face on a satire with a pretty deep cynicism with the superhero comics industry. A creation of Korporate Komics, Angelman is pink dumpling with wings, blessed with the superpowers of sensitivity, open-mindedness and being a good listener, at least until focus groups and lagging sales put him through a gritty reboot and a some deep-seated neuroses about being a second-rate hero. Mahler’s points about corporate art certainly don’t aim for subtlety, but that doesn’t make them any less true, and a droll sense of humour keeps things from getting too preachy." – David Berry, National Post
• Review: "Athos in America... is another collection of graphic novellas and graphic short stories from master of deadpan presentation Jason in the style of Low Moon, and, as with the release of all new work from Jason, a cause for celebration.... This book is chock-full of examples of Jason’s inspired appropriation of classic trash pop culture, and his repurposing of it in formally experimental (or is playful a better word?) explorations of the human experiment.... Jason’s comics are among the hardest in the world to review, as it’s difficult to say anything beyond 'Well, that was perfect' in terms of assessment, and the specific magic he works is so difficult to describe in words, and so easy to communicate by simply pointing to a random volume of his work and saying, 'Hey, check this out.'" – J. Caleb Mozzocco, Robot 6
• Review: "For a list price of $39.99... this book [Amazing Mysteries] does a wonderful job of showing off Bill [Everett]’s early work and lets us learn a lot about the man. .... Bill was an enormous talent for telling stories. Bill’s work, often as writer and artist holds up much better then many other artists from his time. This volume is a lot of fun as you can flip through it and see how much Bill played with layouts and panel design.... Bill was an amazing talent.... Bill’s style is so distinct it is often easy to tell when he did all the work. Bottom line for a good collection of a master in his early days, this book is hard to beat." – Jim Martin, Comics and... Other Imaginary Tales
• Review: "There are only a handful of rock journalists who could have a collection of their work seem like a necessity, and Paul Nelson would be at the very top of that list.... Kevin Avery's book [Everything Is an Afterthought] gathers many of Nelson's finest pieces, most for Rolling Stone magazine... As amazing as all those stories are, it's also Avery's riveting biographical chapter on Paul Nelson that really takes a sledgehammer to the soul. Weaving together the recollections of many of Nelson's peers, the portrait we're left is of a man that struggled to maintain a hold on reality, finding higher enjoyment in the world of the mind.... Paul Nelson took what was already life-changing, and the way he saw it and could speak about it, made it even more thrilling. Now we can celebrate him all over again." – Bill Bentley, The Morton Report
• Profile: The lead-in to TCAF at Canada's National Post continues with David Berry talking to Zak Sally: "His latest book, Sammy the Mouse, had an original home as part of Fantagraphics’ Ignatz series, but is now being collected and bound by Sally himself, by hand in his Minnesota studio. The world of Sammy reflects this hands-on approach: it feels immediate and lived-in, almost less like a story than a tour of Sally’s internal brain architecture, with a slight misanthropy and freewheeling visual style that recall work like Chester Brown’s Yummy Fur. 'For me, finding those first underground comics was incredible,' says Sally, who got his start reading superhero tales, but was quickly turned. 'It turned comics into something you realized you could just do yourself: just get your s–t together and do it.'"
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