• Review: "...[The Search for Smilin' Ed is] a massive comedic epic of demonic possession and ventriloquism — it’s an explosion of the kind of thing Deitch does best. ... I defy anyone to read this and keep pace with Deitch’s ideas — somewhere between hippie psychedelics and virtual reality futurism is where Deitch’s brain lies. His wacky cartoon art style reveals a complex universe that meditates on the nature of reality itself, and your personal place within it as filtered through the isolated impressions of your own brain." – John Seven, Reverse Direction
• Review: "Malkasian’s tale is like something out of a fairy tale Book of Revelations, with a strangely similar vibe to the final season of Lost. ... With Temperance, Malkasian has heightened the depth of her ideas and demanded more from her audience. It’s a religious parable, to be sure, but it doesn’t stop right there, instead going into the territory of the motivations of belief, including the roles of fear, wrongdoing and falsehoods." – John Seven, Reverse Direction
• Plug: "[Johnny] Ryan in Prison Pit proves to be a master of precise composition and pacing. Though there's nothing redeeming about any of the characters in Ryan's hellish world, I still want to follow them for the artist's drawing virtuosity. There isn't a misplaced line, or a poorly chosen composition in this book, and it leads to a visually compelling, well-paced piece of work." – Charles Brownstein, in an interview with The Comics Reporter
• Interview: At his blog Hardboiled Wonderland, author Jedidiah Ayres talks to Tim Lane about Abandoned Cars, about which Ayres says "A collection of graphic short stories linked by theme and style that modulate between a sharp, gritty focus and dream-sense stream of consciousness, it reads like the book Jack Kerouac may have written with oh, say Donald Ray Pollock, populated by characters outrageous and familiar, out of their minds and so far down to earth that they're actually beneath it. And that's not saying anything about the visuals. Tim's gorgeous illustrations are why I bought the damn thing. That he could write worth a crap was gravy. His style is batter-dipped Americana with a generous dose of film-noir aesthetics and if I knew anything about graphic artists, I'd blow your mind with some mash-up comparison, (please insert your own dream team here and then assume that he tops it)." A bit from Tim: "I'm also very interested in creating a hint of pre-comics code comic illustration style in my work — especially the crime/horror comics of the late 40's and early 50's — because, beyond the fact that I love that stuff, I think it represents something ideological that is still pertinent today and resonates with my own attitude toward life."
• Interview: Chris Reilly of TCJ.com's Guttergeek has a Q&A with Michael Kupperman. Reilly says "Kupperman weeds out all the NARCs at the party — meaning that if his work does not make you laugh, go back to Omega House and spank some pledges, you joyless freak. Seriously, this man is one of the all-time great comic book satirists (in that he’s so funny that he may be satirizing comedy). ... Through his lens the most mundane thing become seriously funny." Kupperman says "Why should you read Tales Designed to Thrizzle? To experience the liberating power of laughter. Of course, if you don’t find it funny then there’s really no reason to read it. If you have no sense of humor, stay away."
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